Secessionist Torch Sconce Handcrafted Artistic Work Woka Lamp Re-Edition

Most components according to the UL regulations, with an additional charge we will UL-list and label our fixtures.

Table light with opaline glass shade, handformed and sandcasted brass parts. Most components according to the UL regulations, with an additional charge we will UL-list and label our...

Very Elaborate Hand chased sconces, designed by Josef Hoffmann and originally manufactured at the historical Wiener Werkstaette. A longer Version was made for the Cafe Sabarsky at th...

Elegant wall-lamp with uplight and downlight function Most components according to the UL regulations, with an additional charge we will UL-list and label our fixtures.

A chandelier which can illluminate a ceiling rosette from the bulbs inside the metal-part which is a mirror and reflect the light from the bulbs inside the glass-bowl. A smaller vers...

A clear and simple wall-sconce for the house of Dr Gustav and Helene Scheu in the 13th district of Vienna, Laroch Gasse Most components according to the UL regulations, with an addi...

These pure white sconces sit upon torch like bases, illuminating the room in the fusion of classical and romantic forms, typical of the neoclassical period. Alabaster lighting was the first used electrical lighting in Europe, prized for its ability to softly diffuse light. As mentioned above, the Neo-Renaissance style was in reality an eclectic blending of past styles, which the architect selected on the whims of his patrons. In the true Renaissance era there was a division of labour between the architect, who designed the exterior highly visible shell, and others—the artisans—who decorated and arranged the interior. The original Italian mannerist house was a place for relaxation and entertaining, convenience and comfort of the interior being a priority; in the later Baroque designs, comfort and interior design were secondary to outward appearance. This was followed by the Neoclassical period, which gave importance to the proportions and dignity of interiors, but still lost the comfort and internal convenience of the mannerist period. It was during the Neo-Renaissance period of the 19th century that the mannerist comforts were re-discovered and taken a step further. Not only did the improved building techniques of the 1850s allow the glazing of formerly open loggias and arches with the newly invented sheets of plate glass, providing the first "picture windows", but also the blending of architectural styles allowed interiors and exteriors to be treated differently. It was at this time that the concept of "furnishing styles" manifested itself, allowing distinctions to be made between interior rooms...

Limited edition of wall lights with original vintage 1960s clear and amber Murano glasses, mounted on newly made bronzed brass frames / Designed by Fabio Bergomi by Fabio Ltd / Made ...

Neoclassical bronze armature support stylized flame shells, each holding one 40-60 watt bulb.

Italian wall light with gray Murano glass shade hand blown with small bubbles within the glass and a black Murano glass horn, mounted on antique brass finish frame / Designed by Fabi...

Italian wall light with grey Murano glass shade hand blown with small bubbles within the glass and a black Murano glass horn, mounted on antique brass finish frame / Designed by Fabi...

Torch row wall light, golden wrought iron. Brutalist style Comes from the lighting of a Catholic church Brutalism is an architectural style that emerged from the Modern Movement and had its peak between the 1930s and 1950s. In its beginnings it was inspired by the work of Swiss architect Le Corbusier Inspiration European medieval torches...