Sculptural Silver Gold Plating Spider Brooch, Signed Bruno Rocha

Ophidiaster ophidianus, measures: 495 × 418 × 140 mm, 576 g weight 2018, Océano Pacífico Red extra-size starfish! A fantastic specimen of Ophidiaster ophidianus caught in the Solo...

One of a kind sculpture of Crucified Christ in carved wood and crystal eyes (one of them its loose), 18th century Hispano Filipino School. The crown, ...

Outstanding Rolex made in yellow gold, 18 carats. All the characteristics are detailed below... if you want to know any other information, do not hesitate to contact us. Model OYSTER PERPETUAL DATEJUST 6917 - Movement: Automatic mechanical...

Outstanding Spanish carving of San Juanito, 16th century, school of Juan de Ancheta. Juan de Ancheta (1533 - November 30, 1588) was a Spanish sculptor in the Romanesque style. His w...

Amazing Art Nouveau black and wooden French Telephone, by AOIP. At the end of the 19th century, sixty-four workers from the Paris Chamber of Precisi...

We want to present a beautiful recently arrived powder container that has left us speechless due to its particularity, it is O-shaped. Dating from around the 19th century and coming...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi, Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A bespoken sterling silver chocker necklace very bold design by Graziella Laffi, Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A bronze brooch in a silvered finish by French art jeweler Line Vautrin (1913-1997) entitled "Mignonne Allons Voir Si La Rose" (Sweetheart, let's see if the rose). The large round br...

A Mid-Century Modern sterling silver brooch with three amethyst gem stones by Mexican Taxco silversmith Antonio Pineda (1919-2009). The lovely piece was created in the form of a peapod with amethyst as the peas. It is marked verso model number #PR571 Antonio Pineda stamp and .970 silver...

It wasn't easy trying to title this bronze in one sentence. The first thing about it to my eye is the wonderful whimsy displayed. The fact that it's a thermometer just adds to the jo...

1950s ubangi woman pin is among the most striking of artist Rebajes pieces. Seldom seen sterling silver version, as most Rebajes pieces are in copper. It is jigsaw cut with wrapped w...