Pair of English Oval Giltwood Mirrors

Beautifully formed black and white plexiglass mirror hand mirror, the layers of acrylic twisting to form the handle.

Great pair of Octagonal form mirrors by Anthony Redmile with chrome frames inset with bone & tortoise shell inlay.

Excellent Hollywood Regency mirror, the overscale carved frame in gessoed giltwood. Dramatic and well-formed.

A early 20th century pair of water gilt Georgian style mirrors with exceptional carving.

A pair of one-drawer, English burlwood cabinets.

A pair of fine quality carved and gilt Florentine mirrors with original its glass. Solid carved back with hand cut nails.

We are delighted to offer for sale this Lovely French Vintage Pair Of Gold Giltwood Wall Mirrors. Dimension: W 48 x D 4 x H 64 cm Please carefully look at the pictures to see t...

A pair of carved giltwood mirrors, each having connected cartouches, with framed of s-and c-scrolls, waves, and rocaille, surmounted by a carved and gilt phoenix, the top cartouche d...

Oval with beaded and reeded outer frame, outer mirror frame with mounted paterae and inner leaf tip molded frame and oval plate.

English Derby oval mirror with vibrant bead work and decorative porcelain flowers. Mirror retains the original beveled glass and paper label on back, Ear...

A fantastic and extremely rare pair of George III period gilt Carton-Pierre and giltwood oval mirrors in the manner of John Linnell. Each mirror is gorgeously hand carved with meticulous detail and fine craftsmanship. The giltwood borders are designed with foliate crests above female masks, with aprons centered by a standing or recumbent left facing lamb. It is extremely rare to find a pair of mirrors of this date and in such amazing untouched condition, the mirror panels are most probably original and date to the late 1700s. Provenance: Jeremy, Ltd., London England, circa 1770 Carton-pierre, literal translation from the French - cardboard stone, was developed in the 18th century specifically to imitate wood and stone. The Formula typically included flour, chalk, sawdust, sand and plaster and bound with wax, resin, animal glues or gum arabic. The material could be moulded, bent and otherwise formed into the desired design. Preeminent makers like Gillows and John Linnell began using carton pierre in the late 1760s. The new material allowed for lacey decorative spandrels and festoons that could be made into nearly any length or shape required. These elements and the particular foliate umbrella canopy on this pair of mirrors relates to designs of William and John Linnell. The most famous example of this crest element is on the mirror supplied by Linnell to the 4th Duke of Beaufort for the State Bedroom at Badminton House...

A fantastic pair of English chinoiserie painted reverse on glass, carved giltwood mirrored two-light sconces. Each is beautifully hand carved and gilt...