Big Ceramic Table Lamps by Denis Castaing, 2022

A ceramic table lamp by Denis Castaing. Perfect original conditions. Sold with a new European electrical system. 2022.

A ceramic table lamp by Denis Castaing. Perfect original conditions. Sold with a new European electrical system. 2022.

A ceramic table lamp by Denis Castaing. Perfect original conditions. Sold with a new European electrical system. 2022.

A ceramic table lamp by Denis Castaing. Sold with a new European electrical system. 2022.

A black ceramic table lamp by Denis Castaing. Perfect original conditions. Sold with a new European electrical system. 2022.

A ceramic table lamp by Denis Castaing. Perfect original conditions. Sold with a new European electrical system. 2022.

A very big, brown west germany table lamp (and 'bowl') with a big opaline glass shade. The glass shade connects to the ceramic base with three ...

A ceramic lamp with glaze decoration. Signed at the base Roset. Unique piece, circa 1970. Perfect original conditions. Sold with a new electrical system. Sold without lampshade...

A ceramic lamp by Robert Deblander. Circa 1960-1970. Unique piece. Original conditions. Height with lamp shade : 11 ' inch Diameter : 16 ' inch

Beautiful cone shaped table lamp in glazed ceramic with abstract motifs and different colors. Signed under the foot “A Kostanda, Vallauris” Alexandre Kostanda...

Pair of table torchieres uplighter, made by Mazda, circa 1930s, France. White opaline glass shades with open top. Black lacquer and chrome base and pull chain. Measurement of the op...

Big the hat lamp by Kilzi Dimensions: D 20 x W 21 x H 32 cm. Materials: oak, cherry and meranti wood. Materials may vary. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. The “hat” lamps have a volcano shaped top piece in opaque oak wood, with a small opening at the tip. The light runs down to the lower part of the piece creating a floating illusion. This again moving shape is composed of a crooked axis cylinder and a non symmetrical lathed section. Jorge Suárez-Kilzi was born in Venezuela to immigrant parents of Spanish and Syrian descent. His collection of works is signed under his mother’s last name, Kilzi, which is also often used to describe a person who works with plaster and chalk-unconsciously leading Jorge down a path he was destined for. The name has a link to a hard childhood in movement, to an immigrant background, to Latin American and its vernacular arts, to a sense of movement and evolution. As a grown man, the sensibilities of his childhood took him all the way to Japan, where worked as an architect in the offices of Sejima+Nishizawa Associated Architects/ SANAA and Junya Ishigami. Swiss architecture, which seemed in contrast, firm and steady, called upon him on a different basis, a return to order but also a reconnection to nature. A recent trip to Mexico and the mesoamericas, felt to Jorge as forgiveness to his early history and aesthetics. Driven by years of immersion in exotic culture and architectural experience, in 2018, he made the decision to become a freelance architect and artist, going from fields of architectural visualisations to ceramics and furniture, giving special attention to drawings and decorative motives. Every piece is expressed in simple forms and delicate emotions, where fluid silhouettes accompany each other like a soul in companionship. Jorge’s recent creation is titled “Mush” Lamps...