Mirror emil stejnar, rubert nikoll

The chairs made in the 1880s, from hand-carved wood and crafted from oak, are living testaments to the mastery of craftsmanship and dedication to quality that characterize the Victorian era. These exceptional pieces not only serve as functional seating, but are also tangible representations of the meticulous skill of 19th century craftsmen. The hand-carved wood, present in the backs and legs of the chairs, is a tribute to the detailed attention given to furniture at that time. The intricate engravings and ornaments reflect the distinctive style and sophistication associated with Victorian era furniture...

The wonderful traditional "monk chair", made in Sweden around 1900, is an extraordinary piece that encapsulates the craftsmanship and elegance of the period. The use of oak, known fo...

The Gastone Rinaldi chair, often mistakenly called the "Radiofreccia" model due to its appearance on the poster of the eponymous film by Luciano Ligabue, is a testament to timeless d...

The generously sized oriental rug, measuring 250x150 centimeters, is a work of art that reflects the rich tradition and craftsmanship of oriental culture...

The hand-carved Victorian mahogany wood chair is a masterpiece that evokes the opulence and sophistication of the Victorian era in England, dating back to approximately 1900. This pi...

The two Gripsholm armchairs, designed by Arne Norell, are authentic jewels of the elegance and functionality of Scandinavian design. Made from beech wood, these armchairs embody the refined simplicity and durability characteristic of Nordic furniture. Arne Norell's timeless design is evident in every detail of these armchairs, which have withstood the test of time and are in good condition. The beech wood used in the construction of the seats provides not only resistance, but also an undeniable warmth to the design. The clean lines and soft shapes of the wood highlight the Scandinavian aesthetic, which values functionality and beauty in equal measure. The white cotton upholstery adds a touch of freshness and luminosity to the Gripsholm armchairs. The choice of white is not only timeless, but also emphasizes the feeling of spaciousness and clarity, typical of Nordic design. The cotton, soft to the touch, complements the wood harmoniously, creating a contrast that highlights the quality of the design. Designed by Arne Norell, renowned for his focus on functionality and minimalist aesthetics, these Gripsholm chairs...

Backlit mirror by Emil Stejnar for Rupert Nikoll. The frame of the mirror is in white lackered metal ending with glass flowers. Light is functional, mirror is perfect.

Mid century wall mirror by Emil Stejnar for Rupert Nikoll. The mirror consists of an illuminated back with a large number of glass crystal glass flowers. 1950s - Austria Very good...

Emil Stejnar originally designed his Dandelion chandeliers and also this mirror series in the mid 1950ies. The series was manufactured by Rupert Nikoll for the „Ohne Pause Espresso“,...

Backlit mirror with frame made of glass flowers.

This illuminated flower mirror was designed by Emil Stejnar during the early 1950s, and manufactured in Austria by Rupert Nikoll. It features a round mirror, which appears to float, ...

A beautiful large round flower wall mirror with illuminated background and hundreds of Lucite blossoms by Emil Stejnar for Rupert Nikoll, Austria. Fine working condition. Width 67 cm...