European Furniture

The name Tambù is a nick-name for Tamburello, sport and game frequently played in many Italian regions. The choice of the name comes from the fact that the diffuser characterizing th...

A fine, comfortable Wassily style lounge chair from France featuring bands of stitched leather attached to a seamless tubular chrome frame, inspired by Marcel Breuer’s original desig...

Midcentury French Industrial freestanding light made from metal and brass components. Adjustable to size.

A rare pair of Regency twin-light gilt bronze mounted, pillar and file cut, glass candelabra by John Blades. The firm of John Blades was first recorded in the London guide for 178...

Floor lamp in metal with an articulated arm and a diffuser pivoting on 360°. The base of cast iron always comes black varnished. Available with halogen or LED light source. Two step ...

Vintage ceramic bracket light. Designed to resemble bamboo, the structure allows light to leak out from various angles. E14 x1 Not includes bulb.

Pair of contemporary Italian tables made of Marquina marble, glass top and brass details. Every item LA Studio offers is checked by our team of 10 craftsmen in our in-house workshop...

Beautiful black and white metal pendant in very good condition. We have four of these lamps available. Designed by Jan Hoogervorst in the 1960s Manufactured by ANVIA Almelo The ...

Gople Lamp is the latest product in the ongoing collaboration between Artemide and Bjarke Ingels Group. Gople is crafted of a pill shape, handblown glass...

Gople Lamp is the latest product in the ongoing collaboration between Artemide and Bjarke Ingels Group. Gople is crafted of a pill shape, handblown glass...

Sotheby's Chateau de Cornillon, Loire, France: Important Gothic and Renaissance Furniture, Works of Art & Textiles. London: Sotheby's, 2006. Softcover. 126 pp. Château de Cornillon i...

Vase, tulip designed by Nils Landberg for Orrefors, Sweden, 1957. Glass. Measurements H: 44.5 cm/ 1' 6".

Gio Ponti F.A. 33 medium mirror in black brass. The F.A. 33 Mirror was originally designed by Gio Ponti in 1933 for Fontana Arte, the period’s most prominent lamp, glass, and mirror ...

Provencal French Antique Limestone Flooring ,Authentic Reclaimed Limestone Age of the 20th Century, 3 cm thick ( 1.2 inch ) the square-shape...

Since debuting at the Milan furniture fair in 2003, the BassamFellows Tractor stool has become a bona fide modern icon. From the outset, it has proven to be a piece of infinite varie...

Our limpid light size L in shade “Smoke” is a pendant light, decorative light, made in Europe. The Limpid Lights collection, a series of lighting objects that incorporate movement as a key element of its design. By moving the light source away from, or closer to the lighting object, the intensity of the light can be adapted. This caused by the hand blown glass shades that can be used to soften the light and create a more intimate ambiance. *Please note* We have 2 suspension available, Full-swing & Standard. The listed pictures are the Full-swing version. Dimensions: 200 x 200 x 600 mm (L x W x H) Full swing 1 box = 415 x 290 x 785 mm gross weight 6.5 kg Net weight 5.5 kg Standard 1 box = 415 x 290 x 785 mm gross weight 5.6 kg Net weight 4.6 kg Materials: Shade in glass (The glass is mouth-blown and therefore can contain air bubbles). Adjustable suspension in steel and brass. Non-adjustable suspension in steel. Finish: Clear glass smoked glass...

Six Erik Buch dining chairs made by Oddense Maskinsnedkeri. The chairs feature a solid teak frame and are as all of Erik Buchs chairs characterized by high-quality materials, solid ...

Large iron eight-light chandelier, with a burnished gold finish. Elaborately scrolled arms and detail; ending in a finial.

*Please note*, This is the Full-swing version (with moving LED), to order the Standard version (with fixed LED) please contact us. Our limpid light size M in shade “Smoke" is a pen...

The apotropaic (warding off evil) mask from Seminara can be distinguished by its horns, wide eyes, mustache, and screaming mouth with its tongue sticking out. The masks are finished in enormous wood fired kilns, which adds an uncontrollable twist to the features and colors rendered by the artisan’s hands—the final touch in their fierce and imperfect beauty. The demonic aspect of this mask is manifested in order to be expelled, bringing serenity to the owner and ridding the home of negative energy. Giovanni De Francesco takes an idiosyncratic approach to the traditional mask, aiming not for verisimilitude but for a rough impression of the volumes of the face. Using sculptural gestures to shape the clay, he accentuates the fundamental geometry and makes the shapes more grotesque. Incense can also be placed within TA RA TA TA’s ceramic jaws for ritual burning. This function alludes to a specific variation of the typical mask in in the form of a chimneypot: with smoke pouring out of its mouth and eyes, the mask would appear much more ferocious—and thus even more powerful. Details: - Dimension: approximately 32 H x 25 W x 10 D cm - Material: 100% Mediterranean terracotta clay - Technique: 100% handmade in Italy - Each handcrafted TA RA TA TA Seminara mask is unique. Picture on an indicative basis. - 14-days return policy - In stock Giovanni De Francesco (Bergamo 1976), lives and works between Milan and Paris. He is a visual artist dedicated to sculptural installations through the use of plastic materials, photography, video, painting and sound. Since 1997 he has taken part in many personal exhibits as well as collective ones. He an artistic consultant at the Luisa delle Piane gallery in Milan and is a founding member of the Monstera theatre company. He occasionally collaborates with Andre Branzi...

In Greek mythology, the name CARIDDI (Charybdis in English) belonged to a monster that lived in the sea between Calabria and Sicily and destroyed ships by swallowing them up and spitting them back out, generating dangerous whirlpools in the water. This myth is reinterpreted in the form of a mask, which inverts the traditional convex surface to create a concave volume inspired by the underwater world. The mask invites the gaze into the blue depths of its smooth interior, where an uncanny protrusion emerges in the shape of a nose, a signature motif in Giovanni De Francesco’s artistic production. Each nose-island is different from the others; every mask has a unique beauty accentuated by imperfections, smudges, and uncontrollable colors, invoking the unpredictability of fear. This perception overturns the ferocious symbolism of the legendary monster, rewriting CARIDDI as a welcoming narrative. The artist’s explorations of fear, danger, and the unknown become particularly poignant when placed in the recent historical context of Calabria and the Mediterranean Sea. In the exceptional conditions of the present moment, when hundreds of millions of people are spending more time at home than ever before in living memory, the homeware brand TRAME wants to share the inspiring and supportive influences of these Mediterranean ritual objects with the entire world. The masks, whether the traditional forms or the contemporary design interpretations, reveal a sense of both timelessness and contemporaneity in their aspirational evocation of a social life with more serenity and less fear. Details: - Dimension: approximately 28 H x 22 W x 8 D cm - Material: 100% Mediterranean terracotta clay - Technique: 100% handmade in Italy - Each handcrafted CARIDDI Seminara mask is unique. Picture on an indicative basis. - 14-days return policy - In stock Giovanni De Francesco (Bergamo 1976), lives and works between Milan and Paris. He is a visual artist dedicated to sculptural installations through the use of plastic materials, photography, video, painting and sound. Since 1997 he has taken part in many personal exhibits as well as collective ones. He an artistic consultant at the Luisa delle Piane gallery in Milan and is a founding member of the Monstera theatre company. He occasionally collaborates with Andre Branzi...

This multidirectional brass light articulates in three places: the base of the shade, mid-arm and the base of the stem. The spherical shade diffuses a warm light with a slightly smal...

Set of three very wide candelabras, with three arms each, made of beautiful hand-wrought iron, with an appealing, pitted texture, raised on scrolled tr...

TRN F1 Pendant lamp / ceiling lamp / chandelier Designer: Pani Jurek Dimensions: H 375 x 55 x 5 cm Model shown: Black Bulb (not included): E27/E26, compatib...

A good quality pair of late 19th century bronzed Spelter figures of young Dutch lovers, set of marbled bases. Measures: 13.5" (35cm) high.

A fine pair of large antique 19th century Roman neoclassical Campagna shaped black Scagliola vases or urns. Seated on a square base, the rim and body of each vase has a meticulously ...

Barba Corsini Pedrera coffee table in black for Gubi. The Pedrera coffee table was designed in 1955 by Barba Corsini for the loft space at La Pedr...

This chair is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beac...

Antique French silver gilt urn with rooster lid Mounted in Lapis Lazuli base with Rhodonite legs Maker: N.M.R Made in France, 1875-1915 Fully hallmarked. Dimensions: Approxim...

"Plopp" stool by Zieta, cosmic blue version Heat collection. Mini size: 38 cm high, 25 cm diameter.   “Plopp” stool copper version is a stool designed by Zieta Prozessdesign...

Maharam Throw Passel 003 Rosella Adapted from Maharam's eponymous upholstery textile, Passel Throw is woven in France on the same looms used to produce many Chanel suiting mate...

‘The Finding of Moses’ - An Important Florentine White Marble Figural Group, by Pietro Bazzanti on a carved Rosso Levanto Pedestal. Italian, circa 1870. Incised to the base ‘P. Bazzanti , Firenze’. The sculpture depicts the Pharaoh’s daughter in classical dress and wearing the Egyptian...

Poul Henningsen PH 5 pendant for Louis Poulsen in all black. Poul Henningsen introduced his iconic PH 5 pendant light in 1958. Six decades later, the PH 5 remains the bestselling des...

Three inclined support points, made of steam bent beech, give movement and lightness to a coffee table that can be flexibly used in the various living areas. The top is available in ...

Machine useless2" one of a series of useless machines by Renato Volpini (Naples, December 10, 1934 - Milan, February 3, 2017) material screen printing w...

Hollywood Regency large and decorative wall-sculpture by Belgium designer Marc D’haenens, the 1970s. The piece shows a variety of organic shapes in metal and copper, and a large p...

Candle box Gold Croco made with white porcelain from Limoges, France. With porcelain lid. With gold plated 24 karat crocodile and with black crocodile skin in leather style. Insi...

Tuscan sculptor Michele Chiossi, has found in marble a medium to describe modernity with its myths and symbols, creating the Contemporary collection. An emoji can be a tray; an emoji heart, not necessarily pierced by an arrow, can be a place of creativity in the kitchen, a chopping board or a working surface; a dash; a zigzag; granting the marble a moment of levity, becoming vertical in a vase; reflecting an ideal image of ourselves. Unique objects to be experienced as a couple, to gift to friends, jewels of our daily lives. Time and smoke pass, ashtrays remain. As everlasting as marble, as elegant as a concentric circle of smoke spreading through the air. Chiossi revisits the most Classic of living room...

A handsome Italian 19th century XVI st. Verde Antico marble and black Belgian marble pedestal with a swivel top. The pedestal or column is raised by a squa...

A brand new edition of the Tab family, now with new capabilities in new colors. This new edition of Tab table lamp has an adjustable head with a ±90-degree rotation capability emitti...

A brand new edition of the tab family, now with new capabilities in new colors. This new edition of Tab floor lamp has an adjustable head with a 90-degr...

Industrial lamp including glass. Black / very dark grey enamel white interior. Clear glass. Weight: 12.0 kg / 26.5 lb Priced per individual item. All lamps have been made suita...

Photography of Paula Anta "Busano 03" serie "Artificial Paradise", 2008. Paula Anta Education 2015 European PhD in Fine Arts, Complutense University of Madrid. 2004 Professional Piano Degree (1966 Academic Programme). Exhibitions 2018 “Kanzel”, Pilar Serra Gallery, Madrid. 2017 "Rêver le noir, rêver une absence“, La Laboral Ciudad de La Cultura, Gijón Photography Encounters. R&P Legal Collection, Frankfurt, Germany. 2014 “In Black” (In Schwarz). Photoalc Festival, Aural Gallery, Alicante. “Readers” (Lectoras). Women’s Outlook Festival, Blanca Soto Gallery, Madrid. 2013 “Saints” (Santos). Spanish College, International University City of Paris. 2011 Modern Art Centre “Hospital del Rey”, Melilla. 2010 “Holy Cow!” (Heiliger Bimbam). Heike Strelow Gallery, Frankfurt am Main. “HomeMade”, video exhibition “Sonate No. 1 Augenmusik (Eye Music) K505”, Davis Museum, Barcelona. 2009 “Bring me a leaf of grass from the Edge of the image- Chapter II”. Atelierfrankfurt, Frankfurt am Main. 2008 “Palmehuset” (House of Palms). Photoespaña XI, International Festival of Photography and Visual Arts, Blanca Soto Gallery, Madrid. 2007 “Sunset Delux-Art”. Residency at Linklaters Art Association, Frankfurt am Main. Awards and scholarships 2016 Estampa 2016, Regional Authority of Madrid Award. 2015 VIII Biennial International Competition of Contemporary Photography “Pilar Citoler” Award. 2012-2013 FormARTE Scholarship for Visual Arts and Photography, Spanish College in Paris. Combat Prize. City of Livorno. Honourable Mention. 2011-2012 Scholarship from Spanish Ministry of Foreign Affairs, Spanish Academy in Rome. 2010 Aena Foundation Photography Award. 2009 Iniciarte scholarship for the creation and dissemination of contemporary art. Andalusia Regional Authority. 2008 Art Creation Award, Regional Authority of Madrid. 2007 Shortlisted in the “El Cultural” photography competition, El Mundo, Madrid. Artist in Residence Scholarship, Atelierfrankfurt, Frankfurt am Main. 2004 Juan Gris chair, Jannis Kounellis course. 2002- 2005 Honorary Research Scholarship, Fine Arts College, Complutense University of Madrid. 2002 Scholarship for Workshop Claude Closky, DFSSU Management of IT Projects, Paris. 2001 Scholarship for doctoral tuition overseas, Paris 8 University. 2000 Internship, Audio-visual Media section, Fine Arts College, Complutense University of Madrid.   Artificial Paradises Paradise is an enclosure created by man. It is a place of perfection in nature, of reconciliation with our origin, of serenity towards our near reality. Paradises are there, waiting for us. We earn them sometimes, and some other times we are expelled from them and then their very existence becomes a reproach. Paradises are not ephemeral, though. All that belongs to Nature is ephemeral and boundless at the same time. It remains until the infinite and returns to the beginning to wither again and so on, over and over. Paradise escapes us, it slips out in our imagination of what it is. It disappears and then, just like everything we cannot hold, like everything vanishing away from our desire for grasping, it must be replicated, frozen in time, imitated at best, never to be lost again. We contemplate it in all its confines, we study it and scrutinise all its forms, line by line, each with different colours and nuances. We thus hold on to the ephemeral, we stop its decadence, we perpetuate beauty in our urge to negate its own death. The paradise reverts to the logic of the quest. Maybe the last voyage ever to be undertaken is that of defining a paradise through sheer technical mastery, through the use of an apparent wisdom, a meticulous ability to reproduce reality: to create some sort of artificial paradise, a world where everything is reproducible and interminable, and so all appears at last to be perfectly docile and tame. To believe in the absolute harmlessness of such a paradise. And very likely to open up an abyss afresh, a new irony (tragic o comic or perhaps both at the same time) about each petal of each of its artificial flowers, made in the image and according to the likeness of reality. Artificial Paradises intends to be a very own and concrete paradise in a very specific location. The tradition of reproduction/imitation in Asia forms part of its culture. The tenacious aim for perfection, or for the idea of perfection held about things, blurs the confine between what is and its perfect imitation. In Asia the electric colours of the artificial plants...

Cirkus wall lamps by AGO Lighting Coated ABS, aluminum UL Listed LED GU10 110-240V (not included) Four colors available: Charcoal, grey, green, terracotta Dimensions: 18 x 14,8 x 7,8 cm -- AGO is a Korean design...

Handcrafted from wood with lacquered black gloss finish, Medea picture frame excels luxury and elegance with its detailing in Corno Italiano, whose remarkable natural nuances will le...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (2) The new New York collection designs by Sergio Bicego still retains a contemporary soul a...

Part of the popular Glo-Ball Series, the Glo-Ball F was created in 1998 by artist Jasper Morrison to invoke the radiant calm of a full moon. This contemporary floor lamp fits natural...

Part of the popular Glo-Ball Series, the Glo-Ball F was created in 1998 by artist Jasper Morrison to invoke the radiant calm of a full moon. This contemporary floor lamp fits natural...

Part of the popular Glo-Ball Series, the Glo-Ball F was created in 1998 by artist Jasper Morrison to invoke the radiant calm of a full moon. This contemporary floor lamp fits natural...

With each collection, Impatia aims to explore design through different perspectives. Among a strong focus on developing one of a kind game tables, it is just as equally important to focus on the accessories. As a result, Impatia offers a range of luxury game accessories that complement each table perfectly. Extending the use of high-quality materials and Italian craftsmanship each accessory set is carefully thought out and designed to perfection. This modern game set is perfect for any backgammon lover. Hand-crafted in Italy by artisans, the backgammon game set features a rectangular box made from genuine Italian leather with a complete set of chrome chips with a magnetic element for easy stacking. The game set also includes a premium set of leather dice shakers...

Pair of 'Méandre' undulating blackened wrought iron and glass consoles by DESIGN FRÈRES. Chic and understated.

For the past six years Portuguese designer Rui Pereira and Japanese designer Ryosuke Fukusada have been collaborating on projects that tap into their respective cultural heritage to ...

Almost-pair of French "homemade" iron chairs with very comfortable! tractor seats. Original paint.

A very finely turned ebony side table or bar cart on wheels, with bone inlays and two glass tiers.

This suspension by René-Jean Caillette, created in 1957, completes the range of the B3 wall lamp and the B4 floor lamp. This luminaire, originally designed as a floodlight before th...

Elevate your outdoor space with Captain Flint, an elegant Dual-purpose floor lamp serves as an uplight and reading light with its conical shade and refre...

Michael Anastassiades has come up with an In&Out version of the iconic IC Lights floor lamp, enriching a sophisticated elegance with a new free spirit, for indoor or outdoor use. IC ...

Niwa suspension lamp by Christophe Pillet for Oluce. The light bulb is protected in a transparent blown-glass diffuser connected to a lacquered aluminum cone. 1 x max 15 W - E26 (LED...