Abstract Sea

The Abstract Sea collection of table lamps in blown glass represents an icon in the Eros Raffael production. This Venetian glass table lamp is a unique cr...

Luminous monolith in murano artistic glass. The murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glas...

Murano artistic glass monolith. The Murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glass rods, silv...

Murano artistic glass monolith. The Murano artistic glass sculpture is a creative and natural expression of the artist Eros Raffael, made with transparent and pastel glass rods, silv...

The Flowers collection of table lamps in blown glass represents an absolute novelty in the Eros Raffael production. This Venetian glass table lamp is a unique creation, which embodies the typical production of Murano glass with pure gold leaf. Flowers is an eclectic piece of lighting, featuring an array of different details and colors that come together to create a unique and distinctive light creation. Flowers is the ideal solution for furnishing public spaces and for recreating a dramatic and significant effect. It is also the perfect solution for those looking for unique lighting products. The different parts that make up this artistic glass table...

The Stone table lamps in solid glass represent the top of the Eros Raffael collection. These table lamps in Venetian glass are unique creations, made in Murano glass with a technique created by Eros Raffael. Stone is an eclectic work of lighting, featuring an array of different details and colors that come together to create a unique and distinctive light creation. Stone is the ideal solution for furnishing public spaces and for recreating a dramatic and significant effect. It is also the perfect solution for those looking for unique lighting products. The different parts that make up this artistic glass table...

A detailed and well cast pair of Sea Horse Table Lamps with Capiz Shell Octagonal Shades. The bases have an enhancing deep green oxidation to the bronz...

American Arts & Crafts, Sea green Rookwood style Vase mounted as a lamp. Finely painted with two ducks swimming and diving under a canopy, with bright cobalt streaks chang...

Sea Naval Shells Theme Decorated Driftwood Base Table Lamp Mid Century Modern MINT!

Modernist mid century sculptural sea urchin table lamp crafted with wood spines over a metal frame with a one bulb socket inside.

A really cool and hard to find mid-century sea urchin table lamp, circa 1970s. The lamp is crafted with hundreds of leather strips over a metal frame supporting a one bulb socket. Th...

In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels. His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry. Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth. Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life.” Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object. Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...