"Scotland's Gift Golf, " Signed Limited Edition Book by Charles Blair Macdonald

Aldrin, Buzz. Magnificent Desolation: Images from the Apollo 11 Lunar Mission with the Words of Astronaut Buzz Aldrin. Reno: Jack Bacon & Company, 2009. First Edition. Numbered 490 o...

Evans, C.S. (editor). Rackham, Arthur (illustrator). The Sleeping Beauty. London and Philadelphia: William Heinemann & J.B. Lippincott Co., 1920. F...

Capote, Truman. In Cold Blood. New York: Random House, Inc., 1965. Book club edition, first printing. Signed by Capote on title page. Octavo. In publishe...

Bradbury, Ray. The Martian Chronicles. Avon: The Limited Editions Club, 1974. Signed by Ray Bradbury and Joseph Mugnaini. Limited Edition #1,195/2,000. Quarto, original silk-screened...

Roberts, Cokie. Founding Mothers: The Women Who Raised A Nation. Norwalk: The Easton Press, 2004. Signed, Limited Edition of 1500. Octavo. In the publishe...

Presented is a much sought-after, limited edition lithograph entitled Moonwalkers by Ron Lewis. This piece of space history contains the original signatures of eleven of the twelve American astronauts who stepped onto the Moon's surface. Signed in felt tip blue ink by their portraits are the original autographs of Buzz Aldrin, Alan Bean...

“This book reveals everything about me. It’s been a 60-year contract. Photography is love and death—that’ll be my epitaph.” —Araki The first title in our new TASCHEN limited seri...

Craigmillar Park Golf Club Watercolour, John Blair. An atmospheric original watercolour of Craigmillar Park Golf Links in Edinburgh by the Scottish artist John Blair (1849-1934). Craigmillar Castle from which the club derives its name from is clearly seen in the background and the painting is signed to the lower left corner. Craigmillar Castle was a haunt of Mary Queen of Scots, the world's first recorded lady golfer. How ironic then, that since the golf club's inception equality of the sexes was the rule at Craigmillar Park. John Blair was a Scottish painter, predominantly of watercolour landscapes. Of humble beginnings in Berwickshire, he moved to Edinburgh to study and spent the rest of his life there. His paintings mainly reflect the landscapes around him, both of urban settings and also of the castles, sea and lochs of the Borders. As well as his original work, his paintings were viewed by a wide audience in the form of picture postcards, book endpapers and illustrations. Taken from Craigmillar Park Golf Club website:- Craigmillar Park Golf Club was constituted in 1895 and moved to its present location in 1907. It was extended to 18 holes (designed by James Braid) in 1927. On 12th of January 1895 the Scotsman newspaper carried the following "birth" announcement : "NEW GOLF COURSE IN THE SOUTH SIDE OF EDINBURGH. A nine-hole golf course is being formed at Craigmillar Park and is expected to be ready for play in February. A lease of the ground which extends from Crawfurd Road to Lady Road has been obtained from Captain Gordon Gilmour of Liberton and Craigmillar. The principal entrance will be from Crawfurd Road within three minutes' walk of the Craigmillar Park car terminus and Newington Suburban Station. The course is about a mile in length and has been laid out by Mr. Day of Musselburgh, who has given a very favourable report of the suitability of the ground for the purpose. Already about 150 ladies and gentlemen have been admitted as members of the club." Many, perhaps most, of the new clubs created about the same time as Craigmillar Park were (and some continue) as male preserves. It is clear that from the outset equality of the sexes was the rule at Craigmillar Park, although it was not until 1914 that the subscriptions were equalised. The course was situated in an area of land close to Newington Railway Station and the Newington Bus and Tram Terminus and was thus, easily accessible. In those days there was very little building development between the course and the iconic Craigmillar Castle from which the club derives its name. The castle was a haunt of Mary Queen of Scots, the world's first recorded lady golfer. How ironic then, that since the golf club's inception, ladies have had equal status with men and there was no gender barrier to any office. This was in an age when golf clubs were regarded as male preserves. In 1914, ladies started paying exactly the same subscription as their male counterparts and this has remained right up to the present day. When you consider that all women did not get the vote until 1928, Craigmillar Park Golf Club were indeed trendsetters! Despite the club's early success, with 400 members and a waiting list, they were dealt a blow when their course at Newington was taken over for housing development. They decided, rather than to disband, to relocate the golf course to the eastern slopes of the Blackford Hill in 1907. Once again the close proximity of Blackford Railway Station and Bus Terminus were factors in their decision making. Another factor in choosing Blackford Hill was the potential for increasing the length of the 9 holes that had been played for in the course at Newington and possibly even converting the new course to 18 holes at some future date. This is in fact what happened and James Braid designed a splendid 18 hole course which officially opened in 1927. The new course was a real test of golf with no two holes being the same. The course boasts marvellous views over Edinburgh and Fife and down the coast to the Berwick Law, Bass Rock...

You talking to me? Previously unseen photographs from Scorsese's masterpiece. Taxi Driver has long been regarded as a cinematic milestone, and Robert DeNiro’s portrait of a tri...

Welcome to Heimat An enchanted trip through Bavaria with Ellen von Unwerth Ellen von Unwerth’s puckish humor pervades the pages of Heimat, an enchanted tour around Bavaria. The ren...

The world seen upside down. The paintings and sculptures of Georg Baselitz. Proverbially known for the audaciously simple but game-changing strategy of painting the motif on its he...

Pop Life. Pictures of Andy Warhol by Steve Schapiro. In 1965, Steve Schapiro started documenting Andy Warhol for Life magazine: Warhol was cementing a reputation as an important Pop artist who drew his inspiration from popular culture and commercial objects. With his sunglasses, blond wig, and bland public utterances, Warhol was enigmatic, charismatic, intensely ambitious, and aware that to become a star, you needed the presence of people to document your ascent. Schapiro, also ambitious and hardworking, who in his own words “kept quiet and smiled a lot,” was an ideal witness to Warhol’s relentless rise from cult New York artist to 20th-century icon. Ironically, Life never published the story, so many of these images are seen here for the first time, scanned from negatives found deep in Schapiro’s archive. Between 1965 and 1966, Warhol was at his creative peak. In this period, Warhol turned his life into art and conceived the “Andy Warhol persona”—arguably his greatest masterpiece. Schapiro busily photographed Warhol...