George Stubbs - Anatomy of the Horse 1938

A Fabulous Near Large Pair of Cast Iron Horses Heads. Both heavy and well weathered and signs of ageing but a fabulous pair for multiple purposes and standing on bases 19 cm x 16 cm ...

A rare and wonderful set of portraits of the game and wild animals of Southern Africa delineated from life in their native haunts by Captain W. Cornwallis Harris and drawn on stone by Frank Howard and framed 1840. All in very good condition. The Book these came out of made £12400 when sold 12th June 2019 Lot 68. From one of the rarest of all books dealing with African big game and sport, this monumental presentation depicts wild game of southern Africa as encountered and studied by Harris. The tinted lithographs highlighted in colour by hand are especially lovely, each of the illustrations is also enlivened by scenic backgrounds of the habitat. Harris communicated an account of his travels in Southern Africa to both the Royal Geographical Society of London, and the Geographical Society of Bombay. In 1840 he published the Portraits of Game Animals, the first with pictures drawn by Harris, and reproduced on stone by F. Howard in London. All of the prints are in excellent condition, and each is accompanied by the original text describing the first impressions of the “Cape Colonists” of the particular species pictured in each print. Howard, Frank (1805?–1866), painter, son of Henry Howard...

A Pair of Hand Carved English Mahogany Torchieres dating from late Georgian period. Tapered post mounted on cabriole legs the post turned with rings and dual pitched barley twists. S...

Miss Ethel Mortlock an oil on canvas called 'Town' of Marie Adelaide Brassey (aged 3) who became Marchioness of Willingdon (see below) and is buried in the Nave at Westminster Abbey, signed and dated 1878. Picture 60 x 45 cm Ethel Mortlock (1865-1928) an extraordinary woman and sought after portrait painter, she painted this aged 16!. Born in Cambridge and lived in London. She exhibited at The Royal Academy between years 1878-1893 no less than 29 paintings also at the Grosvenor Galleries. Many of Paintings in museums (See History below and her sitters). Marie Adelaide Brassey - Marie Adelaide Freeman-Thomas, Marchioness of Willingdon, GBE, CI DStJ (née Brassey; 24 March 1875 – 30 January 1960) was a daughter of Thomas Brassey, 1st Earl Brassey. On 20 July 1892, she married Freeman Thomas , 1st Marquess of Willingdon (12 September 1866 – 12 August 1941), the future Governor General of Canada and Viceroy of India. She became : Invested as an Imperial Order of the Crown of India (C.I.) in 1917, Decorated with the Kaisar-i-Hind Gold Medal , Invested as a Dame of Justice, Venerable Order of St John (D.J.St. J.),Decorated with the Order of Mercy. Invested as a Dame Commander of the Order of the British Empire (DBE) in December 1917. Invested as a Dame Grand Cross of the Order of the British Empire (GBE) in the 1924 Birthday Honours. Marie Canyon on the Cowichan River, Vancouver Island is named for her, commemorating a 1930 canoe trip from Cowichan Lake down that river to the city of Duncan, British Columbia. The Lady Willingdon Hospitol in Lahore, Pakistan is named after her .The Lady Willingdon Hospital in Manali, Himachal Pradesh, India, is named after her. About Ethel Mortlock : Her clientèle of sitters included members of the aristocracy and European nobility and included, by her account, the Shah of Persia (1900) and the ‘Chinese Ambassador’, Li Hung Chang (who was actually the Chinese Viceroy), à propos which sitting the Sketch published an illustrated interview with Ethel in August 1896. Ethel was thought pretty grand by the American papers who reported that Chang had to go to her studio for sittings in 1896 rather than she wait upon him. He brought her a roll of silk and a white jade palette as presents. Li Hung Chang was a pretty big cheese; his wife had two thousand servants waiting on her. The Chatham, NY, Courier reported that Ethel had painted every Ambassador who had come to London. These last clients, allegedly by failing to pay the £1000 charged for their portraits, landed Ethel in trouble. They were, of course, conveniently unavailable to the bankruptcy commissioners so this sob-story could not be checked. Strapped for cash she was caught out when the executors of a racehorse owner called Edward Overall Bleakley found, in his effects, IOUs for hundreds of pounds (Bleakley had bequeathed his own portrait by Ethel to Manchester Infirmary [Daily News, 1.8.98]). Ethel went to court, claiming that these were offset by painting commissions, but the court found against her and she was told to pay up. Now saddled with legal costs, she was caught again when Captain Noel Hoare, her man of business, died and it was found that he had mortgaged to Hoare’s Bank, without her knowledge (she said), three properties in Sloane Street that she had been building. She tried to buy back one of these but lost a £500 deposit when she could not complete, making a bad situation rather worse. Bleakley’s executors now broke her and her examination in bankruptcy in 1901 can be read in the PRO as above. Her troubles were attributed to extravagance and betting - the Bleakley IOUs were assumed to be in fact gambling debts and the creditors now included all sorts of tradesmen and the Hotel Cecil where Ethel was then living, presumably in some style. She did not help herself by claiming an income of £250 p.a. when individual commissions were on her own account at the £1000 mark as above, meaning that the Chinese and Persian portraits alone would have occupied her last eight years and she would have obtained these prestigious commissions at the age of 18 (she gave her age as 26). Faced by the raised eyebrows of her superiors in mental arithmetic Ethel then upped her declared usual income to a still rather modest £800. She claimed to keep no sort of cash book, accounts, or any memoranda. Proceedings closed with Ethel declared bankrupt and a number of people out of pocket; the settlement was at 7/6 in the pound. Ethel went back to her easel. Some financial aspects seem never to have been sorted out; funds in Chancery relating to her, Hoare and Bleakley were still being recorded in the London Gazette every few years at least up to 1938; maybe the born in Cambridge; she appears never to have married. The 1881 census had not heard of her - she may have been in the United States at that time. However, standard works about Victorian painters, such as the Antique Collectors’ Club Dictionary of British Artists (Johnson %26 Greutzner, 1976) and their Dictionary of Victorian Painters (C Wood, 2nd edition, 1978) tell us that she was a pupil of Sir William Orchardson (who came to London in 1863) and that by 1904 she had exhibited 29 works at the Royal Academy. I have listed these, usually prestigious, sitters, who included Don Carlos...

A Pair of Very Attractive Plantation Fruitwood c1900 Armchairs with scrolling arms upholstered in studded tan leather and professionally upholstered matching hessian backs.

A Pair of Unusual Metal Gilded Wall brackets with liners made of brass and copper to put flowers in. Probably Italian and has fixings

1938 pull down anatomy chart, Denoyer-Geppert. Artist P.M. Lariviere. KL3 circulatory system. Stunning image, screenprint on linen.

A stunning tribute to our eternal fascination with the human body - and the latest in the bestselling 'Explorer' Collection Anatomy: Exploring the Human Bod...

A pair of brass & bronze models of propellers commemorating the launching of the Twin Screw Ship Bagan, dated 1938. Each propeller marked: T.S.S. "BAGAN" LAUNCHED 30th APRIL 1938 ...

George Stubbs, Painter. Catalogue Raisonné by Judy Egerton. Paul Mellon Center for Studies in British Art, Published by Yale University Press, New Haven & London, 2007. 1st Ed hardco...

Mario Buatta: Anatomy of a Decorator Author Emily Evans Eerdmans, Foreword by Patricia Altschul The first authoritative assessment of Mario Buatta by a protégée of the decorator. Ne...

A comprehensive, yet flexible and holistic approach to the human body for artists, Roberto Osti’s method of teaching anatomy is exhaustive, but never loses sight of the fact that this understanding should lead to the creation of art. Basic Human Anatomy...