Rococo wall mirror with Mary monogram, 18th century

Large Rococo wall mirror in a gold-patinated, curved frame with rocailles and shell ornaments as well as a winged putto head as a crown. Red wax seal on the reverse of the Prince Sal...

Wall mirror in wood carved rococo frame with rich rocaille decoration. Label on the back indicates the provenance Seehof Castle.

Pair of rectangular wall mirrors in a gold-patinated frame with Sienese marble and oval malachite inlays, framed by ebony strips. The inlays are partially broken and the gilding is w...

Large wall mirror with narrow metal frame and multiple curved edges.

Large wall mirror with narrow metal frame and multiple curved edges.

Rectangular wall mirror in rimless design and shadowy decor.

This Rococo mirror is attributed to Niclas Meunier, 1754-97. He worked in Stockholm as Royal maker of mirrors from 1769. Beautiful top with rocaille, volutes and acanthus. The bottom...

A fine George III English Rococo period giltwood wall mirror, the frame carved with scrolling foliage and c scrolls. Small but perfectly formed! English, c.1780 Provenance: the property of connoisseur Michael Godfrey.

18th Century Style Rococo Wall Mirror W Antiqued Beveled Glass.

The rectangular plate within a moulded frame carved with flower heads, surmounted by an elaborate pierced C-scroll cresting.

An antique French Rococo wall mirror features giltwood frame with crest having pierced foliate and gadroon crest and flanking high shoulders ...

Pair of "cornucopias" with mirrors, nearly identical (except for details in the leaves of the frames), carved and gilded wood. Inside, the main mirror has moldings that draw curves and straight areas, volutes and other elements. The elaborate decoration of the wall mirrors is based on grotesques in the lower part, from which plant elements emerge that are prolonged, accompanied by hangings, towards the upper part by the sides, with openwork details. Above, the crests have circular spaces, flanked by birds perched with its wings partly extended, and surrounded by elaborate frames that, like the rest of the pieces, have architectural elements (scrolls, smooth oval mirrors), plant elements and shapes that remind Rococo rockery. Clearly, the examples are included within the Rococo, counting, even with the slight asymmetry presented by the decorative motifs of the same and that slight difference between both examples. It is possible to find similarities in the design of these cornucopias with different engravings and works by Matthias Lock...