Silver Necklace vintage `Festival` by Tone Vigeland for Plus, Norway, 1965

Vintage sterling silver pendant designed by well known Norwegian designer Tone Vigeland for Plus Studios, Norway 1960s. The necklace has a shape as a sun and can easily be connected to the silver collier/neckring. The pendant is stamped Sterling 925S and the symbol for Plus Studios, Norway. Measures of pendant: 6.5 cm D x 9 cm H. Diameter of silver neckring: 13 cm. Mid-century designer Tone Vigeland (1938) is a Norwegian silversmith and vintage jewelery...

Lovely Scandinavian design brooch/pin with four dangles of silver and wood. A special vintage brooch by Norwegian silversmith Anna Greta Eker. Manufacturer: Plus Norway, 1960s. This...

Midcentury brass clip earrings with a dark purple glass stone in the middle with a cut rock shape. Designed by Anna Greta Eker, Norway, 1960s. A typical couple of vintage earrings re...

Beautiful Norwegian round tray table on a foldable brass foot designed by Herman Bongard for PLUS Norway in the 1960s. This practical little table has two removable plastic table tops. One bright blue and one light transparent grey plate...

Lovely silver necklace by designer Marianne Berg for Uni David-Andersen 1960s Norway. This is a two-section longer pendant with Viking inspired patterns on a long silver chain neckla...

Lovely bronze brooch designed by Uni David-Andersen for David Andersen AS in the 1960s Norway. The broch has a Viking inspired look with a rectangular shape and geometric patterns. A...

A Scandinavian Modern sterling silver necklace with adjustable panel. Made by S.G. Hellstrom, Gnesta, Sweden, 1965. Measures: Opening diameter: 5" x 5". Overall height...

Vintage gilded sterling silver and white or pearl tone enamel figure eight links bracelet with "A" 925 stamped on the back. Similar styling as David Anderson and Arne Nordlie...

A silver necklace with pentagonal pendant with gilded details. Designed by K.E. Palmberg for Alton, Falkoping, Sweden. Diameter: 5", pendant height: ...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi, Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Vintage Ivan Holth, Norway guilloche enamel over sterling silver pin in the shape of a sailing ship. White and blue, marked on back, overall...

Silver Kiddush Goblet, Hieronymus Mittnacht, Augsburg, Germany, 1763-1765. Classic style tulip-form bowl with chased scalloped design motif with facete...