Animal Skin Furniture

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Charlotte Perriand LC7 Chair by Cassina. Prices are dependent on the chosen color and material. Please ask for pricing in othe...

Rare set of ten gray leather 401 Break dining arm chairs on casters designed by Mario Bellini for Cassina Spa. The chairs have soft down filled cushions and ...

Leather "Palmaria" lounge chair by Vico Magistretti for cassina, Italy, 1970s The "Palmaria" Lounge Chair designed by Vico Magistretti for Cassina, Italy in 1980, is a true masterpi...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by...

The price given applies to the piece as shown in the first picture. Prices vary dependent on the chosen material. Chaise lounge designed by Le Corbusier, Pierre Jeanneret, Charlott...

This Cab 412 dining chair was designed by Mario Bellini for Italian manufacturer Cassina. It's the Dining chair version. The classic Italian masterpiece in dining rooms. It is uph...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by...

1970s vintage armchair, Italian manufacture, design by Mario Bellini, Cassina production. The armchair has an orange leather upholstery Vintage design in good condition; but the leat...

Set of ten Model 121 dining chairs, designed by Afra and Tobia Scarpa and produced by the Italian manufacturer Cassina in 1967. They feature black and English red leather upholstery...

Mario Bellini for Cassina, set of twelve ‘Lira e Liuto’ dining chairs, black and cognac leather, Italy, 1989 This postmodern set of twelve ‘Lira e Liuto’...

Afra & Tobia Scarpa "121" dining chairs for Cassina, red leather, Italy, 1965, set of fourteen. Iconic and charming, the model "121" by Afra & Tobia Scarpa shows once again the Scar...

Extremely rare full cube style in natural hide leather and in original condition. Inherently stylish and intriguing! Elegant from every angle-his best design. Dripping with style mak...

Chaise lounge designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1965. Relaunched in 2019. Manufactured by Cassina in Italy. One of Cassina’s worldwide best-seller...

Postmodern armchair in black leather on a chrome frame with independently movable seat, headrest cushion and satellite ottoman. The backrest has tilting adjustment.

Please ask for pricing in other materials and colors. An extremely functional dining chair, designed by Frank Lloyd Wright in 1907 for the Avery Coonley House, one of the finest ...

Afra & Tobia Scarpa "121" dining chairs for Cassina, black leather, Italy, 1965, set of ten. Iconic and charming, the model "121" by Afra & Tobia Scarpa shows once again the Scarpa'...

Afra & Tobia Scarpa "121" dining chairs for Cassina, black leather, Italy, 1965, set of twelve. Iconic and charming, the model "121" by Afra & Tobia Scarpa shows once again the Scar...

Vintage white leather veranda lounge chair designed by Vico Magistretti for Cassina. The chair is adjustable in various way and has an ergonomic and timeless deisgn. Magistrett...

Iconic voguish Italian design, model 917 Cassina chairs designed by Tobia Scarpa, circa 1950's. The chairs feature rosewood frames, with black leather upholstery. The chairs are stru...

Afra & Tobia Scarpa "925" easy chairs for Cassina, plywood and red leather, Italy, 1966, set of two. In 1966 Afra & Tobia Scarpa designed the "925" chair, realized in walnut and leather. The low chair is inspired by a sketch made in 1943...

A matching pair of LC1 armchairs designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand during the late 1920 and built up using chromed metal tubes and leather. Our set...

Armchair LC2 Petit Modèle with polished chrome frame and separate very deep blue leather cushions, LCX leather, the more exclusive version. The LC2 was desi...

LEATHER "PALMARIA 709" 2-SEATER SOFA BY VICO MAGISTRETTI FOR CASSINA, ITALY 1970S Introducing the timeless and iconic Palmaria 709 2-Seater Sofa, design...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key IDEA of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Le Corbusier held that furniture should be “extensions of our limbs and adapted to human functions.” The LC4 Chaise Longue (1928) embodies this notion with a “floating” frame that mo...

Prices vary dependent on the color and material. The price given applies to the chair as shown in the first picture. Charlotte Perriand 533 Doro...

Lounge chair designed by Mario Bellini in 2015. Manufactured by Cassina in Italy. Price is per piece. Please ask for pricing in other materials and colors.

The price given applies to the piece as shown in the first picture. Prices vary dependent on the color and material of the chair. Outdoor LC7 chair designed by Charlotte Perriand i...

Modern set of 7 vintage dining chairs, which were made out of a wooden base and cognac brown leather armchair shell. Stamped Cassina - N 10 The set of dining chairs by Josep Lluska f...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architectu...

Probably the most well-known piece by the Swiss-born architect Le Corbusier (Charles-Edouard Jeanneret) is the chaise-longue model LC4. Le Corbusier hardly needs an introduction, his works span from furniture, buildings, cities, tapestries, to sculptures and more. This is a beautiful vintage example of the LC4, in black pony skin leather. Origination: Italy, late 1990s – Cassina...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by Charlotte Perriand, a real...

Le Corbusier held that furniture should be “extensions of our limbs and adapted to human functions.” The LC4 Chaise Longue (1928) embodies this notion with a “floating” frame that mo...

Designed by Charlotte Perriand, Pierre Jeanneret and Le Corbusier Grand Modèle LC3 pair of club chairs by Cassina Original design France 1928 / Italy c. 1...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by Charlotte Perriand, a real...

The seat is available in many different fabrics / leathers. The AEO chair was the last product from the Archizoom group, and was designed by Paolo Degane...

Cassina Model 684  "Tentazione" leather armchair design by Mario Bellini in 1973. Good conditions, wears coherent with prior use and age. Measurements: D 66 cm x H 84 cm x L 81 cm.

The price given applies to the chair as seen in the first picture. Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the version...

Sofa designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched by Cassina in 1965. Manufactured by Cassina in Italy. Fauteuil Grand Confort, petit modèle ...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary archite...

Afra & Tobia Scarpa Soriana sofa and ottoman in light tobacco leather by Cassina in aniline leather. The ottoman is 95x82x42cm.

"Landeau" model sofa. Cassina production, Meda, Italy. Production from 1976 to 1991. Cover in raw linen fabric (code 134163) with leather profiles and hinges for joining the pane...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by Charlotte Perriand, a real mo...

Afra & Tobia Scarpa "121" dining chairs for Cassina, black leather, Italy, 1965, set of eight. Iconic and charming, the model "121" by Afra & Tobia Scarpa shows once again the Scarp...

Scarpa; Afra and Tobia Scarpa; Cassina; Italy; 1970's; Hollywood Regency; Minimalist; Italian Design; Afra and Tobia Scarpa, reupholstered cognac aniline leather, Cassina, Italy,...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Manufactured by Cassina in Italy. Timeless, unique, and profoundly authentic, the LC2 armchair ha...

Easychair designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. Charlotte Perriand designed Ombra in 1953, taking as her reference her Ombra Tokyo...

Chair designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. The price given applies to the chair as seen in the first picture.

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by Ch...

Armchair designed by Patricia Urquiola in 2019. Manufactured by Cassina in Italy. This comfy armchair has the same distinctive aesthetics as the Back-Wing chair designed in 2018. ...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary archite...

Loounge chair designed by Mario Bellini in 2015. Manufactured by Cassina in Italy. Roomy and inviting, cab lounge is a restatement of the cab chair concept. Nothing short of a masterpiece of craftsmanship, the Cab Lounge armchair is perfectly suited to both residential or contract use. The leather upholstery fits the tubular steel frame like an exquisitely tailored garment, complementing the curves, in a perfect symbiosis between the structural and the organic. The eleven leather sections, hand-stitched and fitted with four zipper closures, undergo fourteen hand-executed processes before they are complete. Fitted with a reclining mechanism, the five-spoke base sets off the entire chair, while the ergonomically correct design renders it extraordinarily comfortable; the care taken in the details is without equal. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Mario Bellini is an architect and designer internationally renowned. He received the Golden Compass Award eight times and 25 of his works are in the permanent design collection of the New York MoMA, which dedicated to him a personal retrospective in 1987. He was editor of Domus magazine (1985-1991). He has designed countless art, design and architecture exhibitions over the years, both in Italy and abroad: among the latest those at Palazzo Reale with Giotto's masterpieces (2016) and - at the Milanese Museo del '900 - the one dedicated to Margherita Sarfatti (2018-2019). In 2015 the Milan Triennale awarded him the Gold Medal for his career in architecture and in 2017 dedicated a retrospective exhibition to him. The same exhibition that will be organized again in Moscow in March 2019. Since 1991 he is Royal Honorary Designer of RDI. Since the 1980’s Mario Bellini, dedicating himself almost entirely to architecture, has designed numerous kinds of buildings including the Portello Trade Fair district in Milan, the Villa Erba Exhibition and Convention Centre in Cernobbio (Como), the Tokyo Design Centre in Japan, the Natuzzi America Headquarters in the United States, the National Gallery of Victoria in Melbourne, the Deutsche Bank Headquarters in Frankfurt, the City History Museum of Bologna, the Department of Islamic Art at the Louvre in Paris, the new Milan Convention Centre - the largest in Europe - and in Rome-Fiumicino the new international Airterminal T3 has been completed, while the new Headquarters Generali Group in Trieste has just been inaugurated. Projects currently underway are the New Polytechnic School of Genoa (2006-2020), a vast hotel and residential development on Virgin Gorda...