George IV Black Japanned Round Mirror in the Brighton Pavilion Taste

The beveled rectangular mirror plate within a conforming solid mahogany frame, boldly carved with dentil banding. Handsome piece.

Within a foliate-carved frame surmounted by a foliate clasp. Mounted with hanging wire on back.

Acrylic and shellac based inks on Ingres Paper, with Dutch metal paper accents, with low iron mirror Signed and dated by the artist on the verso The Mirror of Nitocris is a round, ...

The round mirror plate within a foliate brass repousse inset ebonized wood frame, with gilt and beaded inner slips.

Acrylic and shellac based inks on Ingres Paper with low iron mirror Signed and dated by the artist on verso This excitingly-shaped mirror was hand-created by the artist with a square mirror...

Acrylic and shellac based inks on Ingres Paper with two tones of gold ink: red gold and lemon gold; with low iron mirror. Signed and dated by artist on verso. King Tut's Mirror is a hand-constructed rectangular mirror that has been wrapped in three different hand-painted papers. From architectural follies of the eighteenth-century to crystalline rock formations, Thomas Engelhart translates the angles and polished surfaces of ancient artifacts into hand-painted paper objects. A Charleston, South Carolina native, Engelhart began his career in fashion, studying at Studio Berçot in Paris in the 1990s. His intuitive eye and meticulous attention to detail were cultivated designing for famed houses such as Thierry Mugler and Hermès. “Paris gave me elegance, rigor, and an understanding of quality,” reflects the artist. By absorbing the French approach to fait à la main, Engelhart flourished upon his return to New York in 2017. Engelhart’s papered obelisks and pyramid boxes are the result of a passion for antique curiosities...

American, third quarter of the 19th century. Pine, gessoed and gilded, with mirror plate. Measures: 81 ½ in. high, 59 ½ in. wide. Condition: Excellent. The gilding has been cleaned and very, very slightly inglided as necessary. The ball at the upper left was missing and has been replicated based upon...

The gilding on this wood carved mirror is exquisite and exceptional, With the original patina. The design has a shield form with two urns Positioned at the ...

This piece is carved in the Venetian rococo taste with curved and Scrolling frames with foliate detail. It has double framing with inset Mirror that has hand etching...

A monumental Irish George IV giltwood convex mirror. A very large and impressive George IV giltwood convex mirror, the original circular convex mirror...

Well-carved giltwood wall mirror with a pagoda-form pediment above an open-work carved foliate frame.

A small carved giltwood looking glass mirror in a swirling Rococo style frame incorporating many of the mid-18th century designers repertoire of vigorous leaf carved scrolls, leaves ...