Auricon Cinema Newsreel Camera, Complete and Working. As Sculpture, Circa 1955.

Bronze sculpture of a working man holding a sledgehammer circa 1880-1900.

Richard Rohac, Chinese figure, salt and pepper shaker, Austria, 1955.

Richard Rohac, Chinese figure, salt and pepper shaker, Austria, 1955.

Sculpture ‘Stenblomman 3’ by Christian Berg. Casting stamp E. Pettersson Fud. Provenance: Rolf Schmitz.

Bear in Bronze 1955/1960, brown patina. This sculpture comes from a French family who bought it in Paris towards the end of 1950. It does not wear any signature, mark, or stamp of ...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Oswaldo Guayasamín (July 6, 1919 – March 10, 1999) was an Ecuadorian painter and sculptor of Kichwa and Mestizo heritage. Biography Early life Guayasamín was born in Quito, Ecuador,[2] to a native father and a Mestiza mother, both of Kichwa descent.[3] His family was poor and his father worked as a carpenter for most of his life. Oswaldo Guayasamín later worked as a taxi and truck driver. He was the eldest of ten children in his family. When he was young, he enjoyed drawing caricatures of his teachers and the children that he played with. He showed an early love for art. He created a Pan-American art of human and social inequalities which achieved international recognition. He graduated from the School of Fine Arts in Quito as a painter and sculptor. He also studied architecture there. He held his first exhibition when he was 23, in 1942. While he was attending college, his best friend died during a demonstration in Quito. This incident would later inspire one of his paintings, Los Niños Muertos (The Dead Children). This event also helped him to form his vision about the people and the society that he lived in. Career Guayasamín started painting from the time he was six years old. He loved to draw from that age. Starting from watercolors and transforming all the way through to his signature humanity pieces, his art career had many highlights. Although tragedy molded Guayasamín's work, it was his friend's death that inspired him to paint powerful symbols of truth in society and injustices around him. While his interest was seldom with his school work, he began selling his art before the time that he could even read. After his attendance at the School of Fine Arts in Quito, his career took off. La Galería Caspicara, an art gallery opened by Eduardo Kingman...