Black Modern and Pierced-Metal "Ucello" Table Lamp by Bernard Quentin

Custom made hexagonal oxidized metal table lamp designed by Juan Montoya. This geometric piece will add a unique look to any room. Property from esteemed interior designer Juan M...

One of a kind neoclassical table lamp with an etched metal body and circular marble base. Includes custom black fabric lampshade. Property from esteemed interior designer Juan Mo...

Stainless brushed steel geometric table lamp with black square rectangular shade. Lamp Shade Dimensions: H 9 7/8" x W 14" x D 9 1/2" Property fro...

Custom made triangular oxidized iron table lamp designed by Juan Montoya. This geometric piece will add a unique look to any room. Property from esteemed interior designer Juan M...

Gorgeous handmade pink stripped pleated lamp shade with diamond pattern. The perfect shade to enhance any floor or table lamp. Height: 13.25" Top Diamet...

A modern mahogany low table with the ability to be adjustable in height. Its square form and large legs make it a stabile piece, which can be used as a low dining table but most typi...

Swedish table lamp composed of a tubular brass base / frame with a black painted metal oversized shade. Elegant, modernist form, reminiscent of a des...

Italian modern plastic and black metal bikini table lamp by Tronconi, 1980s. Adjustable table lamp with round base, in plastic and black painted met...

A gorgeous Danish modern black metal & teak table lamp, circa 1980s. The teak base of the lamp is 6" D x 12" H and the total height of the lamp wit...

Gilt metal torch-pierced table lamp with four candle lamp lights to sides and socket on top. There is a riveted on "Made in Italy" label on the side.

Black and copper lampe gras N° 205 table lamp by Bernard-Albin Gras Dimensions: D 17.5 x W 14 x H 39 cm Materials: Steel Also available: Different colors and other shade available...

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...