Dutch Furniture

Knitted and woven textile made from com- bining high quality polypropelyne rope and parachute chord that is sculpted with epoxy to form a strong composite structure. Finished with a ...

Dutch silver figural spice box. Imported to England in 1891 by BH Joseph & Co. An egret gracefully scrolled neck, red glass eyes, and gaping beak stands on one scaly leg, the other l...

A fine pair of Delft polychrome lidded vases of hexagonal form, decorated in reds, blues and greens on a white ground with birds and flowers and stylised garden objects. The lids sim...

In the realm of mid-20th century Dutch design, these model "C-1626" wall lamps remain fascinating designs defined by the contrast of the smooth-round satin-matt glass and the angular-straight grey metal. Produced by RAAK Amsterdam and envisioned during the 1960s, this pair stands as evidence to the era's minimalist aesthetic. Hailing from the 1960s, these wall lamps are not only embodiments of simplicity and elegance, showcasing a design ethos that continues to captivate admirers today, but also illustrate how minimalist design can be so ingenious and expressive at the same time. These so-called Counterpoint Wall Lamps, specifically, model "C-1626" lamps by Raak Amsterdam exemplify the sophisticated and minimalist design ethos that defined 1960s lighting in the Netherlands. Crafted during an era where form and function coalesced seamlessly, these lamps remain enduring testaments to the timeless appeal of mid-century modernism. The essence of the Counterpoint Wall Lamps lies in their deliberate counterplay between simplicity and efficacy. Raak's design philosophy, epitomized in these C-1626 models, embraces clean lines and uncluttered aesthetics. The lamps feature a geometrically refined structures that effortlessly integrate into contemporary interiors, making them a compelling choice for discerning collectors. Functionally, Counterpoint Wall Lamps are marvels of balance. The design encapsulates a harmonious interplay of light and shadow, casting a gentle glow that enhances the ambiance of any space. The adaptability of the lamps is underscored by their capacity to blend seamlessly with diverse decor styles, a testament to the enduring legacy of Raak's commitment to versatility. Raak Amsterdam, a true vanguard in Dutch lighting design, played a pivotal role in shaping the visual landscape of the 1960s. Their meticulous craftsmanship and dedication to minimalist elegance laid the foundation for a design language that continues to resonate today. RAAK Amsterdam was started in the year 1954 by Carel O. Lockhorn, who before was employed by Philips in the south of the Netherlands. RAAK had its main sales outlets in both Eindhoven and Amsterdam.The aim of the company was to advise for correct usage of lighting devices, in a way that these are adapted to the surrounding architecture. The name “RAAK” can be loosely translated as “bulls eye” in Dutch, i.e. the company hits the target with respect to its design and function. The designs produced by the company were aimed at being modest, elegant, and effective. These ideals are fully translated into the design of this pair;The design is clearly aimed at being modest, elegant, and effective.For collectors and connoisseurs alike, these Counterpoint Wall Lamps model "C-1626" stand as both a nod to history and a beacon of timeless style for contemporary interiors.Characterized by clean lines, geometric shapes, and a commitment to functionalism. Their minimalist form, where form follows function with remarkable precision is achieved by the use of glass and metal. With their unadorned bodies and a subtle play of light and shadow, the design fully utilizes the differently textured and coloured elements. The design is remarkable for its ability to seamlessly blend into diverse interior settings. The design has great proportions, to create an attention-grabbing look. When lit, these lamps create an exceptionally atmospheric light, giving the glass a warm, cosy colour as well. Raak Amsterdam, the illustrious producer of these lights was renowned for its commitment to craftsmanship and innovation. Established in 1954, Raak quickly gained recognition for collaborating with exceptional designers like Jan-Willem Bosman. Their partnership produced timeless lighting solutions that continue to inspire contemporary designers and enthusiasts alike. This pair is a modernist design to its core with a look that is ageless and can stand out but also complement any space. During its existence, RAAK collaborated with several famous designers such as Betrand Balas (Springfontein Lamp), Frank Ligtelijn (Globe Lamp) or Maija-Liisa Komulainen (Fuga lamp...

This set of eight blue and white Delft chargers was made at De Vergulde Bloempot and De Klaaw in the Netherlands between 1780 and 1820. They feature the gorgeous "Peacock" pattern, o...

Antique Silver Cow Creamer Dutch C.1910. The Cream Jug of typical form with hinged cover, surmounted with finial realistically modelled as a...

Painted in the center with a vase filled with a lush bouquet of flowers. The border is painted with six foliate scroll panels, each with a vase filled with fruits alternated by blue ...

Arched Mirror Netherlands circa 1930 Mahogany frame dressing mirror with weathered glass. Brass and milk glass pendant with tassel. 31....

Mid-century Dutch furniture design was characterized by a blend of modernist influences and a commitment to functionality. Wooden furniture from this tim...

In the unique design style, “Amsterdamse School”, was an influential Dutch architectural and design movement that emerged in the early 20th century, and left an indelible mark on the cultural landscape of...

This lovely pair of Delft chargers were hand-painted at "The Claw"*in Delft, the Netherlands, circa 1800. They feature a beautiful garden scene with leaves and flowers against a brig...

A magnificant 19th century oak porter's chair with a five point shaped hood above a carved arch, surrounding a seat and arms, the back equally made for show and finished with archite...

This set of plates has a zigzag pattern, one of the favorite decorations for upscale Dutch Delft in the 18th and 19th centuries. The hand painted Bliksem "Lightning" pattern was firs...

Pair of Antique Dutch Silver figural Spoons, C.1890. Each depicting at the top a figural scene of woman holding a baby with a standing child on either side, twist stems and further f...

17th century Dutch wrought iron fireplace basket. Great looking and very decorative piece, tremendous craftsmanship and detailed decoration. Great original and usable condition, wo...

Cool brass floor lamp from Philips, in a neat size. Adjustable neck.

Through a conversation of raw materiality and distinctive shapes the New Wave collection illustrates the designers fascination for oceans force. To build the collection Lukas Cober u...

Cool midcentury desk lamp from Philips, made from brass in a wide design. Adjustable lamp shade with decorative perforated holes. Flourescent tube light source.

Dining table made of recycled wood piles lacquered .

This blue and white Delft charger was hand painted in the Netherlands circa 1800. The center features a garden scene with beautiful flowering peonies. We see blossoming flowers, buds...

Dutch Delft Large Chinoiserie Blue and White Chargers, Circa 1765 The Dutch Delft Chinoiserie circular large dishes are thinly potted and are painted in underglaze blue with a centr...

This is a blue and white Dutch Delft punch bowl (10.25" diameter) made in the mid-18th century, around 1760. The bowl is hand-painted in vibrant shades of cobalt blue. The outside o...

Artifort, sofa, leather, metal, The Netherlands, 1970s This cubic sofa features clear lines that result in a bold look. The backrest and armrests are on the same height. The patinat...

In European, and thus in Dutch mid-century furniture design, there was an early emphasis on wood as it connected everyday objects, such as furniture to nature. This rustic, solid oak...

Dutch cabinet, pine, metal, The Netherlands, 1970s This striking cabinet originates from The Netherlands. Its cubic appearance is emphasized by the dark colored wood. Vertically arr...

The Amsterdamse School defined Dutch architecture and design from as early as the 1910s. As this decorative table shows, the style has roots in Expressionist architecture, borrowing ...

In the heart of Dutch design innovation during the 1930s emerged these exquisite embodiments of the fusion between Dutch modernism and the opulent Art Deco style. These angular armch...

A very nice antique wooden fireplace with a gray marble top. The nice shaped top makes this a very pleasant mantel to look at. Its marble top...

Attributed to Jan Brunott, dressing table, macassar ebony, mahogany, glass, The Netherlands, circa 1925 A large mirror combined with functional storage space and beautiful forms make this dressing table a remarkable design. Designed circa 1925 and attributed to Dutch designer Jan Brunott, the item did not lose any of its attractiveness. A large mirror is integrated into a mahogany wall that features an open shelf cabinet and storage...

‘Bullhorn’ dining chair, ash, leatherette, The Netherlands, 1960s This dining chair from Dutch origin owes its name to the armrests that are based on the shape of a bull horn. The w...

This is a group of blue and white Delft jars and vases and one carafe. Made in the 18th century, each piece has its character. Together, they form a gorgeous group. Here are the details of each piece starting on the left: 1) A Blue and White Delft Mantle Jar Hand-Painted 18th Century Netherlands Circa 1780 Dimensions: Height 12.25″ x diameter at widest point 5.25″ x diameter at base 3.5″ Condition: Excellent with small edge chips invisibly restored. Price: $1,220.00 2) Blue and White Delft Vase Hand Painted 18th Century Netherlands, circa 1760 Dimensions: 12.75″ tall x 5.25″ diameter x 4.5″ across the octagonal base Condition: Excellent with small edge frits invisibly restored Price: $1,430 3) Antique Blue and White...

Coffee table, iron, laminated wood, wood, The Netherlands, 1960s A simplistic Dutch side or coffee table consisting of a black iron frame with a white laminated top. The wooden top is partially levitating in the metal frame, which makes it interesting and light. A functional and slightly stark table...

This Dutch Delft mantle garniture comprises five pieces: three lidded vases and a pair of flute-shaped vases. It was crafted in the Netherlands around 1780. The design features a han...

Sunlit Garden is a space to relax. A group of rugs and pillow to create a soft living landscape. Learn to live on the ground again, grow friendships like flowers in a garden lit in golden light. Every moment adds a blossom. A happy field of joy and warmth. Hand tufted and embroidered wool. The layers of different heights are sculpted to create a lush textured lanscape. The rug has a rich cotton back- Hand tufted and embroidered wool. The layers of different heights are sculpted to create a lush textured lanscape. The rug has a rich cotton back- ing and is finished with a hand applied embroidery stitch. The wool yarns are collected factory leftovers from The Netherlands, India and Nepal. Depend- ing on avaliablitiy of yarns small color variations can appear.   My name is Alfhild Kulper. I am a Swedish artist and designer, aiming to create physical representations of the soft spots in our minds. I graduated from Central Saint Martins University of the Arts London 10 years ago. And have since lived in the Netherlands, working as a fashion designer for the dutch brand Viktor & Rolf. In 2019 I started making textile art under the name Alfie’s Fuzzy Friends...

Theo Ruth for Artifort, ‘Congo’ lounge chair, stained ash, fabric, The Netherlands, 1952 Known as an iconic creation of the Artifort's production line, the Congo easy chair embraces...

Wim Ypma/Iepma for A. Polak, floor lamp, metal, acrylic, The Netherlands, 1950s A Dutch design that is ahead of its time. Designed in the fifties, this lamp holds a postmodern look....

Friso Kramer for Ahrend de Cirkel, table, lacquered steel, melamine-coated wood, aluminum, The Netherlands, design 1955 Designed by Dutch designer Friso Kramer for Ahrend de Cirkel ...

Coffee table made out of western red cedar and lebanese cedar and Various pigments and acrylic varnish. Laurids Gallée (1989) is an Austrian designer based in Rotterdam, Netherlands...

Sparkling Chair In 2010 at the Salone Internasional del Mobile Dutch designer Marcel Wanders presented a chair made by the same blow-Moulding technique used to manufacture water bott...

The 1970s witnessed the emergence of eccentric furniture pieces that seamlessly blended the avant-garde with practicality. Crafted in the Netherlan...

Sakura TFO23036 is a unique burnt orange, cream, jade and multicolored hand-blown art glass sculptural vase, covered in an organic glass shard adornment by the Dutch artist Maarten V...

Gerrit Rietveld and interior designer J. Tricht, bench, faux-leather, metal, The Netherlands, 1965. This bench was originally designed as a 'hall bench' for a local bank in Dedemsva...

This rare pair of armchairs was designed by Anton Lucas and produced in Leiden, The Netherlands circa 1925. The frames are made of solid oakwood, with a geometric front detail in Mac...

This Gispen ceiling lamp in opal white glass stands as a testament to timeless design, seamlessly merging the elegance of the Art Deco period with the refined minimalism of the 1950s...

Hendrik Wouda for Pander & Zonen, bookshelf, oak, macassar ebony, brass, The Netherlands, circa 1925 This utterly well-balanced bookshelf is characterized by a rectangular shape, fe...

This lovely blue and white Delft charger was made in the Netherlands around 1780. It was meticulously hand-painted in two shades of cobalt blue on a white tin-glazed surface. The cen...

Pair of lounge chairs, leather, The Netherlands, 1980s An exceptionally crafted design featuring bulky curves and rounded contours, accentuated by meticulous stitching. The low sea...

Coffee table, steel and glass, The Netherlands, 1970s Modernist coffee table in chrome plated steel and glass. This design displays sober and straight forward characteristics due th...

This pair of chairs carries with it the same beloved modernist characteristics applied to American, Scandinavian, and Italian mid-century design – simple, functional – and shows the ...

William Watting for Fristho, sideboard, teak, brass, lacquered wood, Netherlands, 1950s. Elegant sideboard designed by William Watting for Fristho from the fifties. Very slim taper...

Pierre Paulin for Artifort, F-444 easy chair, metal and cognac leather, the Netherlands, circa 1962. This cognac leather F-444 chair is designed by Pierre Paulin for Artifort in 196...

This 18th century blue and white Delft plate was hand painted circa 1780. The lively scene in the center features flowers, flower buds, and a polka-dotted vase. The border is decorat...

Armchair, ash, cane, The Netherlands, 1950s. This elegant armchair features a warm ash wooden frame. Especially the stately high backrest makes this piece of furniture very remarkab...

Mart Stam, set of four dining chairs, model 'A2-1', oak, seagrass, The Netherlands, 1947. Executed in 1947, these dining chairs by Dutch modernist designer and architect Mart Stam (...

Metz & Co, set of five bar stools, cane, chrome-plated metal, The Netherlands, 1970s. Set of five modern bar stools manufactured by the well-known Dutch manufacturer of design furn...

Janni Van Pelt, coffee table, glass, lacquered metal, The Netherlands, circa 1958. Round coffee table in black coated metal and glass. This table is a variation on Janni Van Pelt's ...

Willem Penaat, sideboard, oak, The Netherlands, early 1920s Made in the early 1920s, this delightful sideboard is designed by the Dutch interior designer Willem Penaat (1875-1957). ...

Hand painted in the Netherlands circa 1800, this blue and white Delft charger features a garden scene with flowering peonies. We see blossoming flowers, buds, leaves, and rockwork. T...