HR Giger

C-print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, plus tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. “Larry Schiller is the one who came up with so many of these primal pictures. It was he who broke the story in the first place!” —Tom Wolfe In 1964, famed writer Ken Kesey...

They're not your girls next door. Fashion and fetish in a female fantasyland. Collector’s edition, limited to 1,500 numbered copies, each signed by the photographer. Ellen von Unwerth was a supermodel before the term was invented, so she knows a thing or two about photographing beautiful women. Now one of the world’s most original and successful fashion photographers, she pays homage to the world‘s most delectable females in Fräulein. This celebration of our era’s sexiest female icons includes Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green...

Fiber-based gelatin silver print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. In 1964, famed writer Ken Kesey and his band of Merry Pranksters set off across America on a “Transcontinental Bus Tour,” headed for the New York World’s Fair. Kesey’s journey, in the company of his Merry Pranksters, lies at the heart of The Electric Kool-Aid Acid Test, an as-if-first-hand account of the group’s antics and ethos by Tom Wolfe, wunderkind of the New Journalism movement. This Art Edition presents Wolfe’s era-defining text in letterpress, along with facsimile reproductions of his manuscript pages, ephemera of the period, and photographs of the acid scene by Lawrence Schiller and Ted Streshinsky. The accompanying print, Me and My Shadow, by Lawrence Schiller, was photographed at the Hollywood Acid Test on February 25, 1966. As the first photojournalist to capture the acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their experiences with LSD starting in late 1965. At first, he was a fly on the wall as groups of friends tripped in the privacy of their homes. By early 1966 he had met the Merry Pranksters and was invited to the Acid Test in Hollywood. During the Test, Kool-Aid laced with a heavy dose of LSD was served up from an industrial-sized pot. Participants turned on the Grateful Dead’s music and tuned in to the burgeoning psychedelic scene. Schiller’s image of a tripster “freaking freely” with his own shadow—long believed to be Neal Cassady—appeared in Life magazine in March 1966 in a photo essay which served to introduce the nation to the sweeping new LSD epidemic. For Flaming Lips lead singer Wayne Coyne...

A stately Collector’s Edition presenting the first major career retrospective of Marvin E. Newman, the remarkable New York photographer largely u...

Hardcover volume with 2 fold-outs in a metal cage, 33 x 44 cm (13 x 17.3 in.), 334 pages. Michael Muller has carved a career out of impressive encounters. Famed for his portraits of the world’s most elite actors, musicians and sports stars, he has in the last decade built up one of the most spectacular portfolios of underwater shark...

Jump into the megawatt world of Mert and Marcus, the creative tour de force who have styled and shot some of the most powerful brands and personalities of our time, from miu miu to A...

Captain's gig sternboard hardwood with rope carved border and brass lettering "Terpsichore Sandefjord" Norway. Great old sternboard from the Captain's gig from the Terpsichore. Circa...

Oriental Saber, also called Shamshir Ottoman Empire, late 18th century Handle in horn, silver mounted, damascus blade, scabbard garnished of black l...

Toppai kabuto, Samurai helmet from the Kajiwara clan. Edo period, dated 1802. Signatures: 筑藩士官 梶原 景泰 命春田 昌芳造之 享和二年壬 秋也 Chikushū (?) Shikan (officer) Kajiwara Kageyasu (?) Mikoto (lo...

A Hizen Katana in koshirae Signed 肥前國河内大掾藤原正廣 Hizen kuni kawachi daijō Fujiwara Masahiro - Early Edo Period (1615-1867) - NBTHK Hozon Tōken - Nagasa [leng...

Okitenugui kabuto Samurai helmet shaped as a head towel Saika, early Edo period, 17th century The Haruta armorers who moved to Kii province in the early 17th century, took the name from the village where they worked, Saika, near Wakayama, possibly on request of the local daimyo, Asano Yukinaga, a great armour amateur. Specialised in the construction of plate helmets, they produced mainly two typologies of kabuto: one with six plates covered with a chrysanthemum-shaped plate on top and one shaped as a “head towel”, called okitenugui. The latter type of kabuto employs very heavy plates crafted in a curved manner and was improved in order to make it resistant to firearms. This okitenugui kabuto features some distinctive decorations of the Haruta school, including the application of cut-out iron elements, including eyebrows, washers and lozenge-shaped decorations on the sides. The ring on the top, however, is a rare feature and could be used to hold a small war flag.

Design commissioned by JG SWITZER from a Ukranian plush toy artist, and sewn in our workshop from fluffy fur scraps, LITTLE JG RABBIT is for Bigs AND Littles. Created from our re-purposed, real Toscana...