Australian Furniture

Sculpture R2D2 life size model star wars. Set upon a millennium falcon base. sculpted in resin and with accurate lights and sounds. With rotative hea...

Living with natural textures could never have be more enjoyable with this contemporary and eclectic bordeaux red shaggy rug. This sheepskin rug is handcrafted from the most beautiful and the finest long wool Icelandic sheepskin...

Important to note, this listing is specifically for the Simple Y Pendant (Brass) in an included brass finish. Please inquire with our sales team about pricing information on upcharg...

A freestanding, dimmable LED light source. Designed to cast light onto a wall, infusing any space with a warm ambience. Two editions of the Formation Floor Lamp...

‘Partu’ is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilities. Foun...

‘Partu’ (2020) is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilities. Found materials and leather are used to create awareness about Material Culture and recycling. This collection was developed in Thirroul on the New South Wales Coal Coast. Johnny and Trent came together four times over a period of 18 months, developing new methods for collaboration that could shape their incongruent knowledge, methods, and skills in designing and making into co-authored outcomes. These methods include: ‘Sketching exchange’, a process of back-and-forth sketch iteration, allowing an idea to evolve with equal input from both creators; and ‘designing by making’, a method of working with materials at full scale, to design an object as it is being made. In this approach the prototype is the sketch and both collaborators work together to carve, construct and/or manipulate material, giving the object three-dimensional form as they design and make simultaneously. Trent Jansen & Johnny Nargoodah Partu (Skin) Collection Ngumu Janka...

Important to note, this listing is specifically for the Simple Z Pendant (Brass) in an included brass finish. Please inquire with our sales team about pricing information on upcharg...

Important to note, this listing is specifically for the Simple Positive Pendant (Brass) in an included brass finish. Please inquire with our sales team about pricing information on u...

The 5.30 lounge chair is a distinct yet Classic seating option, suited for entertainment rooms, workspaces or other commercial spaces. The chair is named for the standard 5 x 30mm f...

Circles have had supernatural resonance since Antiquity, embodying concepts of continuity and completion. The magic ring draws power from its circular shape, an unbreakable border that both contains and concentrates energy. In DIAMOND RING SMOKY, quartz crystals appear to have bloomed from a circular frame. The crystalline growth radiates like magical residue, following the inward and outward flow of circular energy. Like an exploded geode, DIAMOND RING SMOKY reveals the mysteries of nature. Presented at Collective Design in New York in May 2017, the Smoky Gradient Diamond Ring is a unique light pendant that incorporates clear and smoky quartz crystal to add new visual weight to the original Diamond Ring...

Inspired by Buckminster Fuller’s geodesic dome, BUCKY explores natural geometry and industrial innovation. BUCKY is a striking pendant constructed from blackened steel and gold leaf...

"Sweet Potato Dreaming" painting by Lorna Fencer Napurrula Lorna is a Senior Warlpiri Custodian and she is among a small group of women who collectively produced the first paintings ...

The 5.30 lounge chair is a distinct yet classic seating option, suited for entertainment rooms, workspaces or other commercial spaces. The chair is named for the standard 5 x 30mm f...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of Fitzroy Crossing, as part of Frem...

Title: Witchetty Grub Dreaming Artists: Australia Aboriginal Artist Sam Dickensen Medium: Acrylic on canvas Measurement: 53.5" x 48" Stretched no...

Original vintage food advertising poster - Australian Apples Pears and Grapes Now arriving - featuring a great design depicting an Emp...

Offering a fresh take on 1970s opulence, the pattern of Art Hide’s new Largo rug is inspired by bold wallpaper prints of the time in stunning teal tones. Teal...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of Fitzroy Crossing, as part of Frem...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of Fitzroy Crossing, as part of Frem...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of Fitzroy Crossing, as part of Frem...

Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectible furniture since they met in Johnny’s hometown of Fitzroy Crossing, as part of Frem...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonization. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Brent Shegog oil on canvas 'Man and Boat' signed verso. This dramatic scene depicts a man with his beached boat in a bleak frozen mountainous landscape, the sky streaked with ominous...

Batman life-size statue "The Dark Knight" replica of super hero made of fiberglass by Studio Oxmox. Limited edition. Dimensions with base included.

A fine Australian art glass sculpture by Kirstie Rea. Entitled 'New Light'. 2 Kiln formed and wheel cut glass panels. Bearing an etched signature ...

Original vintage sporting event poster for The British Empire Games 5-12 February 1938 Sydney Australia – Australia's 150th Anniversary Celebrations. Co...

New Classicists Wadia Associates, Residential Architecture of Distinction by Philip James Dodd. Mulgrave: The Images Publishing Group Pty Ltd., 2007. First edition hardcover with dus...

Aluminum and leather lounges by Warren McArthur for Namco. Restored with spinney back leather.

Christies, April 2002 French furniture and decorative arts, A & C fink collections, Sydney. 172 lots all in color, on 139 pages. With results. NPT Books a division of N.P. Trent Anti...

A large painting depicting "woman's body paint" by Australian Aboriginal Artist Abie Loy Kemarre. Body paint is one of her inherited dreaming thus one...

The Master Architect Series III, R.M. Kliment & Frances Halsband Architects, Selected and Current Works. Mulgrave: The Images Publishing Group Pty Ltd., 1998. A book on the works of ...

Chinese Man's File is a rocking chair designed for the roughly 16,500 Chinese gold diggers who walked from Robe in South Australia to the Victorian goldfield...

Original first-year-of-release Australian Daybill film poster for one of the greatest films ever made, The Godfather. Fantastic design by Fujita. This vintage movie poster is sized 12 1/2 x 30 inches. It will be sent rolled (unframed). Year 1972 Poster Type Australian Daybill Style - Art by S. Neil Fujita...