Textiles
Textiles For Sale
Style: Louis XVI
Color: Brown
Louis XVI-Style Footstool
Located in Pasadena, CA
This is a charming little footstool in the style of Louis XVI. The carved wood frame is highlighted with gold leaf. The seat or footrest is covered in an antique floral Flemish or Fr...
Category
Late 20th Century French Louis XVI Textiles
Materials
Gold Leaf
Pierre Adrien Chabal, Louis XVI Style Beauvais Tapestry Panel, France, C.1855
Located in Chatham, ON
PIERRE ADRIEN CHABAL-DUSSURGEY (1819-1902) Designer - BEAUVAIS TAPESTRY MANUFACTORY Maker - Important Antique Louis XVI style floral tapestry chair back - the floral tapestry finely woven in wool and silk threads with garlands and swags and tassels - all centered by a powder blue ground cartouche with white roses within an oval frame - suitable for framing - France - circa 1855.
Excellent antique condition - minor fading and loss - areas of wear/thinning - no apparent restoration - minor stains and soiling with signs of age and use.
Size/Dimensions - 20" (51 cm.) Wide x 19 1/2" (49.5 cm.) High.
PIERRE ADRIEN CHABAL-DUSSURGEY - born Pierre Adrien Chabal in 1819 in Charlieu and adopting the professional name of CHABAL-DUSSURGEY - well known for his paintings and studies of flowers in gouache and oils - attended the School of Fine Arts in Lyon - exhibited at the Paris and Lyon salons - he worked with the Gobelins Tapestry Manufactory and the Beauvais Tapestry Manufactory after 1849 designing tapestries, rugs and tapestry covers for seating - he designed tapestries for the Élysée Palace and worked with Empress Eugenie on furnishings for the small salon at the Élysée Palace and two salons in the palace of the Empress in Biarritz - tapestry covered furniture...
Category
Mid-19th Century French Louis XVI Antique Textiles
Materials
Wool, Silk
Curtain Rod in Gilded Wood with Rich Coping
Located in Alessandria, Piemonte
M/1693 - Wonderful unique old curtain rod : large 194 cm. ! with a rich coping - single piece -
See all sides at the bottom of the description -
No comment. You can see.
Category
Early 20th Century Italian Louis XVI Textiles
Materials
Fruitwood
Pierre Adrien Chabal, Louis XVI Style Beauvais Tapestry Panel, France - C.1855
Located in Chatham, ON
Pierre Adrien Chabal-DUSSURGEY (1819-1902) Designer - BEAUVAIS TAPESTRY MANUFACTORY Maker - Important Antique Louis XVI style floral tapestry settee back fragment - the floral tapestry finely woven in wool and silk threads with garlands and swags and tassels - all centered by a powder blue ground cartouche with white roses within an oval frame - suitable for framing - France - circa 1855.
Excellent antique condition - minor fading and loss - areas of wear/thinning - no apparent restoration - minor stains and soiling with signs of age and use.
Size/dimensions - 35" (91.5 cm.) wide x 24" (61 cm.) high.
Pierre Adrien Chabal-DUSSURGEY - born Pierre Adrien Chabal in 1819 in Charlieu and adopting the professional name of CHABAL-DUSSURGEY - well known for his paintings and studies of flowers in gouache and oils - attended the School of Fine Arts in Lyon - exhibited at the Paris and Lyon salons - he worked with the Gobelins Tapestry Manufactory and the Beauvais Tapestry Manufactory after 1849 designing tapestries, rugs and tapestry covers for seating - he designed tapestries for the Élysée Palace and worked with Empress Eugenie on furnishings for the small salon at the Élysée Palace and two salons in the palace of the Empress in Biarritz - tapestry covered furniture...
Category
Mid-19th Century French Louis XVI Antique Textiles
Materials
Wool, Silk
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Circa 1900
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Maison Jansen, the French luxury:
Opulence, refinement, audacity of style marriages… so many words agree with Maison Jansen. Through this name, a whole era sounds like a reminder of a certain French chic…
Some names evoke immutable images, atmospheres... Like Jansen, for example. Let’s close our eyes… The 1960s and 1970s are at their peak. France is doing well. It is a country of full employment where everything seems possible. Within the international Jet Set, a carefree crowd of movie stars, public figures, literary idols and crowned heads, we love the Maison Jansen, its taste for styles struck with a good quality exuberance, and its brilliant side.
It all began in 1880, when the Dutchman Jean Henri Jansen founded the epon-ymous house in Paris. Jansen is part of the continuity of these world-famous furniture manufacturers and companies that operated under the Second Empire and at the time of the Universal Exhibitions, as the ‘Escalier de Cristal’ teaches. At that time, the Union Centrale des Beaux-Arts appliqués à l'Indus-trie and the Société du musée des Arts Décoratifs merged to form the Union Centrale des Arts Décoratifs.
Supported by both gallery owners, collectors and manufacturers, this organi-zation gives the «la» to the whole profession, and in the prevailing politico-ideological slump (France was defeated by Prussia in 1871 and Napoleon III is in exile), the ‘Union Centrale des Art Décoratifs’ focuses production on the celebration of past styles. While this nostalgia evokes memories of an era that we imagine more stable, an innovative exoticism will be all the rage: the reign of Turkish style and Japonisme.
The Jansen house masterfully rushed into the «exotic» trend, but quickly de-veloped a style derived from the ornamental splendor of the eighteenth, then a little later, so-called «imperial» styles mainly intended for royal families. Af-ter the First World War, J.H Jansen was joined by the cartoonist Albert Cazes, by Stéphane Boudin and by Pierre Delbée, who successively directed the house when it disappeared in 1929. At the end of the Kennedy era, Boudin complete-ly redecorated the White House, at the request of the First Lady, Jackie, who had fallen in love with his work after discovering it at Malmaison.
In 1971, Jansen joined forces with Leleu-Deshays and continued its quest for excellence. From 1969 to 1979, the dandy decorator Serge Robin took the reins of the house, granting it an eclectic and luxurious style: he revisited the great eras of French art, from the Renaissance to Louis XVI, by modernizing them with more contemporary pieces in Plexiglas or wrought iron. His recomposed and sophisticated style met with resounding success. When Jackie Kennedy, who became the wife of the great Greek shipowner Aristotle Onassis, moved to France, the young architect married Louis XVI-style furniture to modernist designs from the 1950s.
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On the French side, he puts his talent at the service of Brigitte Bardot, for whom he completely revamped the Madrague and the Lannes boulevard.
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