Art Deco Large Table Lamp with Crystal Sparrow Lalique Style

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Iconic and straightforward French table lamp; the top is made of fine opaline glass in the shape of an inverted bell, the base is made of wood and brass; this model owes its name and origin to the Parisian lamp...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant and linear lamp in nickel and gilded brass; the solid round base with two steps, supports a brass sphere from which departs a stem with a refined, harmonious, and proportioned shape; at the top of the stem, there is a small but massive brass disk above which was placed the point of light with the attack for a lampshade (not supplied). The lamp was produced in Paris between 1960 and 1964 in a laboratory for the metalworking, it was a very well-equipped and specialized laboratory because the polishing and finishing of the two metals used were obtained with precision and meticulousness of the highest level; in the process of polishing the piece was worked with wheels of natural ?bre, combined with a very fine abrasive paste, then using other types of wheels it was possible to obtain a perfect polishing so that even the reflection of light becomes more uniform, giving the surface in question the typical bright appearance. These master craftsmen have made the lamp with their own design in Mazda style, by the concession of the Mazda Company itself without being able to affix the brand but following strict production patterns, the original table lamp style "Mazda Lamp" fascinates for its Parisian design of the thirties, simple and functional Art Deco; The successful combination of these mixed materials and refined colors have created a preciousness rich in contrast but very harmonious; in this lamp quality, elegance and fine workmanship are the focus of attention. Here the creativity of the designer and the art of craftsmanship come together to create an exclusive product, a unique modern furnishing accessory, refined and elegant at the same time, which adapts naturally and simply to both contemporary and classic environments. Mazda is a brand created within General Electric in 1909 and in addition to incandescent bulbs, had a prolific production of lighting and furniture of the highest quality, was chosen this name because of its association with the deity Ahura Mazda...

Suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Incredible and...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Origi...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Iconic and refined French table lamp; the elegant, hexagonal-section base is made of black lacquered wood and grows in height, at its top is a turned brass support on which rests a flattened sphere at the poles made of enameled metal, above the sphere is another brass support on which is housed the lamp holder. The design of the lamp is sumptuous but very proportionate, with a flashy but elegant decorative effect, right in the "Hollywood Regency" style. The lamp was created in Paris between 1970 and 1975; after carefully examining its manufacture and the materials used, we carried out careful and painstaking research and can attribute it with good certainty to the Maison Jansen, a French company that is an international emblem of luxurious style. In 1880, at the height of the Belle Époque, Jean-Henri Jansen emigrated from Holland to open a furniture store on Rue Royale in Paris. Maison Jansen was a success from the start. The shopkeeper was immediately impressed with his lavish, detailed window displays and unique approach to selling furniture within ten years Maison Jansen was no longer a store but a rapidly expanding design company with a wealthy and loyal clientele, clients he would retain for nearly a century. It was one of the most famous and influential interior decorating houses of the 20th century, frequented by royal families, high society figures, national leaders, and other luminaries of elite society. It was one of the first properly global design firms, one of the most influential voices of the twentieth century, an excellence that helped establish the Jansen style as an undisputed protagonist of design history. The genius of the company lay in its extraordinary ability to retrieve striking forms, colors, and materials from the past. The most sought-after pieces reflected the influence of past design, from the Louis XIV style to the Louis XVI style, from the Directoire era to imperial suggestions. In 1929, upon Jansen's death, the firm continued to expand its presence in the world under the leadership of Stèfan Boudin, Jansen's loyal collaborator; Stéphane Boudin was succeeded, after his death in 1967, by longtime collaborator and colleague Pierre Delbée, whose residence in Paris was world-famous as the pinnacle of Jansen's lush aesthetic, continued to represent the firm in its best designs until 1979, when the firm changed hands. The business did not last long after his departure, and Maison Jansen closed its doors in 1989, more than a century after its founding. Throughout its operation, Maison Jansen had very prestigious clients and commissions: William III of Holland, Alfonso XII of Spain, the Duke and Duchess of Windsor, the Rockefellers, Elsie de Wolfe, Nancy Astor's granddaughter Nancy Lancaster, American millionaire Henry Channon, the Kennedys and Coco Chanel, the restoration of the White House, including the famous Red Room, during John Kennedy's administration, furnishing of Lady Olive Baillie's Leeds Castle...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection ...

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