North American Table Lamps
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318
457
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487
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3,940
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Style: Modern
Place of Origin: North American
Whimsical Artisan Made Butterfly Lamp
Located in Hopewell, NJ
A unique and decorative lamp depicting a tortoise shell butterfly on a custom silver plate base. Provides a touch of ambient light when lit. Note the antennae made from safety pins....
Category
1950s Modern Vintage North American Table Lamps
Materials
Silver Plate
Christopher Russell, Opaque Green Lamp, USA
By Christopher Russell
Located in New York, NY
In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels.
His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry.
Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth.
Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life”.
Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object.
Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...
Category
2010s Modern North American Table Lamps
Materials
Ceramic
Christopher Russell, Sea Green Lamp, USA
By Christopher Russell
Located in New York, NY
In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels.
His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry.
Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth.
Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life.”
Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object.
Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...
Category
2010s Modern North American Table Lamps
Materials
Ceramic
Christopher Russell, Sepia Form Lamp, USA
By Christopher Russell
Located in New York, NY
In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels.
His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry.
Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth.
Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life.”
Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object.
Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...
Category
2010s Modern North American Table Lamps
Materials
Ceramic
Christopher Russell, Black Ovals Lamp, USA
By Christopher Russell
Located in New York, NY
In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels.
His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry.
Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth.
Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life.”
Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object.
Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...
Category
2010s Modern North American Table Lamps
Materials
Ceramic
Stefan Rurak, TL #11, USA
By Stefan Rurak
Located in New York, NY
Brooklyn based Stefan Rurak’s unique vision and process stems from a diverse range of media, ranging from things as conventional as drawing and painting to performance art. “The work...
Category
2010s Modern North American Table Lamps
Materials
Concrete, Steel, Gold Leaf
Stefan Rurak, TL #10, USA
By Stefan Rurak
Located in New York, NY
Brooklyn based Stefan Rurak’s unique vision and process stems from a diverse range of media, ranging from things as conventional as drawing and painting to performance art. “The work...
Category
2010s Modern North American Table Lamps
Materials
Concrete, Steel, Gold Leaf
Stefan Rurak, TL #9, USA
By Stefan Rurak
Located in New York, NY
Brooklyn based Stefan Rurak’s unique vision and process stems from a diverse range of media, ranging from things as conventional as drawing and painting to performance art. “The work...
Category
2010s Modern North American Table Lamps
Materials
Concrete, Steel, Gold Leaf
Stefan Rurak, TL #7, USA
By Stefan Rurak
Located in New York, NY
Brooklyn based Stefan Rurak’s unique vision and process stems from a diverse range of media, ranging from things as conventional as drawing and painting to performance art. “The work...
Category
2010s Modern North American Table Lamps
Materials
Concrete, Steel, Gold Leaf
Postmodern Glass & Brass Table Lamp circa 1985
By Leon Rosen, Pace Collection
Located in Costa Mesa, CA
Postmodern glass & brass table lamp circa 1985. (The shade is not included).
Category
20th Century Modern North American Table Lamps
Materials
Brass
E. F. Chapman Table Lamp by Visual Comfort and Co
By E. F. Chapman, Visual Comfort
Located in Germantown, MD
A stylish E. F. Chapman Table Lamp by Visual Comfort and Co in excellent condition. It Comes with shade and Shade is 13" in diameter at the
top and 9" Diameter base. Lamp is 24" ta...
Category
21st Century and Contemporary Modern North American Table Lamps
Materials
Brass
STACKED Wooden Tabletop Light No.1, shown in Ebonized Ash, Available Now
By Richard Haining
Located in Brooklyn, NY
This STACKED Tabletop Lamp is the newest exploration in Richard's signature lighting. As with all of his work, this sculpture was built, sculpted, and fi...
Category
2010s Modern North American Table Lamps
Materials
Ash, Ebony, Hardwood, Walnut, Softwood, Reclaimed Wood, Scrap Wood, Wood
Martz Table Lamp with Hand-Crafted Shade
By Marshall Studios, Gordon & Jane Martz
Located in San Francisco, CA
A matte dark brown table lamp by Jane and Gordon Martz for Marshall Studios. Stoneware base with teak neck and finial. Etched “Martz” on the back. Rewired.
Complete with a beautiful hand-crafted shade, in the original style and made from a luxurious Sandra Jordan Prima Alpaca quinoa colored fabric from the Sonoma Coast...
Category
1960s Modern Vintage North American Table Lamps
Materials
Stoneware
Alex Roskin, Fleur-de-lis Table Lamp II, USA
By Alex Roskin
Located in New York, NY
True to form, Alex Roskin’s LED sculptural lamp, in brass, has the same perfectly proportioned curves as his unique bronze and steel furniture pieces. Internal LEDs bounce off of the...
Category
2010s Modern North American Table Lamps
Materials
Brass
John Procario, Luminaire VII, USA
By John Procario
Located in New York, NY
John Procario’s exploration of scaled-down table top works, titled Luminaires, take on a new dimension with Luminaire III. Using the same construction process as his large scale Free...
Category
2010s Modern North American Table Lamps
Materials
Ash
John Procario, Luminaire VI, USA
By John Procario
Located in New York, NY
John Procario’s exploration of scaled-down table top works, titled Luminaires, take on a new dimension with Luminaire III. Using the same construction process as his large scale Free...
Category
2010s Modern North American Table Lamps
Materials
Ash
John Procario, Luminaire V, USA
By John Procario
Located in New York, NY
John Procario’s exploration of scaled-down table top works, titled Luminaires, take on a new dimension with Luminaire III. Using the same construction process as his large scale Free...
Category
2010s Modern North American Table Lamps
Materials
Ash
Karl Springer “Tortoise Shell” Sculptural Desk/Table Lamp
By Karl Springer
Located in Guaynabo, PR
This is a sculptural wide heavy lamp shaped as a rectangular block in the lower part and as a ninety degree angle semi-tunnel in the upper part. Both parts are joined by a solid rect...
Category
20th Century Modern North American Table Lamps
Materials
Tortoise Shell
Pair of Somerset Table Lamps by David Duncan Studio
By David Duncan
Located in New York, NY
The Somerset Table lamps-- A pair of table lamps with amber and brown transparent cast resin sections forming bamboo-shaped lamp bases. Each lamp can accommodate two medium base ligh...
Category
2010s Modern North American Table Lamps
Materials
Brass
Contemporary Green, White and Clear Lucite, Nickel Table Lamps with Shades, Pair
Located in Miami, FL
A pair of architectural shaped table lamps in green, white and transparent Lucite pieces.
They come with a unique matching rectangular shade in acrylic.
The lamp holders are made o...
Category
21st Century and Contemporary Modern North American Table Lamps
Materials
Nickel
Brass and Glass Light
By Christopher Gentner
Located in Chicago, IL
Materials: Brass and glass
Dimensions: 4 x 4 x 14"
Category
2010s Modern North American Table Lamps
Materials
Brass
Neal Small Op Art White and Clear Lucite Lighted Table Lamp - Sculpture, 1970s
By Neal Small
Located in Bainbridge, NY
Neal Small White Lucite and Transparent Illuminated Table Lamp - Light Sculpture. Featuring a rectangular White opaque Lucite base with enclosed...
Category
Late 20th Century Modern North American Table Lamps
Materials
Lucite
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