Near Pair of Antique Giltwood Mirrors

A good pair of looking glasses In the manner of Thomas Chippendale The oval mercury glass plates housed within ornate rococo carved and pierce...

Of rectangular form, the frame housing the mirror plate finished in ivory paintwork, with gilt and burnished gilt highlights; the everted cornice decorated with egg and dart moulding...

A fine and substantial mirror in the Robert Adam manner. Primarily giltwood, and having an the elliptical mirror plate housed within a continuous band of stiff leaf moulding, encl...

A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...

A George III style carved giltwood mirror After a design by Thomas Johnson Of grandiose proportions, the central oval glass plate built up in a concentric arrangement of mercury ...

A George II Style Pier Glass in the manner of Matthias Lock Of rectangular form, constructed in giltwood and gesso, elaborately carved incorporating f...

A traditional Chippendale mirror of a George III design. These carved giltwood oval mirrors have a molded frame carved with cabuchon and intertwined C-scrolls and acanthus leaf spray. It is available as standard in two sizes; large and small - listed below. hand carved mahogany frames with water gilded 23-carat gold leaf, standard with an antiqued glass pane...

Beautiful pair of gilt mirrors with carved bow, cornucopia and garland details. One mirror has original mirror glass and the other was replaced l...

Each with panel and inset round mirror superstructure flanked by laurel swags over open scroll and rosette decoration all flanked by a pair of urns, all over a mirror plate set in guilloche carved frames with laurel swags. Beautiful original gilding in excellent condition. Removed from a Sherry Netherland...

With original gilding in cleaned restored retail condition. Arched open crest with scroll and flower decoration over a mirror plate set in a conforming frame with open carved ear...

A pair of carved giltwood George III mirrors of Adam design with leaf carved outer frame and bead carved inner frame, the surrounding border glasses are punctuated by oval flower-hea...

These 19th-century Regency giltwood pier mirrors are impressive pieces of antique furniture that would add elevation and refinement to any room. The dimensions of the mirrors are 203 cm (80 inches) in height and 76 cm (30 inches) in width. The frames are reeded, which means they have a series of parallel lines running vertically or horizontally on their surface, adding a textured effect to the frame. Additionally, the corners of the frames have ebonised floral details, which contrast beautifully with the giltwood and provide a pop of darker colour on the gold leaf. The mirrors retain their original antique...