Late 20th Century Mirrors

Minimalist nickeled-brass rectangular frame surrounding the original large mirrored glass. OUR REFERENCE N9181

A jeweled François Lembo mirror.

Espelt ceramic gold enamel mirror and box, France, 1960s Beautiful mirror and box. Perfect for a vanity or to store small trinkets. Last photo shown of two boxes which is sold sepa...

Introducing our exquisite handmade ceramic mirror, crafted with a rustic charm that adds a touch of warmth and character to any space. This one-of-a-kind piece showcases a beautifull...

Petit mirror from ceramic, France, circa 1950-1960 Dimensions are: 14.2" x 2.4". midcentury french Brutalist ceramic mirror different shades of light pink and an abstract flowe...

Rare ceramic mirror by Georges Pelletier. Elegant blue & gold reflexions. France 1970s

Giltwood round mirror with black ceramic Tiles, Spain, 1960s Overall measures: 59,5 cm diameter x 4 cm height Glass diameter: 50 cm.

Composed of a metal frame using molten metal technology, which gives the mirror its original shape, and copper and gilded brass inclusions on the surface of the frame, as well as met...

Wall mirror in white and gold enameled ceramic, approximate dimensions: diameter 48 cm. Signed on the back by the artist, delivered with a "Certificate of Authenticity". Georges Pel...

Signed at the base Original stoneware ceramic vase by French artist GB Midcentury ceramic vase design Brown and black stoneware ceramic glazes colors and effects Original...

Introducing an exquisite LaBarge reverse hand-painted mirror, a truly stunning piece of artistry. Crafted with meticulous attention to detail, this mirror boasts exceptional quality ...

Wall mirror in bluish black, gold and platinum enameled ceramic, approximate dimensions: diameter 48 cm. Signed on the back by the artist, delivered with a "Certificate of Authenticity". Georges Pelletier (1938) is a great contemporary artist exploring the fields of ceramics and lighting since the 1950s. Born in Brusels in 1938. At the tender age of 12 he enrolls in the École du Pioulier, founded by Célestin Freinet and located in Vence in the South of France. Here he learns free and modern art and discovers drawing and ceramics. During this period Pelletier starts showing solidarity and relief based on the principle of equality. This formation lends him a unique artistic identity. Georges Pelletier arrives to Paris in 1953 and continues with his drawing studies at l’Académie Charpentier meanwhile he still frequents Fernand Léger’s workshop. He enrolls the school of Métiers d’Art in 1955. Pelletier deepens into the world of ceramics during his time at Claude Pantzer’s workshop and the Potiers d’Accolay where he meets Raphael Giarusso...