Ferronnerie d'Aujourd'hui (Book)

This is a herd covered folio with silvered lettering and the original pink ribbon ties. Dating from 1928 there is a 4 page introduction (French text) plus 40 loose plates which show ...

This book is a monograph on the work of this very individual and very stylized goldsmith/silversmith whose main body of work (so far), has spanned the last third of the 20th century and just into the 21st century. He uses precious metals, mainly silver and gold but he also uses vermeil, which is the gilding of sterling silver with gold by electrolysis, together with precious and semi precious stones, his favorites seem to be lapis lazuli, ivory and rock crystal. His creations are mainly jewellery, Precious objects (Objets de Vertu...

A Monograph on this most important Brazilian furniture designer and maker from the mid-20th century. He opened his factory in 1943 and one of his main clients was the architect Oscar Niemeyer, for whose designs a number of original pieces were commissioned. He was well-known for making use of indigenous...

Introduction by Major-General Sir Randle Feilden, K.C.V.O., C.B., C.B.E. (Senior Steward of the Jockey Club) A pictorial dictionary of racing colours; as much a work of graphic art as a reference book. Each page contains a grid of 30 line drawings of a jockey shirt and cap with the colours and names of the owners. The whole makes a stunning graphic design book. Here is the perfect book of reference for all those racing people interested not only in contemporary racing colours but also in their history. In these 364 pages of superb colour are depicted nearly 10,000 registered owners' racing colours, each one carefully drawn by hand and beautifully reproduced. As a work of art and as a reference book, The Benson and Hedges...

Alvar Aalto was a Finnish Architect and Furniture designer whose career spanned from the 1920s to the 1970s, this book shows the progress of his designs from the 1920s Classic designs with modern twists through to what was to be referred to as "Scandinavian Modern" in the latter years of his career. He was best know for his use of moulded plywood and tubular metal in his designs and for creating stackable seating...

A beautiful book produced by Franco Maria Ricci in a limited edition of only 6,000, this being number 1547. With black silk covers and a presentation clam shell box...

Deeply sacred carved temple entrance with gargoyles, doves, mandalas, and fetishes of the natural and spirit worlds, all representing peace. During some time period it was fashioned ...

A rare set of two handcrafted heavy bronze door handles from an old temple in Nepal, mid-19th century. Figurative male sculptures depicting a fertiliy deity used on entry doors as a ...

A glorious pair of large, hand forged wrought iron Church Altar Gates, Spain circa 1900. These gates would have stood at the entrance to the altar in a chu...

Het huis Rechteren.' (Rechteren Castle.) This Castle is situated in the province of Overijssel in Dalfsen. The castle was built in the 14th century by Herman van Voorst. Other well k...

Antique print titled 'Gesigt van het Huys de Oranje Zaal'. View of Huis ten Bosch, a royal palace in The Hague, the Netherlands. This is an optical print, also called 'vue optique' o...

The definitive monograph of Oehlen's work to date. Limited to 1,000 numbered copies, each signed by Albert Oehlen. Also available: An Art Edition limited to 100 copies, each signed by the artist and accompanied by an original artwork. Often wryly funny and just as smart, Albert Oehlen’s paintings play the medium for all it’s worth and then some. After realizing that the so-called death of painting freed him to explore "the number of aspects through which one could expand painting," Oehlen started work on a wide variety of figurative and non-objective offerings, in what he has called his "post-non-figurative" art. The artist continuously challenges himself, setting up rules that force him to overcome convention and his own routine in order to arrive at a satisfying image. During his career he has chosen to paint in primary colors only or in gray, to integrate mirrors into his canvases, or to start on computer paintings when the first PCs became available. In his most recent work Oehlen expands painting through the use of advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humour, his work seems to be winking at us as it dares us to change the way we perceive an image. This XL monograph covers the entire Scope of Oehlen’s oeuvre: Roberto Ohrt discusses the early years, when Oehlen came into his own alongside Kippenberger, Bu¨ttner, and others, part of a scene that broke rules in art and rock music. Klaus Kertess examines the years from 1988 onwards, when Oehlen saw himself more self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium. Martin Prinzhorn and John Corbett...