Obelisks

20th century imposing black beige obelisk, Neoclassicism style no. 4 Imposing and massive marble stone tower in the form of a square base with a long, tapering rectangular body th...

Pair of red marble obelisks from the 1920s.

Color theory. Explore the trippy optical majesty of Lucite. Our pared down obelisks are crafted from two tons of Lucite that visually meld to look different from every angle. Fab on ...

A stunning pair of Convent Siena marble 'Grand Tour' obelisks dating from the late 19th century. The pair are carved from the finest Convent Siena marble and feature tapering bodies raised on four square stepped bases. Provenance: The collection of the late Ronnie Kirkwood and George Dixon. The finish and attention to detail throughout are fantastic. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 36 x width 8 x depth 8 Dimensions in inches: Height 1 foot, 2 inches x width 3 inches x depth 3 inches Convent Siena Marble The mining rights to this marble (also known as Siena Brocatello) were given by the Pope to a religious order of nuns in the late middle ages, hence the name. It is very rich, with deeper colors and more intense veining than standard Siena, and was often used for inlaid marble work as well as tabletops. It can be seen in 18th century marble fireplaces, in the form of small columns and frieze panels. The Grand Tour was the traditional trip of Europe undertaken by mainly upper-class European young men of means. The custom flourished from circa 1660 until the advent of large-scale rail transit in the 1840s, and was associated with a standard itinerary. It served as an educational rite of passage. Though primarily associated with the British nobility and wealthy landed gentry, similar trips were made by wealthy young men of Protestant Northern European nations on the Continent, and from the second half of the 18th century some South American, U.S., and other overseas youth joined in. The tradition was extended to include more of the middle class after rail and steamship travel made the journey less of a burden. The primary value of the Grand Tour, it was believed, lay in the exposure both to the cultural legacy of classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. In addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A grand tour could last from several months to several years. It was commonly undertaken in the company of a knowledgeable guide or tutor. The Grand Tour not only provided a liberal education but allowed those who could afford it the opportunity to buy things otherwise unavailable at home, and it thus increased participants' prestige and standing. Grand Tourists would return with crates of art, books, pictures, sculpture, and items of culture, which would be displayed in libraries, cabinets, gardens, and drawing rooms, as well as the galleries built purposely for their display; The Grand Tour became a symbol of wealth and freedom. Obelisks were prominent in the architecture of the ancient Egyptians, who placed them in pairs at the entrance of temples. The word "obelisk" as used in English today is of Greek rather than Egyptian origin because Herodotus, the Greek traveller, was one of the first classical writers to describe the objects. A number of ancient Egyptian obelisks are known to have survived, plus the "Unfinished Obelisk" found partly hewn from its quarry at Aswan. These obelisks are now dispersed around the world, and fewer than half of them remain in Egypt. The earliest temple obelisk still in its original position is the 68-foot (20.7 m) 120-metric-ton red granite Obelisk of Senusret I of the XIIth Dynasty at Al-Matariyyah in modern Heliopolis. The obelisk symbolized the sun god Ra, and during the brief religious reformation of Akhenaten was said to be a petrified ray of the Aten, the sundisk. It was also thought that the god existed within the structure. Benben was the mound that arose from the primordial waters Nu upon which the creator god Atum settled in the creation story of the Heliopolitan creation myth form of Ancient Egyptian religion. The Benben stone is the top stone of the Egyptian pyramid. It is also related to the Obelisk. It is hypothesized by New York University Egyptologist Patricia Blackwell Gary and Astronomy senior editor Richard Talcott that the shapes of the ancient Egyptian pyramid and obelisk were derived from natural phenomena associated with the sun (the sun-god Ra being the Egyptians' greatest deity). The pyramid and obelisk might have been inspired by previously overlooked astronomical phenomena connected with sunrise and sunset: the zodiacal light and sun pillars respectively. The Ancient Romans were strongly influenced by the obelisk form, to the extent that there are now more than twice as many obelisks standing in Rome as remain in Egypt. All fell after the Roman period except for the Vatican obelisk and were re-erected in different locations. The largest standing and tallest Egyptian obelisk is the Lateran Obelisk in the square at the west side of the Lateran Basilica in Rome at 105.6 feet (32.2 m) tall and a weight of 455 metric tons (502 short tons). Not all the Egyptian obelisks in the Roman Empire were set up at Rome. Herod the Great imitated his Roman patrons and set up a red granite Egyptian...

A very nicely scaled and constructed pair of olive wood obelisks. The woods chosen to complete this pair are very figured and beautifully colored. Lastly...