Exhibit A - Guy Bourdin - 1st Edition, Jonathan Cape, 2001

First Edition, published by Jonathan Cape, London, 1994. This truly amazing book, published to accompany an exhibition at the International Center of Photography in New York, collects the fashion work of legendary photographer William Klein. Showing his early and inventive work for Vogue and others as he explored and developed styles and techniques, we can see a different side to his work than his radical street photography, and how that in turn would feed back into his fashion work and film work through the years. Covering a broad span of his career with fashion and Classic, subversive films like 'Who Are You, Polly Maggoo?' and 'Mister Freedom...

First Edition, published by Éditions Xavier Barral, Paris, 2005. An acknowledged master of fashion, photography and eroticism, Guy Bourdin was an expert at merging glamour with a ...

First Edition, published by Trigram Press, London, 1975. A collaborative book of disorientating and ethereal poetry and artworks by Jonathan Williams and Tom Phillips...

A Phaidon publication, 1st edition, London, 2001. Hardback with English text. “Truth or Consequences”, a funny name for a small American town, acquired its unusual name from a call from a radio quiz in the 50s looking for a location to host their tenth-anniversary fiesta. Nick Waplington...

First Edition, published by Jonathan Cape, London 1990. First edition monograph on Cindy Sherman's iconic early work: The 'Untitled Film Stills' series of 40 photographs, with an in...

Ungaro published by Electa 1992. Beautiful book in slipcase with contributions by Frederico Fellini, Kattia D Kaupp, Yves Navarre, Gélene de Tueckheim and Alain Weill.: Emmanuel U...

Late Rembrandt by Jonathan Bikker. Published by Rijksmuseum Amsterdam, 2014. 1st English Ed with dust jacket. The city of Amsterdam celebrates its most famous artist with 40 paintings, 20 drawings and 30 prints. Late Rembrandt presents a comprehensive overview of the artist's work between approximately 1652 and his death in 1669. In collaboration with the National Gallery of London, the artworks in the exhibition are on loan from leading international museums and private collections, many of which have been brought together for the first time. Against the backdrop of tragic personal losses and ongoing financial difficulties, Rembrandt began experimenting with printing and painting techniques in the later years of his life, producing some of the most distinctive, innovative and daring works of his career. His global reputation was eventually shaped by the late masterworks such as Self-Portrait with Two Circles (Kenwood House, London), the Family Portrait (Herzog Anton Ulrich-museum, Braunschweig), Jacob Blessing the Sons of Joseph (Gemäldegalerie Alte Meister...

The Machine Age in America: 1918-1941 by Richard Guy Wilson. The Brooklyn Museum in association with Harry N. Abrams, New York, 1986. 1st edition hardcover with dust jacket. Publishe...

John Kingerlee: A Painter’s Passage, by Jonathan Bennington. Visual Arts Center, The University of Texas at Austin, 2008. 1st Ed softcover. This survey of Kingerlee’s work includes p...

Willard Metcalf, Yankee Impressionist. New York: Spanierman Gallery, LLC, 2003. 1st Ed hardcover with no dust jacket as issued. 151 pp. Exhibition catalogue on the work of Willard Me...

The history of Postmodern Architecture by Heinrich Klotz. Cambridge MA; The MIT Press, 1988. This first standard work on the past 25 years in postmodern architecture documents the ri...

Van Gogh a Retrospective 1986 1st edition. Large beautiful heavy hardcover coffee table book. New York: Hugh Lauter Levin Associates, 1986. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Dimensions:13.50 X 10.5 X 1.50 inches. * Publisher ‏ : ‎ Hugh Lauter Levin Associates; First edition. (January 1, 1986) * Language ‏ : ‎ English * Hardcover ‏ : ‎ 385 pages Synopsis: This is a very useful book. If you are interested only in the reproductions (good drawings as well as paintings), you will enjoy their high quality--and the breadth of Vincent's work that they cover. If you are interested in primary resources about van Gogh's life--newspaper articles; letters and reminiscences from friends, fellow artists, relatives--this volume is a real treasure. Between the excellent reproductions and the extraordinarily fine collection of biographical materials, this must be the best one-volume source on van Gogh. By the time he died in 1890 at the age of thirty-seven Vincent van Gogh had painted hundreds of pictures, yet sold only a few. Today his paintings sell for millions of dollars each, and his life as an artist is legendary. He is the quintessential modern artist, operating on the edge of his sensibilities, where life and art are inextricably bound together. Van Gogh : a retrospective tells the story of the great Dutch artist as a single volume has never told it before, illuminating his work with a fascination selection of primary texts, including some of Van Gogh's letters. In 125 superb color reproductions and 103 black-and-white illustrations, the struggles and triumphs of Van Gogh's art are surveyed from the early dark landscapes and paintings of Dutch and Belgian laborers to the bright, intense visions of Paris, Arles, Saint Remy, and Auvers, where he took his life. Complementing the works are pertinent photographs from the period and portraits of the artist by Toulouse-Lautrec, Emile Bernard, Paul Gauguin, and others. Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. From Publishers Weekly "He did not paint his pictures; it was like he exhaled them in a gasping, boiling breath," one German critic aptly wrote of Van Gogh. Reminiscences of the artist by friends and passing acquaintances, letters from his brother Theo and appreciations by critics and artists make up the text of this handsomely packaged potpourri. For Margritte, the blind force of Van Gogh's obsessions made the tortured artist an unfree man. To Kokoschka, the tension in the painter's famous sunflowers and undulating cypresses speak of the fragility of an easygoing lifestyle in a mechanized age. Each artist seems to confront his or her own concerns when analyzing Van Gogh. Jean Renoir, Francoise Gilot, Gauguin and Klee are among the commentators. One hundred twenty-five superior color reproductions and 103 halftones remind us that Van Gogh could do a very formal Still Life with Coffeepot, a street scene ablaze with fauve-like color or the solemn, biblical Raising of Lazarus...