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Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou, 1st Ed

About the Item

Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou, Julia M. White (editor). Published by University of California Press, 2017. 1st Ed hardcover with dust jacket. Repentant Monk: Illusion and Disillusion in the Art of Chen Hongshou was the first U.S. exhibition focusing solely on Chen Hongshou (1599-1652), who was a major figure in Chinese painting. He has long been regarded as one of the most visually exciting artists of his time as evidenced in this exhibition by a careful selection of his best extant work including figure, landscape, and bird and flower paintings drawn from collections world-wide. Chen's iconic manner of painting figures in the styles of ancient masters lends an aura of antiquity to his work which is equally charged by distinct expressions of irony, humor, and pathos. In his landscape paintings we recognize his vast knowledge of past traditions while in his bird and flower paintings we see a remarkable freshness and modernity that has tremendous popular appeal. Repentant Monk addresses the need for a greater historical understanding of this artist's work and breadth of paintings made during the transitional period of the late Ming and early Qing dynasties (early to mid-17th c). The title refers to the nickname that Chen adopted in 1646, and goes to the heart of the exhibition's content. Chen used "Repentant Monk" (Hui Seng) in seals and signatures for a short period of time but his paintings reflected his personal state of mind throughout his later period. His withdrawal from society and adoption of this name make public both his disappointment with the Ming as well as his own regret at surviving and carrying on into the new Qing dynasty rather than following other loyalists to death by their own hands. The exhibition included work from major museums worldwide and includes strategic loans such as Elegant Gathering (1646-47) from the Shanghai Museum, Scenes from the Life of Tao Yuanming (1650) from the Honolulu Museum of Art, and The Mountain of Five Cataracts (1624) from The Cleveland Museum of Art. The catalogue includes an introduction by the exhibition curator Julia M. White, with essays by Tamara Bentley, Shi-yee Liu, Richard Vinograd, Hiromitsu Kobayashi, and Patricia Berger. Transcriptions and translations were compiled by Julia Jaw. Published in association with The Berkeley Art Museum and Pacific Film Archive (BAMPFA) Exhibition, dates: October 25, 2017-January 28, 2018. Accompanied by a fund raising and membership letter and brochure. NPT Books, a division of Trent Antiques, has a large collection of used and out of print books on art, architecture, decoration and antiques with a focus on 1st editions, signed and limited editions.
  • Dimensions:
    Height: 11.75 in (29.85 cm)Width: 8.75 in (22.23 cm)Depth: 1 in (2.54 cm)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    2017
  • Condition:
    appears as new and unread.
  • Seller Location:
    valatie, NY
  • Reference Number:
    Seller: NPP-054-1st1stDibs: LU2605125158352
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