Vintage Silk Cushion, "Victorian Motif’s", circa 1900 and 1960

A beautiful pair of French chinoiserie decorated wallpaper panels. In striking and muted blues these highly decorative panels have been recently framed with a simple thick mouldings...

A very handsome and well proportioned partners desk from the 1900s. It is Swedish and made from a lovely warm honey coloured birch. It has drawers on both sides so will free stand i...

A 1960s French vintage chrome and grey-coated metal wall hanging coat and hat rack. Very well made with grey-coated metal brackets which hooks to the wall with six double circular co...

A French painted cast iron faux bois garden bench. Sturdy with weathered planked wooden seat this decorative bench has a removable and reversible bac...

A large scale photographer's canvas back drop in dark sepia colour of an interior scene. It is French and from the early 1900s and would make a great feature wall.

Very good quality French bistro cafe table, circa 1900s The cast iron base has historic deep red paint with a decorated central column with three splayed feet with interesting sca...

Very rare and hard to find, this Rolakan pillow was designed by Selma Giöbel circa 1900, and it is a living example of an exquisite work of art. Not only the timeless geometric design and the vivid colors, but also the very good condition report for its age, make this sofa cushion a must have for any vintage textile lover and not only. Backside made of dark blue fabric, down filling. Dimensions: 55 x 50 cm Selma Giöbel was a Pioneer in Swedish textile art and one of the foremost painters of the late 19th century. As early as interested in the female handiwork, Selma was one of the co-founders of the Association of Handicraft Friends. Its first exhibition was the 1874, 1878 World Exhibition in Paris, (1887 was the year that the Friends of handicraft and its rules were adopted and properly organized), as well as the world's Columbian exposition at Chicago 1893...

This is a very decorative cushion or pillow with a hand embroidered Art Nouveau wool-work floral panel with a red silk border, all set into a red fabric which we date to the late 19th Century / early 20th Century, circa 1900. The pillow is about 17 inches square and is very well made. The decoration features a central square hand embroidered wool-work panel of flowers and foliage in varying shades of red, pink, green and yellow all against a black ground, with a deep red silk outer border. The stylised floral embroidered design is very Art Nouveau. The embroidered & bordered panel is stitched onto a red fabric. It is possible that the Art Nouveau panel...

Vintage Balenciaga silk scarf and Irish linen cushions pillows maroon Each cushion is a one-of-a-kind and part of a sustainability proje...

Katie Larmour Studio is the original vintage scarf pillow maker. Gaining notability for her unique idea and creations back in 2013 - featured in the likes of the Financial Times, and...

Katie Larmour Studio is the original vintage scarf pillow maker. Gaining notability for her unique idea and creations back in 2013 - featured in the likes of the Financial Times, and first selling here on 1stdibs in 2016 - our creations are of the absolute top most quality, craftsmanship and finesse. Thank-you for looking. Title: Vintage Hermes Equestrian Silk Scarf and Irish Linen Cushion Pillow The ‘crème de la crème’ of scarves, this beauty is a one-of-a-kind luxury cushion (pillow) created from an exquisite vintage silk Hermes fashion scarf in their festive ‘Les Rubans Du Cheval’ equestrian pattern by Joachim Metz in 1988. A variety of elaborate ribbon rosettes in vibrant, colourful hues - an ornament made of pleated material, gathered so as to resemble a rose and worn as a decorative badge to show ranking in a competition. The French company began in 1837 producing superior quality leather goods, harnesses and saddles, which makes sense that 100 years later the main theme on their luxury scarves is equestrian. Hermes scarves, known as ‘carre’ (squares), have become a symbol of French chic and are a highly desirable object across the globe that still continues to delight. Favoured by the ‘jet-setters’ of the 50s and 60s and gaining iconic status by Audrey Hepburn, Grace Kelly and this particular elegant design even worn by Queen Elizabeth II. The name of the print along with the brand’s signature proudly features in the centre. The attractive equestrian design is a delicately detailed illustration of bridal equipment with buckles, leather straps, feminine mermaids holding up functional hoops and lions holding crests on other sections of the metal hardware adorning the elaborate piece. It features a display of two equestrian horse bride dressings symmetrical like a mirror image of each other. In a dramatic, busy picture of multicoloured ribbon colour way on a quality sumptuous twill silk with a beautiful texture. It was made using the ‘Lyonnaise technique’ silk screen process with each of it’s 13 frames traditional laid one by one by hand (the more complex patterns can go out to 42). Before being carefully unravelled to create our cushion, the edge was delicately hand rolled and hemmed, a distinctive French style finish of all Hermes scarves. We also have a couple of other similar stunning Hermes scarf cushions...

This cushion is a one-of-a-kind and part of a sustainability project. It has been created from an up-cycled, recycled luxury fabric, used with the intentions of promoting a more eco-...