17th Century Renaissance Style Flemish Tapestry

17th Century Flemish Tapestry Pillow 17'' X 10'', AUTHENTIC 17TH CENTURY PIECE

17th Century Flemish Tapestry Pillow 29'' X 10'', handmade 17th Century Piece

17th Century Flemish Tapestry Pillow 16" X 14", Authentic Flemish Tapestry Pillow

17th Century Flemish Tapestry Pillow 16" X 11", Woolen authentic Flemish tapestry pillow

17th Century Antique Flemish Tapestry Pillow

Mid-17th Century Flemish Tapestry Pillow

A palatial 17th century Flemish tapestry depicting Daris at constantinople tapestry. This epic Roman soldier historical scene having rearing horses in the foreground with the famed ...

An exquisite and outstanding 17th century tapestry in silk and wool from Belgium. Signed "BB" (Brabant - Belge) and "LeClerc". Very unique for its subject matter and coloration. Wond...

These pillows or cushions are made from two complete borders of a 17th century verdure tapestry so they are in aesthetic harmony. They depict profuse floral sprays and each cushion h...

A pair of beautiful 17th Century Flemish tapestry fragment and velvet pillows. Hand trimmed and features vintage gold metallic cording, knotted in the corners. Designed by Rebecca Vi...

Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...

Mid 18th century european Tapestry Fragment. Measures: 1'9'' wide x 2'10'' long. Tapestries make integral part of the Flemish cultural heritage. Most of the tapestries have religious, mythological and historical subjects as well as hunting and harvest scenes. They are known for their high quality and extended use of colors. The oldest ones were made in the 13th century. The most important production centers were Doornik and Arras. These two centers got a lot of assignments of the Dukes of Burgundy. In the 14th century tapestries...