Large Green Murano Glass Obelisks by Romano Dona

Beautiful pair of bronze clad lion bookends by Pompeian Bronze with excellent patina. Good size and weight bookends. Not a common design by Pompeian Bron...

1960's folding screen with 32 panels of tooled leather mounted in a cherry frame with heavy duty hinges. A very sturdy screen, gold appears brighter than in photos and tends to catch...

Stunning piece of murano glass mounted with machined patinated bronze hardware and a solid patinated bronze base. Custom made green silk shade.

Stunning large white and aventurine roticello tazza by Venice & Murano Co. circa 1930. Featuring a foot with gold inclusions and a rolled lip to the edge.

Chic A.V. Mazzega Murano cased glass vase with polished glass lenses, circa 1970.

1930's hand blown glass bowl by Murano maestro Ecole Barovier for Artistica Barovier. The bowl shape looks like it's inspired by a cactus shape and is made from iridato glass and tri...

Exquisite, rare pair or glass Murano obelisks signed by master glass blower Romano Dona. Exquisite glass Murano obelisk signed by master glass blower Romano Dona. Black Murano glass resting on transparent Murano glass balls. Romano Donà grew up in a family with centuries of experience in glassmaking. He entered the kiln business at an early age, beginning his apprenticeship at the F.lli Manfren company where he worked also with his father. In 1975 he began working with the master Livio Seguso with whom he worked for twenty years in order to master his skills while learning from important artists like Henry Mavrodin, Federica Marangoni, Mimmo Rotella and Ugo Marano...

Exquisite glass Murano obelisk signed by master glass blower Romano Dona. Black Murano glass resting on transparent Murano glass balls. Romano Donà grew up in a family with centuries of experience in glassmaking. He entered the kiln business at an early age, beginning his apprenticeship at the F.lli Manfren company where he worked also with his father. In 1975 he began working with the master Livio Seguso with whom he worked for twenty years in order to master his skills while learning from important artists like Henry Mavrodin, Federica Marangoni, Mimmo Rotella and Ugo Marano...

A large hand blown glass obelisk with internal canes or filigrana

Pair of Murano glass obelisks retrofitted with LED bases.

Pair of large faceted clear Murano obelisks.

Signed and dated by artist on underside; Acrylic and shellac based inks on Ingres paper. From architectural follies of the eighteenth-century to crystalline rock formations, Thomas Engelhart translates the angles and polished surfaces of ancient artifacts into hand-painted paper objects. A Charleston, South Carolina native, Engelhart began his career in fashion, studying at Studio Berçot in Paris in the 1990s. His intuitive eye and meticulous attention to detail were cultivated designing for famed houses such as Thierry Mugler and Hermès. “Paris gave me elegance, rigor, and an understanding of quality,” reflects the artist. By absorbing the French approach to fait à la main, Engelhart flourished upon his return to New York in 2017. Engelhart’s papered obelisks and pyramid boxes are the result of a passion for antique curiosities...