The Grand Piranesi

Acrylic and shellac based inks on Ingres paper; Wooden frame. From architectural follies of the eighteenth-century to crystalline rock formations, Thomas Engelhart translates the angles and polished surfaces of ancient artifacts into hand-painted paper objects. A Charleston, South Carolina native, Engelhart began his career in fashion, studying at Studio Berçot in Paris in the 1990s. His intuitive eye and meticulous attention to detail were cultivated designing for famed houses such as Thierry Mugler and Hermès. “Paris gave me elegance, rigor, and an understanding of quality,” reflects the artist. By absorbing the French approach to fait à la main, Engelhart flourished upon his return to New York in 2017. Engelhart’s papered obelisks and pyramid boxes are the result of a passion for antique curiosities...

Acrylic and shellac based inks on Ingres paper; Wooden frame. From architectural follies of the eighteenth-century to crystalline rock formations, Thomas Engelhart translates the angles and polished surfaces of ancient artifacts into hand-painted paper objects. A Charleston, South Carolina native, Engelhart began his career in fashion, studying at Studio Berçot in Paris in the 1990s. His intuitive eye and meticulous attention to detail were cultivated designing for famed houses such as Thierry Mugler and Hermès. “Paris gave me elegance, rigor, and an understanding of quality,” reflects the artist. By absorbing the French approach to fait à la main, Engelhart flourished upon his return to New York in 2017. Engelhart’s papered obelisks and pyramid boxes are the result of a passion for antique curiosities...

Acrylic and shellac based inks on Ingres paper; Wood frame. Available for customization. From architectural follies of the eighteenth-century to crystalline rock formations, Thomas Engelhart translates the angles and polished surfaces of ancient artifacts into hand-painted paper objects. A Charleston, South Carolina native, Engelhart began his career in fashion, studying at Studio Berçot in Paris in the 1990s. His intuitive eye and meticulous attention to detail were cultivated designing for famed houses such as Thierry Mugler and Hermès. “Paris gave me elegance, rigor, and an understanding of quality,” reflects the artist. By absorbing the French approach to fait à la main, Engelhart flourished upon his return to New York in 2017. Engelhart’s papered obelisks and pyramid boxes are the result of a passion for antique curiosities...

Acrylic and shellac based inks on Ingres Paper, with Dutch metal paper accents, with low iron mirror Signed and dated by the artist on the verso The Mirror of Nitocris is a round, ...

Acrylic and shellac based inks on Ingres Paper with low iron mirror Signed and dated by the artist on verso This excitingly-shaped mirror was hand-created by the artist with a square mirror...

Acrylic and shellac based inks on Ingres Paper with two tones of gold ink: red gold and lemon gold; with low iron mirror. Signed and dated by artist on verso. King Tut's Mirror is a hand-constructed rectangular mirror that has been wrapped in three different hand-painted papers. From architectural follies of the eighteenth-century to crystalline rock formations, Thomas Engelhart translates the angles and polished surfaces of ancient artifacts into hand-painted paper objects. A Charleston, South Carolina native, Engelhart began his career in fashion, studying at Studio Berçot in Paris in the 1990s. His intuitive eye and meticulous attention to detail were cultivated designing for famed houses such as Thierry Mugler and Hermès. “Paris gave me elegance, rigor, and an understanding of quality,” reflects the artist. By absorbing the French approach to fait à la main, Engelhart flourished upon his return to New York in 2017. Engelhart’s papered obelisks and pyramid boxes are the result of a passion for antique curiosities...

Step into the brilliance of the Art Deco era with our elegant mirror, a true symbol of 1950s aesthetic. Crafted in Italy, this mirror embodies the refinement and timeless style of th...

An elaborate, grand scaled, all hand blown and etched glass Venetian mirror with foliate and floral designs. From the area of Venice.

Man Ray, Mirror Les Grand Trans-Parents, Simon Gavina (First Edition), Italy, 1970s An enigmatic play on words for a mirror that has now become a true work of art. Les grands trans-...

A fine Chippendale design foliate carved mirror with split glass surrounded by swags, scrolls and carved acanthus decoration. This rectangular mirror is of Grand Country house propor...

Journey through history with our Vintage Grand Tour Relief Mirror. American-crafted with intricate relief detailing, this mirror captures the essence of the grand tour era, blending ...

An exquisite example of the lavish taste of the Qing dynasty, this 19th century mirror combines intricately carved cedar and camphor woods. The era saw a stabile political climate and robust economy that fostered a desire for sumptuous and well-appointed furniture. This grand-sized mirror features delicate, airy carvings of bloom-filled vases and frolicking deer, emblems of longevity. Given the mirror's graceful, feminine appeal, it was likely originally hung in a lady’s sleeping quarters. Still resplendent, this majestic mirror...