Set of Four Large Neoclassic Urn Form Alabaster Wall Sconces

Large wood with gold gilt four light urn form wall sconce. Marked Made In Spain on back. It has wires running to the cups but no sockets. Remnant's of wax...

Elegant pair of large Italian Modern Neoclassical style alabaster wall lights / sconces with white / grey and yellow veining. The pieces are delicately angled reflecting French Art D...

Pair of French neoclassical Alabaster and bronze wall mounted lights. These Parisian sconces will look great in so many settings. They are demilune sha...

Bronze Neo Classical Caldwell heavy cast ornate wall sconce. Adorned with fruit and a fluted body. Stamped on back. Four arms, electric. Dimensions...

These pure white sconces sit upon torch like bases, illuminating the room in the fusion of classical and romantic forms, typical of the neoclassical period. Alabaster lighting was the first used electrical lighting in Europe, prized for its ability to softly diffuse light. As mentioned above, the Neo-Renaissance style was in reality an eclectic blending of past styles, which the architect selected on the whims of his patrons. In the true Renaissance era there was a division of labour between the architect, who designed the exterior highly visible shell, and others—the artisans—who decorated and arranged the interior. The original Italian mannerist house was a place for relaxation and entertaining, convenience and comfort of the interior being a priority; in the later Baroque designs, comfort and interior design were secondary to outward appearance. This was followed by the Neoclassical period, which gave importance to the proportions and dignity of interiors, but still lost the comfort and internal convenience of the mannerist period. It was during the Neo-Renaissance period of the 19th century that the mannerist comforts were re-discovered and taken a step further. Not only did the improved building techniques of the 1850s allow the glazing of formerly open loggias and arches with the newly invented sheets of plate glass, providing the first "picture windows", but also the blending of architectural styles allowed interiors and exteriors to be treated differently. It was at this time that the concept of "furnishing styles" manifested itself, allowing distinctions to be made between interior rooms...

Neoclassical bronze armature support stylized flame shells, each holding one 40-60 watt bulb.