Antique 'Grecian Harp' by Érard

Antique Gothic Revival harp by Erard French, circa 1840 Measures: Height 178cm, width 54cm, depth 91cm Of typical form by the famed instrum...

This fine antique harp dates from the second half of the 19th century and was made in France by Pleyel, Wolff, Lyon and Cie. The renowned Parisian firm ma...

Antique collection of Italian Grand Tour plaster intaglios Italian, Early 19th Century Height 39.5cm, width 27cm, depth 5cm Consisting o...

Antique George III period square piano by Beck English, 1788 Height 81cm, width 148cm, depth 52cm This elegant instrument is a square piano, a type popul...

Unusual antique Austrian bronze chess set by Franz Bergman Austrian, circa 1905 Largest piece height 7cm, diameter 3cm Smallest piece height 3.5cm,...

Manufactured in the Louis XVI style, both clock and barometer are encased within an ormolu case and flanked on either side by trumpet wielding cherubs, each surmounted with a patinated bronze sphere that is topped with a crown, the bases terminating in a pine cone finial. The barometer face signed 'E. Mottheau Paris', the clock movement signed 'LEMERLE CHARPENTIER' and 'LESIEUR'. This beautiful antique French clock and barometer...

A very fine and elegant Regency Satinwood and parcel-gilt double action Harp from the workshop of the famous harp and piano maker Sebastian Erard (1752-1831), decorated in the Grecia...

This Erard parallel-strung grand piano, crafted in Paris in 1845, has been extraordinarily well-tended, restored and maintained, enduring today as not only a spectacular example of the pinnacle of 19th Century piano design - characterized by its innovative construction and exceptional sonoral qualities - but also as a premium instrument by the most advanced modern standards, concert-ready for world-class, discriminating performers and their audiences. Erard was a renowned piano manufacturer established by Sébastien Erard, and for much of the 19th Century, the company produced some of the most exquisite and innovative European pianos of the era. The sound produced by this parallel-strung grand piano is characterized by a clarity and transparency that distinguishes it from its contemporaries. The parallel arrangement of strings contributes to a more direct transfer of sound energy, resulting in a balanced and articulate tone across the instrument's registers. This piano's tone is beloved for its sweetness in the treble range and a robust quality in the bass, while also allowing for an especially nuanced and expressive interpretation of the musical repertoire of its era. The ebony and ivory keyboard is a testament to the meticulous attention Erard paid to the tactile experience of playing. Each key is precision-weighted, providing a responsive touch that allows the pianist to articulate a wide range of dynamics and expressiveness. An interior faux tableau latches to the outer case lid in an open position for maximum concert volume, and rests in a lowered position to maintain a softer, more muted experience. The year 1845 places this Erard instrument in the heart of the Romantic era, a period marked by a surge in musical creativity and emotional expression. Composer/performers like Chopin and Liszt were drawn to Erard grand...

This beautiful grand piano was built by Erard in Paris in 1895. With irreplaceable original cabinet art created and signed by an artist named Finel - specifically commissioned by th...

A very fine early 20th century Louis XV style gilt bronze mounted three-leg Grand Erard piano. By François Linke. Beautiful quarter veneered case inlaid with cartouche panels surmounted by a hinged lid, with great quality pierced foliate bronze mounts running down each leg, finishing off with lion paw feet. Signed F. Linke to the bronze clasp on the side leg, The movement stamped with Erard serial number 97037 and patent stamps, the interior of the case further stamped F. TURBEC/A LEMOINE. Erard is the oldest and most prestigious French piano manufacturer. The firm was founded by Sebastian...

A rare figurative harp from made by the Vuvi or Tsogo people of Gabon. It is an instrument traditionally played by young men and boys. These rare instruments are well known for their...

Written by Marianne Le Galliard and Éric Pujalet-Plaà, Foreword by Olivier Gabet and Glenda Bailey A fascinating look at one of the most groundbreaking publications in the world, ...