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Mid 19th Century T. Dodd & Sons London Harp

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  • Rare 19th Century English Tunbridgeware Hair Pin or Slide
    Located in Dallas, TX
    Presenting an absolutely gorgeous and extremely unique and rare 19th century British Tunbridgeware hair pin/bobbin or slide. This slide is unlike any of it’s kind we have seen before…. it is a very rare survivor ! From circa 1860–1880. Made of walnut with gorgeous marquetry inlay on the entirety of the front with classic Tunbridgeware micro-mosaic all over the front. The rear is walnut. The marquetry inlay appears to be various different woods, namely, maple, walnut and satinwood. Would have been worn in a Lady’s hair bun with the micro-mosaic facing forward. This would have belonged to a very elegant lady in the mid to late 19th century. Tunbridge ware is a form of decoratively inlaid woodwork, typically in the form of boxes, that is characteristic of Tonbridge and the spa town of Royal Tunbridge Wells in Kent in the 18th and 19th centuries. The decoration typically consists of a mosaic of many very small pieces of different coloured woods that form a pictorial vignette. Shaped rods and slivers of wood were first carefully glued together, then cut into many thin slices of identical pictorial veneer with a fine saw. Elaborately striped and feathered bandings for framing were pre-formed in a similar fashion. There is a collection of Tunbridge ware in the Tunbridge Wells Museum and Art Gallery in Tunbridge Wells. The famous makers of Tunbridge ware were in the Tunbridge Wells area of Kent; their most notable work was from circa 1830-1900. Early makers of Tunbridge ware, in Tunbridge Wells in the mid-18th century, were the Burrows family, and Fenner and Co. In the 19th century, around 1830, James Burrows invented a technique of creating mosaics from wooden tesserae. Henry Hollamby, apprenticed to the Burrows family, set up on his own in 1842 and became an important manufacturer of Tunbridge ware, employing about 40 people. Edmund Nye (1797–1863) and his father took over the Fenner company when William Fenner retired in 1840, after 30 years in partnership with him. Thomas Barton (1819–1903), previously apprenticed at the Wise factory, joined the Nyes in 1836, and worked as Nye’s designer; he took over the business in 1863 and continued there until his death. In Tonbridge (near to Tunbridge Wells), George Wise (1703–1779) is known to have had a business in 1746. It continued with his son Thomas, and Thomas’s nephew George (1779–1869), who took over in 1806. In its early years the company made articles such as workboxes and tea caddies with prints of popular views; later items had pictures created from mosaics. Their workshop in Tonbridge, Wise’s Tunbridge Ware Manufactory, was next to the Big Bridge over the Medway; the building was demolished in 1886 to widen the approach to the bridge. Tunbridge ware became popular with visitors to the spa town of Tunbridge Wells, who bought them as souvenirs and gifts. Articles included cribbage boards, paperweights, writing slopes, snuffboxes and glove boxes. At the Great Exhibition of 1851, Tunbridge ware by Edmund Nye, Robert Russell and Henry Hollamby was shown; Edmund Nye received a commendation from the judges for his work. He exhibited a table depicting a mosaic of a ship at sea; 110,800 tesserae were used in making the picture. The manufacturers of Tunbridge ware were cottage industries, and they were no more than nine in Tunbridge Wells and one in Tonbridge. The number declined in the 1880s; competent craftsmen were hard to find, and public tastes changed. After the death of Thomas Barton in 1903 the only surviving firm was Boyce, Brown and Kemp, which closed in 1927. Marquetry was an old technique which was continued by Nye and Barton to create images such as birds or butterflies. ‘Green Oak’ as caused by the fungus Chlorociboria aeruginascens. Stickware and half-square mosaic was invented by James Burrows in about 1830: a bunch of wooden sticks of different colours, each having triangular or diamond-shaped cross section, were tightly glued together; in the case of stickware, the resulting block was dried, then turned to form an article such as the base of a pincushion. For half-square mosaic, thin slices were taken from the composite block, and applied to a surface.[1][2][4] Tesselated mosaic, was a development by James Burrows of half-square mosaic; it was adopted by George Wise and Edmund Nye. Minute tesserae were used to form a wide variety of geometric and pictorial designs. Many sorts of wood were used for the various colours; about 40 were in regular use. Only natural colors were used; green was provided by “green oak”, produced by the action of fungus on fallen oak. Designs for articles were often taken from designs of Berlin wool work.
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    Antique Late 19th Century English High Victorian Collectible Jewelry

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  • 19th Century Bronze Sculpture of Napoleon Crossing the Alps
    Located in Dallas, TX
    PRESENTING A LOVELY late 19C Bronze Sculpture of Napoleon Crossing the Alps. 19th Century Bronze of Napoleon on Horseback in Battle, with c...
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    Antique Late 19th Century French Napoleon III Figurative Sculptures

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  • 19th Century Large Civil War Era Bronze and Tin Pitcher
    Located in Dallas, TX
    Presenting a fabulous historic treasure of times past, namely, a 19th century large Civil War Era bronze and tin pitcher. From circa 1850, this is an American frontier piece. I...
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    Antique Mid-19th Century American American Classical Pitchers

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  • Early 19th Century Aquatint Engraving of Grey Momus, John Frederick Herring Snr.
    By John Frederick Herring Sr.
    Located in Dallas, TX
    Presenting a fabulous and very rare, original early-19th century chromolithograph engraving after a painting by John Frederick Herring Snr., engraved by Ch...
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    Antique Early 19th Century English Early Victorian Prints

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    Paper

  • 19th Century Hampton & Sons Chinese Chippendale Cylinder Desk
    By Thomas Chippendale
    Located in Dallas, TX
    Presenting an absolutely gorgeous mid-late 19th century British Chinese Chippendale style cylinder desk from the renowned maker of Hampton & Sons, of Pall Mall, London. This stunnin...
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    Antique Late 19th Century English Chinese Chippendale Desks

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    Mahogany

  • 19th Century French Slate & Bronze Clock by Marti
    By S. Marti & Cie
    Located in Dallas, TX
    PRESENTING A STUNNING 19C French Slate & Bronze Clock by Marti. Made circa 1860 by the famous French Clockmaker, J. Marti et Cie of Paris. Marti Clocks are highly desirable and highly collectible, BUT this Clock is one of the FINEST EXAMPLES of a Marti Black Slate and Bronze mantel clock we have EVER seen. The bronze detailing is SPECIAL. From the top, the clock is topped by a floral and ball bronze finial on square plinth or platform. Then it extends to an angular arched pediment with bronze floral wreath insert into the center. The next section, consists of a central bronze scene of 2 cherubs floating on water with a fish. This is flanked on either side by a floral rose medalion in bronze. It then extends downwards with 2 Corinthian Style bronze columns, with the main insert being bronze neo-classical or goddess figures (each one different than the other). The dial, clock face...
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    Antique Mid-19th Century French Neoclassical Revival Mantel Clocks

    Materials

    Slate, Bronze, Ormolu

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  • Early 19th Century Parcel Gilt Gothic Revival Harp By Sebastian Erard
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    Located in Dublin, IE
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