Australian Furniture

Whether styling a living room for seating or foot comfort or adding a little glam to a bedroom, this light grey Mongolian fur pouffe will look and feel super lush in any interior setting. Each Mongolian fur ottoman...

Contemporary Aboriginal art, oil and acrylic on canvas. The painting depicts significant snake and gecko figures and characters that might allude to a gathering of people, a ceremony...

A wonderful work by Australian Aboriginal author/artist/ activist/dramatist Sally Morgan (1951- ) titled "Heartland", perhaps inspired by one of her numer...

Add comforting and luxe textures to your decor with this plush grey and white sheepskin pillow. Made from the finest eco-friendly sheepskins, guaranteed to not have been processed th...

Natural white sheepskin pillow create an atmosphere of luxurious comfort layering a bed or sofa with this alluring, natural white sheepskin pillow. Mad...

Enjoy the lush and cozy textures found in this oval shaggy rug, as your home is elevated with the natural luxury of genuine sheepskin. This Icelandic sheepskin rug will be that perfe...

Presented is a souvenir felt pennant celebrating the servicemen and women of the U.S. Air Corps who were based in Australia and fought alongside members of the Royal Australian Air Force during WWII. The navy pennant features a printed red outline of the Australian continent with the U.S. Air Corps “wings” superimposed on it. Below, the text reads, “Souvenir of U.S. Air Corps in Australia.” At the very bottom of the pennant is the U.S. Air Corps symbol. Framed according to archival standards, this pennant symbolizes the collaborative partnership between the United States and Australia during the height of the Second World War in the Pacific Theater. Following the swift Japanese conquest of the Philippines and East Indies in late 1941, the remaining servicemen of the United States Army Air Force in the Pacific eventually relocated to Australia, to join other US and Australian units, including the Fifth Air Force, and regroup. The Fifth Air Force was placed under the command of Major General George Kenney in July of 1942. Their new goal was to seize air superiority over New Guinea and gain back air coverage over the Solomon Sea. General Kenney worked with U.S. Army General MacArthur...

A large aboriginal painting by Ningura Napurrula (1938-2013). Title: "Rockhole Site of Wirrulnga" Artists: Ningura Napurrula (Australian Aboriginal, c.1938-2013) Birthplace: Watul...

Imagine relaxing with this real fur ottoman! Whether styling a living room for seating or foot comfort or adding a little glam to a bedroom, this snow white Mongolian fur pouf will look and feel amazing in any interior setting. Each fur ottoman features the most luxurious and silky Mongolian sheepskin...

The Pearl Royale is without a doubt the world's most luxurious vibrator ever created. Crafted by Australian jewelry artist Colin Burn for his Treasure The...

Add exotic elements to your decor with this natural white goat hair pillow. Australian designer, Emily Barbara personally selects each goat skin so that she may capture the natural b...

Add luxurious natural textures to a decor with this White Mongolian Fur Throw rug. Whether styling a sofa or adding glam to a wardrobe or nursery f...

A very large framed oil on canvas by extensively exhibited Australian artist, Beverley Downie. Downie's keen interest in opera has always influenced ...

Watch the joys of your little one whilst they learn and play with this cuddly and cheerful grey bunny rabbit nursery rug, hand crafted and shaped from premium quality short wool sheepskins carefully and ethically sourced from the finest of European sheepskins. Bunny rug comes in a mottled dyed grey sheepskin with lighter and darker shades of capturing a more realistic bunny with an endearing white long wool pompom tail using silky Australian merino sheepskin bringing texture and a dynamic effect for both bedroom styling and most importantly child comfort. Designed by eluxury homes designer Emily Barbara and made in Australia, the sheepskins selected for this rabbit rug...

Trans-Australian Railway Original Vintage Poster by Tromf, 1935 Artist Percy Trompf (Australian, 1902–1964) Condition Excellent Year 1935 Dimensions: 100 x 62 cm F...

Inspired by the high-tech architectural movement, the INOS side table celebrates the aesthetic value of its metal structure. The stark lines of the welded steel frame create an ever-...

A wonderful example of the work of master Japanese potter, Shunichi Inoue. This vessel dates from his Australian residency. We love the potency of this very simple form - it has a powerful presence, connoting stillness, composure. For some reason it makes me think of the moon. It has the same still, calm, abiding presence. Shunichi Inoue studied ceramics at Kyoto City University of Arts 1969-75. He travelled to Australia to lecturer in ceramics at the Bendigo College of Advanced Education in Victoria, Australia where he stayed for three years. He returned to Australia in late 1984 as a visiting professor and again in 1993, when he made an extended stay. He was an active exhibitor and had an important influence on Australian pottery...

William Ashton (1881-1963), Oil on canvas on board, signed lower left: Will Ashton. This work was probably painted on one of Ashtons painting trips to t...

Designed by Australian Designer, Emily Barbara this captivating 100% linen pillow features an intricate handwoven kangaroo leather detailing complimented with a sophisticated soft le...

Designer rugs of Australia, circa 1980s wool wall tapestry, hanging or rug, titled Space Fantasy and signed R.T on front. Raised plush rainbow spectrum a...

Breeze explores the divergence of mass planner forms and the subtle light play produced. The breeze side table is presented in raw aluminium with the edges of each element hand po...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history...

Marc Newson, Felt chair, limited edition, 2005, 03-99, Lacquered fiberglass, mirror-polished aluminium.  

Original vintage travel poster advertising British Commonwealth Pacific Airlines flights to England - Via BCPA to England. Design features an illustration of a mounted Royal Guard on...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history...

Title: Djirrididi Design Artist: Jeffery Walkundjawuy (1955-) Medium: Acrylic on canvas Size: 18 x 27 inches DOC: November 2006 Provenance: Galiwin'ku Community Art Center, Elcho Island, Northern...

Frame Ulysse butterflies glass box wall decoration with real Ulysse butterflies from breeding farms in Australia. Under box frame in clear glas...

GolfWeave uses cord and discarded golf balls to explore atomic geometries which are hacked and distorted to make functional objects. These golf balls are arranged as if they were each atoms of carbon. Hexagonal groups of six balls each share one border to make flat surfaces, while pentagons and heptagons are placed strategically to distort and warp, giving rise to the formation of seats, legs, arms and rests. These curves are the same ones we see in isolation in carbon and all of her allotropes. Nanotubes, nanocones, graphene and various fullerenes are hacked, combined and enlarged to a human scale...

Large aboriginal painting by contemporary artist Ningura Napurrula entitled "My country, rock holes". Canvas is not stretched for easy shipping. Ningura Napurrula (Australian Abor...

Introducing a captivating masterpiece to enhance your living space, the "Connect the Dots" Acrylic on Canvas Painting by renowned artist Wendy Cohen. This exquisite artwork effortles...

This diamond pattern Patchwork Sheepskin rug is a unique piece custom made by eluxury home. It is meticulously handcrafted by Australian artisa...

Offering a fresh take on 1970s opulence, the pattern of Art Hide’s new Largo rug is inspired by bold wallpaper prints of the time in stunning teal tones. Teal...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Ttitle: Jilamara (Body Paint Design) Artist: Sheila Puruntatameri (1971-) Date: 2006 Medium: Acrylic on Canvas Size: 15.8" x 23.6" (40cm x 60cm) Proven...

A beautiful hand-knitted wool cardigan by Jenny Kee, with original label and in almost unused condition. Purchased from Jenny in circa 1980 from her studio i...

A large and powerful City Scape from Australia's Andrew Browne. A cityscape at night with high rises above streets illuminated with street lights and a streak of light, with a bus an...

Featuring the same classic Roger Kastel artwork, the Jaws Australian Daybill is a great, collectable item and more affordable alternative to the cou...