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Lathe turned walnut table lamp form TWLB by Michael Rozell, USA 2023

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  • Lathe Turned Walnut Table lamp form TWLF by Michael Rozell, USA 2023
    By Micheal Rozell
    Located in Berlin, DE
    Lathe Turned Walnut table lamp form TWLF by Michael Rozell. A similar, slightly smaller model is listed, too.
    Category

    2010s American American Craftsman Table Lamps

    Materials

    Wood, Walnut

  • Lathe Turned Walnut or white oak sculptural side table FB23b by Michael Rozell
    By Micheal Rozell
    Located in Berlin, DE
    Lathe Turned side table (form FB23b) in Walnut or white oak by Michael Rozell
    Category

    2010s American American Craftsman Side Tables

    Materials

    Wood, Walnut, Oak

  • Lathe turned Walnut or white oak sculptural side table FB23a by Michael Rozell
    By Micheal Rozell
    Located in Berlin, DE
    Lathe turned Walnut or white oak side table form (FB23a) hand-crafted by Michael Rozell. A similar model (FB23b) is available too.
    Category

    2010s American American Craftsman Side Tables

    Materials

    Wood, Walnut, Oak

  • Walnut Coffee Table by Michael Rozell, USA 2021
    By Micheal Rozell
    Located in Berlin, DE
    Live Edge Walnut Coffee Table by Ohio Craftsmen Michael Rozell.
    Category

    2010s American Mid-Century Modern Coffee and Cocktail Tables

    Materials

    Walnut

  • Mahogany turned and carved rectangular stool by Michael Rozell, USA - new
    By Micheal Rozell
    Located in Berlin, DE
    Mahogany turned and carved stool hand-crafted by Michael Rozell, USA - new
    Category

    2010s American American Craftsman Stools

    Materials

    Wood, Mahogany

  • Walnut Cabinet by Michael Rozell, USA 2021
    By Micheal Rozell
    Located in Berlin, DE
    Hand-crafted walnut cabinet by Woodworker Michael Rozell. New.
    Category

    2010s American Mid-Century Modern Cabinets

    Materials

    Walnut

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  • Christopher Russell, Sepia Form Lamp, USA
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    In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels. His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry. Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth. Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life.” Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object. Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...
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  • American Designer, Table Lamps, Walnut, USA, 1940s
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    A pair of sizeable walnut table lamps designed and produced in the US, c. 1940s. Dimensions of Lamp (inches): 18.5”  H x 5.5” Diameter Dimensions of Shade (inches): 10" Top Diameter...
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