Dilke, French Painters of the 18th Century, in an Outstanding Cosway Binding

AUTHOR: JACKSON, Lady Catherine Charlotte. TITLE: The French Court and Society, Reign of Louis XVI and First Empire. PUBLISHER: London: Richard Bentley & Son, 1881. DESCRIPTION: ...

AUTHOR: MOORHOUSE, E. Hallam. TITLE: Letters Of The English Seamen: 1587 - 1808. PUBLISHER: London: Chapman & Hall, 1910. DESCRIPTION: A COSWAY BINDING. 1 vol., octavo., 8-7/16" ...

Author: France, Anatole Title: The Complete Works of Anatole France. Publisher: NY: Gabriel Wells, 1924. Description: The Autograph Edition. 30...

AUTHOR: SPENSER, Edmund (J. Payne Collier - editor). TITLE: The Works Of Edmund Spenser. PUBLISHER: London: Bickers & Son, 1873. DESCRIPTION: 5 vols., 9" x 6-5/16", frontis portr...

Large book box in the style of a French binding, 2-3/4" x 8-3/4" x 13-1/8". internally lined in a maroon suede. Internal dimensions are 2-1/8" x 7-1/2" x 11-3/8".

AUTHOR: BURTON, Richard. TITLE: The Book Of The Thousand Nights And A Night. PUBLISHER: London: H. S. Nichols, Ltd., 1897. DESCRIPTION: 12 vols., 1...

Hand-embossed Judaic book binding, Venice, Italy, circa 1700. Both covers bolding embossed with armorials below coronets framed by scrolls, flowers, and a...

An 18th century Italian silver book binding. An impressively designed, this book binding is formed by two, nearly identical covers, each embossed w...

French Furniture of the 18th century by Pierre Verlet and Penelope Hunter-Stiebel (Translator). University Press of Virginia, Charlottesville, VA, 1991. First edition thus hardcover ...

Title: "The Valley of Inspruck: An 18th-Century Engraved Perspective" This elegant original antique engraving, titled "The Valley of Inspruck," showcases a serene view of the Innsbruck Valley. The artwork is delicately rendered, capturing the grandeur of the mountains and the pastoral tranquility of the valley. The print depicts a detailed landscape scene, replete with towering craggy peaks that loom over a peaceful settlement nestled in the valley. A striking feature is the contrast between the ruggedness of the natural environment and the cultivated lands and architecture, indicating a harmonious coexistence of humanity with nature. It was published as directed on January 1, 1792, by T & G Egerton of Whitehall for the author. Albanis Beaumont is credited with the original design ('Del.' for delineavit, indicating he drew the initial illustration), and Cornelis Apostool is noted for the engraving work ('Sculp.' for sculpsit, indicating he engraved the image). The publication of this print during the late 18th century aligns with a time when there was a heightened interest in natural beauty and the picturesque, reflected in the art and literature of the Romantic period. This print would have appealed to those with an appreciation for both the aesthetic and the sublime qualities of the European landscape. The publication by T & G Egerton, a reputable firm known for their work in the arts, and the involvement of a skilled artist and engraver like Beaumont and Apostool, respectively, underline the quality and desirability of the print. It is a piece that would attract collectors of fine engravings and admirers of European landscapes, offering a window into the aesthetic values and artistic endeavors of the late 18th century. As a historical piece, this print offers a view into the past, inviting contemplation of the rich cultural and natural heritage of the Innsbruck area. It is a valuable collectible for enthusiasts of antique maps and prints...

The antique garden print you've described, titled 'Buitenplaats met tuin uit de 18e eeuw,' features a rare chromolithographic plate created by G....

An extrmely rare drawing of a Dodo Second half 18th century Pen and ink, and watercolour on paper, H. 18 x W. 12.2 cm With text reading: “This bird was seen in Mauritius by Sir Th Herbert about 1589 – there are Remains of the bill + legs in the Museum at Oxford – but.– it is near 200 years since any specimen has been brought to England. The Draw(ing) is made from a Dutch Painting in the British Museum – (?) J. A. says that it is eaten but the flesh is oily + unpleasant –” “The Dodo...