C. Bechstein Grand Black Piano

French Louis XV-style ormolu mounted kingwood, tulipwood & parquetry grand piano (sgnd C.BECHSTEIN, numbered 20475 for the date 1888)

An 1897, Arts and Crafts Bechstein upright piano with a polished, rosewood case, fretwork panels and ornate brass hinges in a stylised floral design. Unique design by Walter Cave, executed by C. Bechstein and exhibited by Maple & Co. C. Bechstein is inscribed on a square, brass plaque on the piano fall. The front panel features cupboard doors, which open so as to allow the music desk to fall into place. These doors occupy half the width of the front, so that they fold back out of the way of the player. The candle sconces are concealed behind the doors and brought into use when required. The music desk is in an openwork folkloric inspired design of stylised birds, foliage and flowers. The brass candle holders also feature cut-out stylised bird motifs. The front panel is flanked by two circular fretwork panels backed in fabric that act as a sound box...

This Pleyel concert grand piano crafted in Paris in 1870 is a timeless masterpiece that embodies the elegance and craftsmanship of 19th-century French piano manufacturing. Pleyel instruments are renowned for their exceptional quality and rich musicality, representing the pinnacle of piano design in the Romantic era, and this piano – an early example of the technological innovation of cross-stringing that was burgeoning during the period – is one in a series of only six ever produced. This piano is in extraordinarily immaculate condition with nearly every original part, including the soundboard, pristine ivory keys, and the brass inlay in its beautifully figured walnut cabinet. Candle stands slide forward on either side of the collapsable music desk. This piano was first purchased by the French Count Charles Étienne Gustave Le Clerc, count of Juigné (1825-1900), one of the wealthiest landowners in Brittany and a member of the French National Assembly, later a member of the House of Representatives, and in late life, the Senate. The piano was restored in 1997 at Maison Erard by master restorationist Frits Janmaat in Amsterdam, and later conditioned by Edwin Beunk. In recent years, some of Europe's finest historically-informed musical artists played this Pleyel in PBS concert performances in collaboration with the late Sergiu Luca. Standing on substantial carved legs and brass wheels, the piano exudes a majestic presence through the graceful lines of its Second Empire style cabinet that embodies the period's aesthetics. The keyboard, meticulously crafted from ivory and ebony, is a testament to the attention to detail in every aspect. Its 85 keys...

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