Vibrant Yellow Ceramic Lamp

Selection of vibrant blue ceramic lamps, circa 1950s. Beautiful crackle glaze to both. They have both been rewired and are ready to use. They are priced at $750 each and the price in...

Selection of colorful large-scale ceramic lamps, probably American, but in the style of Jacques and Dani Ruelland, circa 1960s. They all exhibit large-scale sculptural forms with bri...

Sculptural modern lamp, believed to be Italian, circa 1960s. It has been rewired and is ready to use. The price noted below includes the shade.

Pair of sculptural white lamps, in the manner of Diego Giacometti, probably American, circa 1950s. They have been rewired and are ready to use. The pr...

Selection of Italian midcentury lamps, Italy, circa 1950s. They are, from left to right in the first photo: 1) Brass and wood lamp. It measures 37.5"H x 14"W. 2) Brass and enameled m...

Selection of modernist plaster lamps, made by Sirmos, American, circa 1960s. From left to right, they are: 1) Plaster lamp, in the manner of Diego Giacometti. It measures 34" H x 17...

Vibrant Asian style yellow glazed ceramic table lamp on a wood stand.

Beautiful peacock in ceramic from the 1960s with brass stem. European wiring

This table lamp is in crackeled Ceramic. The color is blue. It has been done circa 1980, in France. US PLUG ADAPTATOR WILL BE FURNISHED FOR FREE TO THE US BUYERS Shade is not Furni...

This table lamp is in crackeled Ceramic. The color is blue. It has been done circa 1980, in France. USA PLUG ADAPTATOR WILL BE FURNISHED FOR FREE TO THE US BUYERS Shade is not Furn...

An exceptional pair of ceramic vessels as custom lamps. Beautiful form with excellent texture and vivid color. Fabulous weight and craftsmanship. Stunning jewelry! Excellent restored...

organic form sculptural glazed ceramic lamp by Arpad Rosti. Dark blue-green and grey in color. Best known for his remarkably inventive lamps, trays and vessels designed in organic, free form shapes, Arpad Rosti was a highly versatile artist, equally at home in both the ceramics and enameling fields. While most of his work was done in either clay or metal, in the late 1940s he also ventured into furniture design when he produced a group of tables in treated wood, mosaic, copper, and glass. His one-of-a-kind furniture was exhibited in 1949 at the Chinese Gallery in New York and written up in the New York Times. As further evidence of his wide-ranging talents, in 1972 he was commissioned to produce a stained glass window for a residence in North Caldwell, New Jersey which New York Times critic Joan Cook described as “a miracle of color and light.” Born in Subotica, Yugoslavia in 1909, Rosti studied architecture at the School of Industrial Arts in Budapest. In 1940, he moved with his wife Ilona to the United States and settled in New York where he became a naturalized citizen in 1945. In 1947 his work was featured in an exhibition organized by the Craftsmen’s Equity and presented at the Barbizon-Plaza Galleries in New York. The organization, of which he was President, aimed to “put craft on a business basis without sacrificing the individuality inherent in handmade articles.” Throughout the 1950s Rosti’s work was regularly chosen for the prestigious National Ceramic Exhibitions at the Syracuse Museum of Fine Arts (now known as the Everson Museum). It was included in seven of these exhibitions between 1946 and 1958 and in 1947 Rosti’s work was singled out by the New York Times critic Edward Alden...