JESUS CHRIST CRUCIFIED OUR LADY OF Sorrows 17th Cent. Indo-Portuguese Sculpture

JESUS CHRIST CRUCIFIED Sinhalese-Portuguese sculpture, from the 17th century in ivor... The figure is represented dead wearing cendal draped around the waist. With cross in exotic w...

JESUS CHRIST CRUCIFIED Indo-Portuguese sculpture, 17th Century on Ivor.... Wooden cross with ivory plaque. Defects and faults. Height: (christ) 26 cm.; Height: (total) 63 cm good con...

JESUS CHRIST CRUCIFIED Indo-Portuguese sculpture from the 17th century in ivor... The figure is represented dead, wearing a cendal point at the waist. Cross in carved rosewood wood....

JESUS CHRIST CRUCIFIED 17th Century Portuguese sculpture in carved wood, polychrome and gilded. Small flaws in the polychromy. Height: (Christ) 32 cm. Height: (total) 86 cm. good co...

JESUS CHRIST CRUCIFIED Indo-Portuguese sculpture from the 18th Century in ivor..... The figure is represented in agony, with cendal draped around the waist. Cross in rosewood wood ...

JESUS CRISTO CRUCIFICADO Indo-Portuguese sculpture from the 18th century in ivor... Cross in carved rosewood and base in gilded wood. The figure is repres...

Icon of the Mother of God Umilenije "Balkinska". Tempra on board, chalk-gypsum base, gilding. There are two claws on the back of the icon. Jesus Christ Crucified. The scene is ver...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

One of a kind sculpture of Crucified Christ in carved wood and crystal eyes (one of them its loose), 18th century Hispano Filipino School. The crown, ...

The figure of the boy Jesus is standing and follows the iconography established by Montañés himself in 1606-7 through the Sacramental Brotherhood of the Sagrario Church in Seville. J...

Elegant crucifix in bronze from the 17th century - Spain Beautiful turning and good quality Very nice patina and in superb condition.  

A scarce Baroque Period Spanish altarpiece retablo / reredo, by (attributed) Luis Salvador Carmona (1708-1767), depicting thorn crowned Christ crucified / Cristo crucificado hand carved, polychromed wood with forged iron nails, mounted on later plaque. This rare antique religious work / object of art, circa 1750, most likely commissioned by the Catholic Church of Spain, destined to be prominently displayed as an altarpiece / retablo or as part of a much larger reredo, directly behind the main altar at a Spanish or Continental European Catholic Church (French, Italian, Iberian, Portuguese) The Crucified Christ, displayed mounted on a later faded red fabric upholstered shaped backboard plaque with textured gilt border. The exceptional hand sculpted, carved, gessoed, polychrome painted figure depicting bloodied Jesus, with crown of thorns atop his head, only wearing a undulating shaped cloth around his loin, arms extended and feet crossed, spear head form iron nails through both. The verso covered in an old paper printed backing with metal hook hardware at top for wall hanging. Dimensions (approx): Overall: 22" High, 14.5" Wide, 3.25" Deep Figure only: 16" High, 10" Wide, 3" Deep Historical background: Artist: (attrib) Luis Salvador Carmona (1708, Nava del Rey – 1767, Madrid) was a Spanish Baroque sculptor who came from a family of artists, including uncle of Manuel Salvador Carmona. He was sent to be trained in Madrid in the workshop of Juan Alonso...