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A Japanese Samurai Armor with riveted cuirass, Juyo Katchū, 18th century

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  • Dangae do tosei gusoku A blue-laced samurai armor with cuirass of double style
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    Dangae do tosei gusoku A blue-laced samurai armor with cuirass of double style Edo Period, 18th century Kabuto [helmet]: Black lacquered eboshi-nari kabuto, in the form of this ...
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  • Koboshi Kabuto, Samurai Helmet with Standing Rivets Haruta School
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  • Go-Mai Uchidashi Dō Tosei Gusoku Samurai Armor Decorated with an Embossed Rabbit
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    Go-mai uchidashi do tosei gusoku Samurai armor decorated with an embossed rabbit Edo period, 19th century This samurai armor is complete and original, with consistent elements...
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    Samurai mask with a fierce expression Ressei Menpo DATE Edo period (1615 - 1867), 18th century A red lacquered high-level mask, with fierce (res...
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  • Okitenugui Kabuto Samurai Helmet Shaped as a Head Towel Saika, Early Edo Period
    Located in Milano, IT
    Okitenugui kabuto Samurai helmet shaped as a head towel Saika, early Edo period, 17th century The Haruta armorers who moved to Kii province in the early 17th century, took the name from the village where they worked, Saika, near Wakayama, possibly on request of the local daimyo, Asano Yukinaga, a great armour amateur. Specialised in the construction of plate helmets, they produced mainly two typologies of kabuto: one with six plates covered with a chrysanthemum-shaped plate on top and one shaped as a “head towel”, called okitenugui. The latter type of kabuto employs very heavy plates crafted in a curved manner and was improved in order to make it resistant to firearms. This okitenugui kabuto features some distinctive decorations of the Haruta school, including the application of cut-out iron elements, including eyebrows, washers and lozenge-shaped decorations on the sides. The ring on the top, however, is a rare feature and could be used to hold a small war flag.
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  • Japanese Two-Panel Screen with Scenes at the Pleasure Quarters, 18th Century
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    In the pleasure districts, the stringent codes were meant to be forgotten. In this painting, some clients are watching from outside the teahouse, while some are entering, one of them...
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