Rosewood Musical Instruments

Beautifully crafted Woodsounds Native American flute, custom made by Brent Haines from Purple Heart with Honduran Rosewood Burl and inlaid turquoise chip rings. Key: High C. Includes...

Danish design A rare Danish midcentury pianette made of gorgeous rosewood with damper. It is called pianette due to the 82 keys rather than the standard 88 of a full size piano. This...

Classic Modernist design..1957 Gretsch 6187 Corvette in Lotus Ivory! Very clean 1957 Gretsch 6187 in Lotus Ivory w/ Gray Metallic back/sides/neck...

Fully Restored 1901 Steinway & Sons Model B Louis XV Baroque Rococo Grand Piano – Serial Number 99151, Full 88 key keyboard. The most exquisitely d...

A very fine Anglo-French 19th century rosewood, palisander, amboyna and satinwood marquetry (inlaid) art-case baby grand piano, the works by "Collard & Collard". The intricately deco...

Rebuilt, 1878, Steinway Model A grand piano with a contrasting rosewood case and brass fittings. Piano has an eighty-five note keyboard and a three-p...

Available for Curation; Museum quality, Fine classical square grand piano forte by Alpheus Babcock (1785-1842) for G. D. MacKay, Boston", circa 1825...

Crafted by renowned French artisan and author Claude Montal, this piano was presented at the famed Crystal Palace exhibition in London in 1851, where it ...

Rococo style, 1874, Steinway & Sons Centennial concert grand piano with a rosewood case, filigree music desk and ornately carved, reverse scroll legs. Piano is rebuilt. The piano cheek features a carved, Classical meander and acanthus in high relief. The two-pedal piano lyre features carved inverted fish, c-scrolls and a central cartouche. The music desk in an openwork arabesque design and a central lyre motif. A sinuous wave pattern double moulding surrounds the cabinet base. At the 1876 Centennial Exposition in Philadelphia, Pennsylvania, there were several manufacturer's competitions, including a piano competition. The Steinway company sent two grand pianos displaying their latest developments, demonstrating the firm's innovative and markedly improved piano quality. Their determined pursuit of quality was rewarded at the world exhibition with a gold medal. Steinway won the competition against several established, well-known American piano makers, including Chickering and Sons and Weber. This Steinway concert grand...

An 1897, Arts and Crafts Bechstein upright piano with a polished, rosewood case, fretwork panels and ornate brass hinges in a stylised floral design. Unique design by Walter Cave, executed by C. Bechstein and exhibited by Maple & Co. C. Bechstein is inscribed on a square, brass plaque on the piano fall. The front panel features cupboard doors, which open so as to allow the music desk to fall into place. These doors occupy half the width of the front, so that they fold back out of the way of the player. The candle sconces are concealed behind the doors and brought into use when required. The music desk is in an openwork folkloric inspired design of stylised birds, foliage and flowers. The brass candle holders also feature cut-out stylised bird motifs. The front panel is flanked by two circular fretwork panels backed in fabric that act as a sound box...

1920s Deagan 725 Marimba model B, rosewood keys, 3.5 octave, beautiful original condition, amazing Art Deco design. Retains 4 original mallets, Last patent date 1926.

Neoclassical rosewood & brass clarinet table lamp mounted on a round metal base made in France. Comes with harp and carved gilt wood finial an...

Splendid Antique 19th century Swiss rosewood "Drums and Bells" working music box, circa 1880 Measures: 10" high closed 21" high open.  

An 1899, Bluthner grand piano with a rosewood case, decorated with Art Nouveau and Empire style elements. It was showcased at the 1900 Paris Exposition Universelle. Piano bought by King Edward VII and Queen Alexandra in the Coronation year of 1902 to be situated in the ballroom of Malborough House. It was sold in 1936 to Major Maconochie in Bath. This piano is in great original condition having only had two previous owners. A rare opportunity to acquire a royal piano. The piano cheek side panel is inlaid with an Art Nouveau design featuring a stylised female head surrounded by whiplash lines and foliage. Musical instruments sit centrally in the design. Columnar, Empire style gilt mounts stand each side of the inlay. Napoleonic emblems of stars, palmettes and foliage feature here. Symmetrical female heads with flowing tresses and floral...

Art cased grand piano by Erard Paris Serial number 19924 Case Paris 1877 Designed by Mercier Frères Paris with a design specified by order. Restored to perfection by our German piano master team. For stable tuning, the pinblock has been renewed. Having a piece of furniture done by the famous furniture designer of Mercier Freres is a dream, having a piano designed by them was something not quite expected. Case is patterned pieces of high quality mahogany ending on three lion claw type feet in bronze mercure. Piano fully restored by the Palace Pianos team. Each part was taken care of in order to preserve the authenticity. The Mercier Erard plays even and perfect. Recommende for all type of music. Did you know that David Bowie recorded...

Antique Swiss Continental marquetry inlay cylinder music box by A.V. Bornard. Item features interior glass cover, 8 songs, beautiful inlay, runs ...

Nicole Frères. Mystique de Genève. A rare and wonderful music box which when wound will play six different wonderful calming and tranquil tunes. Set into...

French Modernist Art Deco piano and bench by Pierre-Paul Montagnac, a variant of the model used in one of the luxe apartments, the Caen, on the great French oceanliner Normandie in 1935. Created in rosewood and sycamore, and carefully and correctly restored, including the fine Erard (#127208) instrument. 56” wide x 60” deep. Documented in numerous sources, including the July 1935 issue of Art et Decoration. Pierre-Paul Montagnac (1883-1961) Born in Saint-Denis, France on 9 May 1883, Pierre-Paul Montagnac was equally talented as a fine artist and a decorative artist. He was educated in both disciplines, studying with Eugene Carriére as well as at the Académie de la Grande Chaumiére, both in Paris. His inaugural exhibition was at the 1912 Salons – and at the 1920 Salon d’Automne he received a traveling scholarship. In 1918 he began working in the firm of André Mare and from 1922 collaborated with Maurice Dufrene at La Maîtrise, the famous design studio of Galeries Lafayette. From 1921 he exhibited at the Salons of la Société des Artistes Décorateurs, Salon des Architectes Modernes, and internationally, in Barcelona and Leipzig. He designed suites on the grand French oceanliners, l’Atlantique, Normandie and Pasteur. At the 1925 Paris International Exposition his work was in a standout class. At the 1937 Exhibition he organized the pavillion of the Artistes Decorateurs and personally won a Grand Prix. For the New York Exhibition in 1938, he was a member of the international jury, organized the group of Decorators, and, as architect, organized the exhibitions of jewelry and perfumes. He became a member of the Society of Modern Architects and executed important and numerous architecture and decorating projects including the luxury apartments on the great French oceanliners l’Atlantique, Pasteur, and Normandie. Vice President and then President of the Societe des Artistes Decorateurs from 1930-1938, he was also President of the Salon d’Automne and Vice President of the Committee of the Exhibition of Arts and Embellishments of Life; member of the steering committee of C.T.I. and Artistic Property, member of the Board of Directors of the Central Union of Decorative Arts. He was also an Officer of the Legion of Honor and received the Cross of War. MONTAGNAC was the son of an engineer and he had a taste for geometry and science that predisposed him to the rigors of architectural laws. Multi-talented, he worked independently as a painter – who had paintings acquired by the French government – while also working in the related fields of architecture and decoration. His work included homes, apartments, galleries, luxury shops, banks and the aforesaid oceanliners. As a designer/decorater, Montagnac had the taste for quality, luxurious furniture, using precious woods, bronze extensions, ivory inlays, mother-of-pearl, metal and coral. He advocated for a resolutely modern style and, free of all pastiches, focused on beautiful cabinetry, the challenges of furniture design, particularly from 1940 to 1945, captured all his attention. The tireless activity of Montagnac, whose varied works are represented in official museums and residences, was also recognized from a professional and social point of view. He was a remarkable organizer, devoted to the cause of art, to the defense of the trade and his colleagues. It was Montagnac who, in 1939, with Anatole de Monzie, took the initiative to found the ENTRAIDE to Artists (which provides support to talented young French artists). MOBILIER ET DECORATION, September/October 1953 ERARD An illustrious piano manufacturer, Sebastien Erard began building superior harpsichords in Paris in the mid-1700s, produced pianos for the French Court, and received a multitude of patents, many of which are still in use in piano manufacturing. Erard pianos were marketed as the finest pianos in the world and were owned by Queen Victoria, Franz Liszt, Chopin, Verdi, Ravel, and Felix Mendelssohn among many others. They continued to enjoy international success well into the 20th century. They were known for their unique sound quality, similar to the American square grand piano...