Jackson Pollock - Kirk Varnedoe, Pepe Karmel - 1st Edition, MoMA, 1998

Published by The Museum of Modern Art, Oxford, 1980. Softcover with French text. This book was originally an exhibition catalogue published alongside a Po...

Published by Phaidon Press Limited, 1st edition, London 1998. Hardback with English text - an introduction by Patrick Kinmonth. Mario Testino and his oeuvre certainly need no intr...

First edition, published by Booth-Clibborn Editions, 1998 A first edition of a book that has become a landmark fashion publication, reprinted several times, and groundbreaking in it...

First Edition, published by Korinsha Press, Japan, 1998. Text in Japanese and with some English headings. A brilliant Japanese photobook of stills, designs and behind the scenes images from William Klein's classic anti-imperialist superhero satire, 'Mister Freedom...

Published by Assouline, 1st edition, Paris, 1998. Hardback with English text. A private view through the eyes of Françoise Mohrt… on the dresses, houses, art collections, and the wo...

Published by Taschen, 1st edition, Cologne, 1998. Hardback with English text. This lavishly illustrated book showcases the art of Tahitian tattoos in black-and-white masterly reproduced photographs. These photographs evoke the memory of Gauguin’s Tahiti which was in the collective yearnings of the West a century ago. This amazing book came out of the mission where French Vogue sent fashion photographer Gian Paolo Barbieri on a photo assignment, where he fell in love with the dreamy Polynesian and its rich artistic traditions. Complemented by two essays on skin by Michel Tournier and The History of Tattooing by Raymond Graffe, this book looks at tattooing as an artistic practice from all angles. A great inspiration book for tattoo artists...

“Bravehearts: Men in Skirts” Hardcover – 1st Edition, 2003 – by Andrew Bolton. Shrink-wrapped. From the publisher: What do Mick Jagger, David Bowie, Prince Charles, and Boy George have in common? These and other sharply dressed, sexually secure, 21st-century men are incorporating skirts into their wardrobes. In this provocative, one-of-a-kind book, Andrew Bolton traces the warrior origins of kilts and sarongs and reveals how, far from feminizing men, skirts actually reinforce their virility. Some 150 photographs illustrate this colorful salute to the growing numbers of the few, if proud, men in skirts. The author, Andrew Bolton is the associate curator of the Costume Institute...

Henri Labrouste: Structure Brought to Light MOMA Mar 10–Jun 24, 2013 Exhibition Catalog. New York Museum of Modern Art 2012. Signed by the author, Barry Bergdoll, 1st Ed hardcover wi...

"Pucci - A Renaissance in Fashion" by Shirley Kennedy, 1st edition, printed in Japan in 1991. All excellent near perfect condition. Cloth cover. First white page...

A clever, charmingly quirky portrayal of painter Jackson Pollock – and the first in a series of picture-book biographies of contemporary artists Jackson Pollock was unlike any other ...

The history of Postmodern Architecture by Heinrich Klotz. Cambridge MA; The MIT Press, 1988. This first standard work on the past 25 years in postmodern architecture documents the ri...

Van Gogh a Retrospective 1986 1st edition. Large beautiful heavy hardcover coffee table book. New York: Hugh Lauter Levin Associates, 1986. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Dimensions:13.50 X 10.5 X 1.50 inches. * Publisher ‏ : ‎ Hugh Lauter Levin Associates; First edition. (January 1, 1986) * Language ‏ : ‎ English * Hardcover ‏ : ‎ 385 pages Synopsis: This is a very useful book. If you are interested only in the reproductions (good drawings as well as paintings), you will enjoy their high quality--and the breadth of Vincent's work that they cover. If you are interested in primary resources about van Gogh's life--newspaper articles; letters and reminiscences from friends, fellow artists, relatives--this volume is a real treasure. Between the excellent reproductions and the extraordinarily fine collection of biographical materials, this must be the best one-volume source on van Gogh. By the time he died in 1890 at the age of thirty-seven Vincent van Gogh had painted hundreds of pictures, yet sold only a few. Today his paintings sell for millions of dollars each, and his life as an artist is legendary. He is the quintessential modern artist, operating on the edge of his sensibilities, where life and art are inextricably bound together. Van Gogh : a retrospective tells the story of the great Dutch artist as a single volume has never told it before, illuminating his work with a fascination selection of primary texts, including some of Van Gogh's letters. In 125 superb color reproductions and 103 black-and-white illustrations, the struggles and triumphs of Van Gogh's art are surveyed from the early dark landscapes and paintings of Dutch and Belgian laborers to the bright, intense visions of Paris, Arles, Saint Remy, and Auvers, where he took his life. Complementing the works are pertinent photographs from the period and portraits of the artist by Toulouse-Lautrec, Emile Bernard, Paul Gauguin, and others. Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. From Publishers Weekly "He did not paint his pictures; it was like he exhaled them in a gasping, boiling breath," one German critic aptly wrote of Van Gogh. Reminiscences of the artist by friends and passing acquaintances, letters from his brother Theo and appreciations by critics and artists make up the text of this handsomely packaged potpourri. For Margritte, the blind force of Van Gogh's obsessions made the tortured artist an unfree man. To Kokoschka, the tension in the painter's famous sunflowers and undulating cypresses speak of the fragility of an easygoing lifestyle in a mechanized age. Each artist seems to confront his or her own concerns when analyzing Van Gogh. Jean Renoir, Francoise Gilot, Gauguin and Klee are among the commentators. One hundred twenty-five superior color reproductions and 103 halftones remind us that Van Gogh could do a very formal Still Life with Coffeepot, a street scene ablaze with fauve-like color or the solemn, biblical Raising of Lazarus...