Maghreb Furniture

This runner rug, through its irregular shape, reflects a new way of assembling mats in 2 staggered bands, and reflects the contribution of design crafts in the art of weaving mats in...

This is an extraordinary Beni Ourain Moroccan Rug, adorned with a captivating geometric design and handcrafted with utmost precision using the finest quality wool. This exceptional p...

Reveur I Anthracite Seating by Altin Designed and developed by Yasmine Sfar and Mehdi Kebaier. Dimensions: D 190 x W 95 x H 78 cm Materials: Metal, fabric. Meridian in metal structu...

Grande Conjonction Light Sculpture by Altin Designed and developed by Yasmine Sfar and Mehdi Kebaier. Dimensions: D 70 x W 45 x H 170 cm Materials: Metal, ceramic. Light sculpture i...

Nébuleuse Pendant Lamp by Altin Designed and developed by Yasmine Sfar and Mehdi Kebaier. Dimensions: D 90 x W 95 x H 35 cm Materials: Metal, ceramic. Earth and metal suspension light...

A contemporary hand-knotted Moroccan rug, made of plant dyed sheep wool. Soft, comfy pile that is ideal for families with kids. Custom Sizes, 100% Wool Available as it is or made to ...

Reveur I Bronze Seating by Altin Designed and developed by Yasmine Sfar and Mehdi Kebaier. Dimensions: D 190 x W 95 x H 78 cm Materials: Metal, fabric. Meridian in metal structure a...

This runner rug of the artist Meriem Bouderbala is a true piece of art that perfectly reflects the know-how of the weaving of the natural fiber mat. This unique mat is the result of ...

Experience the unique combination of tradition and modernity with this exquisite Beni Ourain Moroccan Rug. This luxurious rug showcases the unparalleled craft of the Berber tribes pe...

This rug, through its irregular shape, reflects a new way of assembling mats in 3 staggered bands, and reflects the contribution of design crafts in the art of weaving mats in Smar (...

This is an exquisite Moroccan Rug, a handmade masterpiece crafted from genuine wool. This rug is a truly unique and special piece, embodying the rich heritage, craftsmanship of Moroc...

Abstract Painting Mixed Media in gray-white-rust-black by Hassan Bourkia Marrakesh 2008 Hassan Bourkia was born on December 19, 1956 in El Ksiba, near Beni Mellal. He is a writer, translator and visual artist. He has been teaching literature since 1982 and exhibiting in the main art galleries in Morocco and in various places abroad since the early 1990s. He recently participated in the Buenos Aires Biennial of Contemporary Art (Bienalsur), and his works are in several large private collections and museums. Hassan Bourkia has been exploring the field of memory for several years to speak about the drama of immigration and the suffering caused by the trauma of conflicts around the world. From his own life he draws the experience of an intimate apocalypse that leads him to work on collective wounds through archives and fragments. He lives and works between Beni Mellal and Marrakech. SOLO SHOWS « Splendeur de l’Incertain », Maison des jeunes, F.B.Salah, Maroc, Hommage au poète Abdallah RAJIAA. « La Nuit est aussi Soleil », Galerie Al Kassabah, Essaouira – Maroc, Travail sur Textes Mystiques. « Ivresse de la Terre », Galerie Vila Nova, Portugal. « L’Odyssée de la Terre », Galerie Al Manar, Casablanca, Maroc. « Terres d’Enfance… ici même) 1er Festival de : La Mémoire face à l’Oubli », Bibliothèque municipale, Béni Mellal – Maroc. « Chants de la Terre », Galerie Sanitas, Zurich – Suisse. « Être et…Illusion », Galerie Al Manar, Casablanca – Maroc. 1999 : « Mémoires Souterraines », Galerie Palacio D. Manuel, Evora – Portugal. 2000 : « Couleurs du Sud », Galerie Municipale, Payerne – Suisse. « Derniers Travaux », Galerie Wingy House, Solothurn – Suisse. 2001 : « Mémoires Souterraines 2 », Galerie Al Manar, Casablanca – Maroc. 2002 : « Mémoires Souterraines 3 », Bibliothèque Municipale, Béni Mellal – Maroc. 2003 : « Devenirs Vécus », Hommage à Mohamed Kacimi, Galerie Bleue, Marrakech – Maroc. 2006 : « Peindre l’air », Institut Français de Meknes, Meknes – Maroc. « Flammes et Cendres », Galerie Nationale Bab Rouah, Rabat – Maroc. « Flammes et cendres », l’Institut français de Marrakech, Maroc. 2008 : « Qana, ce jour – là », Galerie Noir sur Blanc, Marrakech – Maroc. 2007 : « Sur les cendres », Espace Souffle, Casablanca – Maroc. Galerie Venise Cadre, Casablanca – Maroc. 2011 : « L’Histoire ‘se- mêle’ », Villa Matisse, Marrakech – Maroc. 2013 : « Jardins Suspendus », Al Markhiya, Doha – Qatar. 2014 : « Couleurs des mots », Matisse Art Gallery, Casablanca – Maroc. 2019 : « Chemins croisés », Karla Osorio Art Galery, Bazilia – Brésil. 2020 : « Au noms des miens », Comptoir des Mines Galerie, Marrakech – Maroc. GROUP SHOWS 1985 : « Peintures », Bibliothèque Municipale, Béni Mellal – Maroc. 1989 : « Masques au Pluriel », Faculté des Lettres, Université Cadi Ayyad, Béni Mellal – Maroc. 1996 : « Itinérances : Art Contemporain Marocain », Université Toulouse Le Mirail – CIAM, Toulouse – France. « Plasticiens Marocains Exposent », Palais des Congrès, Marrakech- Maroc. « Itinérances, aux Portes de Marrakech », Galerie Bab Doukkala, Marrakech – Maroc. « Peintres d’Al Manar », Galerie Al Manar, Casablanca – Maroc. 1998 : « Poèmes de la Terre », 6ème Festival de la poésie Marocaine Moderne, Association Achouàla, Salé – Maroc. 2000 : « Partage », Galerie Bab Rouah, Journée Mondiale de la Poésie, Rabat – Maroc. « La Cinquième Saison », Borj Bab Marrakech, 2ème Édition Festival de Musique Gnaouie, Essaouira – Maroc. 2002 : Biennale d’Alexandrie de l’Art Arabe Contemporain, Alexandrie – Egypte. « L’Art comme Action », Société Marocaine des Droits de l’Homme, Dar el Mrini, Rabat – Maroc. 2003 : « À la Recherche de nos Atlas Secrets », Association AMRASH, Galerie ACTUA (BCM), Casablanca – Maroc. 2004 : « La semaine du Maroc », Palais de la culture, Abu Dhabi – Emirates Arabes Unies. « Petits Formats », Galerie Venise Cadre, Casablanca – Maroc. « À la Recherche de nos Atlas Secrets », Bab El Kebir, Rabat – Maroc. « Art contemporain Marocain », Salle de conférences, Hôtel de Ville, Aix En Provence – France. « La Grande Exposition Nationale des Arts Plastiques », Complexe Culturel, 1ère Édition, Cathédrale Sacré Cœur, Casablanca – Maroc. 2004 : « Terres, Mémoires, Nostalgies » Palais des arts, Lisbonne – Portugal. 2005 : EMAAR International Art Symposium, Dubai – Emirates Arabes Unies. Peintres Écrivains, 16? Congrès des Écrivains du Maroc, Théâtre Mohamed V, Rabat – Maroc. Galerie Al Maqâm, Hommage à Edmond Amran El Maleh, Tahannout, Marrakech – Maroc. Grande exposition nationale d’arts plastiques, Cathédrale sacré Cœur, 2? Édition, Casablanca – Maroc. La semaine culturelle du Maroc, Doha – Qatar. La Galerie Nationale, Lithographies, La semaine culturelle marocaine, Sao Paolo – Brésil. La Galerie Nationale, La semaine du Maroc, Mexico – Mexique. Journées Internationales du Désert, Association Tariq Bnou Ziad, Rissani – Maroc. Aspects, Galerie Mohamed El Fassi, Rabat – Maroc. Grande Exposition National, Cathédrale Sacré Cœur, Casablanca – Maroc. Exposition d’art plastique arabe, Rashaa, Jeddah – Arabie Saoudite. 2006 : Journée de la femme, Alliance Franco- Marocaine, Rabat – Maroc. L’Art Contemporain Marocain, Théâtre National, Bucarest – Roumanie. Académie des Arts, Centre Culturel et Artistique de Saba, Tehran – Iran. 2007 : « Sortir aux entrailles », Galerie Linéart, Tanger – Maroc. Hôtel de ville, salle Albert Camus, Cugnaux, Toulouse – France. Espace Fès Palace, La CDG, Fès – Maroc. Galerie Nationale, La semaine culturelle Marocaine, Alger – Algérie. « Convergences », La Société Générale Marocaine des Banques (Siège), Casablanca – Maroc. « L’art contemporain marocain », Galerie Chaabia, El Jadida (Maroc) ; Médiathèque Al Assad, Maison de la culture, Damas – Syrie. Salon d’Hiver, 1ère Biennal d’Art Marocain, Marrakech – Maroc. La Création Arabe Contemporaine ; Salle d’exposition Hôtel J.W. Mariott, Koweït City – Koweït. Loft Galerie, Casablanca – Maroc. Exposition Nationale, Galerie A. El Khatibi, El Jadida – Maroc. Forsight Gallery, Amman – Jordanie. « Zones sensibles », Association des Artistes Malgaches, Salle municipale des expositions, Monaco. Art Marrakech, Biennale internationale, Es Saadi Hôtel, Maroc. Venise Cadre, Casablanca – Maroc. Salle Nationale, Ouagadougou – Burkina Faso. 2011 : Seven, Galerie Agora, Marrakech – Maroc. Semaine de la culture Marocaine, Salle Nationale, Ouagadougou – Burkina Faso. Parcours Mobile, Hommage pour Edmond Amran El Maleh, Galerie 38, Casablanca – Maroc. Nature et paysage, La Société Générale, Casablanca. Hommage à Edmond Amran El Maleh, Bibliothèque Nationale, Rabat – Maroc. Marrakech Art Fair, 2ème Édition Marrakech – Maroc. Inspiring Morocco, Harold’s, London – Angleterre. Société Générale, Casablanca – Maroc. Top 25, Foire Internationale, Casablanca – Maroc. 2012 : Palais d’Expositions, Genève – Suisse. Regards Africains Croisés, Actua, Casablanca – Maroc. Espace d’Art Moderne, Assilah – Maroc. Bibliothèque Nationale, Las Palmas – Les îles Canaris. 5? Symposium de l’Art Moderne, Louxor – Egypte. Borj Bab Marrakech, Essaouira – Maroc. ArtSyriat, Institut du Monde Arabe, Paris – France. « 1000 sur Papiers », Galerie Bassamat, Casablanca – Maroc. « Sobre Paper », Galerie Antoni Pignol, Barcelone – Espagne. « Matière », Banque Al Maghrib, Rabat – Maroc. 5 Artistes pour Darna, Bab Marrakech, Essaouira – Maroc. L’art moderne marocain, Galerie Orfely, Amman – Jordanie. 2014 : Dessins, Petits Formats, Ambre Espace, Forum des Architectes, Casablanca – Maroc. Galerie Al-Alanda, Amman – Jordanie. Le Musée Mohamed VI de l’Art Moderne, Rabat – Maroc. 2015 : «Les Vertus de l Oiseau Solitaire», Hommage à Juan Goytisolo, Dar Chrifa, Marrakech – Maroc. Carte Blanche, CDG, Rabat – Maroc. Poésie et peinture, Hommage à A. Jouahri, Galerie Noir sur Blanc, Marrakech. 2016 : «Les Vertus…», La Maison Arabe, Séville – Espagne. Mail-Art, Hommage à Arthur Rimbaud, l’Ancien Tribunal, Florac – France. « Des Papiers et des Mains », Dar Chrifa, Marrakech. Al Makan d’Art Actuel, Gafsa – Tunisie. Mail-Art, Ambre Espace, Casablanca. 2017 : Art Moderne en Méditerranée, Maison Sébastian, Hammamat – Tunisie. Art Moderne Arabe, 1ère Edition, Qatara, Doha – Qatar. Espace d Art, Banque Cairo – amman, Amman – Jordanie. Art Moderne Arabe, Union des Artistes, Koweit – Koweit. Sculpture au Jardin des Arts, Marrakech. 2018 : « Traversées » Comptoir des Mines Galerie, Marrakech, Maroc. « Mare Nostrum », Comptoir des Mines Galerie, Marrakech. 2019 : « Poésies Africaines », Comptoir des Mines Galerie, Marrakech – Maroc. Maison Sébastian, Hammamat – Tunisie. Bab El Madina, Tunis – Tunisie. Maacal (Musée Al Maaden), Materials insanity, 2ème Édition International African Art Fair, Marrakech – Maroc. Salon du Maroc, Abu Dhabi – Emirates Arabes Unies. Bibliothèque des Emigrés, Musée de l Emigration, Buenos Aires – Argentine. 2? Biennale Internationale Art et Désigne, Brazilia – Brésil. 2020 : « Distance Ardente », Africa 2020, Musée Régional d’Art Contemporain, Occitanie – France. Art Contemporain en Amérique Latine, 1ère Biennale, Sao Paolo – Brésil. PUBLICATIONS Depuis 1982, publications de plusieurs articles (philosophiques et littéraires) dans différents journaux et magazines marocains et internationaux : Al Karmal, Al Quds, Horizons Maghrébins, Mediterraniènnes, La Revue Française, La Pensée Arabe Contemporaine, Arabes et Pensée Universelle. 1994 : « Le gai Savoir », F. Nietzsche (co-traduction, avec Mohamed Ennaji), édition Afrique Orient, Casablanca – Maroc. 1996 : « Crépuscule des Idoles », F. Nietzsche, (co-traduction/ Ennaji), édition Afrique Orient, Casablanca – Maroc. « Abner Abounour », Edmond Amran El Maleh, Récits (traduction), éd. Afrique Orient, Casablanca – Maroc. 2000 : « Dounia Hanya », succession narrative, Édition Afrique Orient, Casablanca – Maroc. Dont quelques nouvelles étaient traduites et éditées dans la Revue Française. « Le Gai Savoir », 2ème Édition, Afrique Orient, Beyrouth – Liban. « Éclat de l’écriture », essais critique sur l’art, la poésie et le roman marocains, Édition Le Suprême Congrès de la Culture, Le Caire – Egypte. 2001 : « Le Retour d’Abou El Haki », Edmond Amran El Maleh, Roman, éd. Afrique Orient, Casablanca – Maroc. 2002 : « Du Texte à l’Action, Essais d’Herméneutique », Paul Ricoeur, (co-traduction avec Mohamed Berrada), Édition Ein For Human and Social Studies, Caire – Egypte. 2004 : « Le Livre de la mère » Edmond Amran El Maleh (traduction), Édition Luxous, Tanger – Maroc. « Le Fond de la Jarre » Abdelatif Laabi, (traduction). 2005 : « L’empire de doute : Autour de l’œuvre de Juan Goytisolo », co-éd. Ministère de la culture, Rabat – Maroc. 2006 : « Par Delà le Bien et le Mal », F. Nietzsche (Traduction), éd. Afr. Orient, Casablanca – Maroc. « Morceaux de choix...

Handmade wool Berber rug carpet with contrasting graphic design, Morocco production 2000s.

This runner rug, through its irregular shape, reflects a new way of assembling mats in 2 staggered bands, and reflects the contribution of design crafts in the art of weaving mats in...

A quietly beautiful Moroccan rug featuring interlocking ivory lozenges on a latte background. Handwoven with soft natural un-dyed lambswool, it has a thick and lush pile. It's soft, ...

Looks like a monochrome, but actually this bitonal grey carpet shows a close pattern of oblique parallel lines forming Vees and diamonds uniformly all over the borderless ground. The...

Vertical stripes in ecru, tangerine and red of varying, irregular widths and lengths make this modern piece seem even longer. The coarse striping renders side borders irrelevant. The...

21675 New Authentic Moroccan Rug, 10'00 x 12'00. Nomadic charm collides with modern style in this large Berber Moroccan rug. The abstract design and lively colors woven into this pie...

21418 Vintage Beni M'Guild Moroccan Rug, 06'10 x 10'02. With its simplicity, plush pile and tribal style, this hand knotted wool vintage Beni M'Guild Moroccan rug is a captivating v...

A modern runner with dark brown lateral triangles and only an open, four diamond pole medallion on an ecru field. Coarse weave, as new condition. Narrow width makes it extra versatil...

Handwoven with 100% handspun wool in the heart of Morocco; this beautiful natural rug features a high / low pile. Moroccan rugs tend to be simple and are the perfect compliment for y...

A contemporary hand-knotted Moroccan rug. 100% Wool. Very Soft, velvety pile that is ideal for kids room, also great in a bedroom, living room or nursery. Pile height can be customiz...

A contemporary hand-knotted Moroccan rug, made of dyed sheep's wool. It has soft, lustrous wool pile that is ideal for families with kids and those who seek coziness and comfort wit...

A handmade Moroccan rug with soft, cozy pile made of the fine natural hand-spun sheep wool. Color: Brown The rug is made-to-order and customizable. We can make it in any size, pile...

Two vertical lines divide the abrashed denim blue field into three sections. The lateral areas show broad zig zags while the central area features a lozenge pole and double zig zags....

The strongly abrashed dark field is continually brown up by lighter line bits, and supports an ecru rough lozenge trellis growing denser toward one end. Across the top the lozenges e...

A mix of stripes, triangles and lines breaking through each other to form a nice mix of modern and Art Deco elements. Dominantly black with light blue and white as accent colors. A m...

Checks, checks and checks. Looks like a giant Tibetan, with an all chessboard allover, borderless design in abrashed ecru and brown. The individual squares stretch, contract, enlarge...

A roughly woven, very coarse bitonal tribal piece with wavering edges, toned tassels and a pattern of dotted lines and a central chain of open hexagons and a square. No lines are par...

The ivory borderless field shows a random paint splash vertical pattern in tangerine, light blue, green and brown. Tassels at one end. Recumbent, long pil...

The abrash variegated blue field is equally horizontally into an upper section with a tall, erratic octagonal scale pattern, a lower band with a somewhat smaller version thereof, and...

With a contemporary Minimalist yet dynamic look, this bitonal carpet features a crisp zig-zag pattern with open triangles at one end, on a lightly abrashed cream ground. A new condit...

The parcel abrashed light brown field shows two virtually end to end, erratic open lozenges in shades of blue, within a light russet border. Both ends tasselated. Thick pile and coar...

Modern striped Moroccan inspired carpet with neutral tones. Perfect for a room that's using a neutral modern palette!

Although showing some wear on the nearly flat, coarse pile, this piece combines a charcoal open field with an equally plain rust-carrot border. The dark foundation adds a third colou...

This minimalist uncolored, Mondrianesque coarse weave large scatter shows an orthogonal pattern of slender charcoal lines on an ecru ground, creating various open reserves. The horiz...

The predominantly yellow field shows a small square allover pattern in yellow tones, dark brown, rust red, cream and green. Two columns of squares are particularly prominent, but avo...

The subtle charcoal large lozenge lattice straightens out at one end to form house-shaped pentagonal reserves. No lateral borders and slender bitonal st...

Dark brown, light blue, rust and goldenrod lines dribble down from on end on the ecru ground, but mostly stop short abruptly in an implicit horizontal band. Irregular starting line, ...

Thin, dark orthogonal lines mark out rectangles on the abashed field. These panels randomly host slate abstract shapes of beveled bands, chevrons or open curved elements. Nothing is ...

The mottled slate and grey field is abstractly, asymmetrically partially obscured by bold streaks of cream, straw, rust, yellow and red and pale grey, all running along the vertical ...

Contemporary extra large textural conifers green rug by Doris Leslie Blau. Size: 20.9" × 25.8" (632 × 782 cm). An extra-large modern rug of vintage tribal inspiration, hand-woven i...

A quasi-columnar patter of light and dark, thick and thin, dashes runs parallel across the cream field. Dashes in straw and tans. Wider, bitonal band of rectangles across one end, na...

78363 Vintage Red Moroccan rug Beni Mrirt Carpet 06'07 x 10'07. Reflecting facets of Mark Rothko and color blocking, this vintage Moroccan rug is burrsting with chromatic brilliancy ...

A Moroccan Berber design contemporary hand-knotted rug made of organic sheeps' wool in its original, un-dyed shades of very dark brown and cream, featuring a design of slightly crooked lines running across the length of the field with small lozenges attached to their top ends. This beautifully rendered plush carpet is made entirely of hand-spun luxurious lambs wool, it is very soft to the touch and feels very comfortable under your feet. Ideal for families with kids and for those who seek coziness and comfort with a modern, minimalist aesthetic. These beautiful hand-knotted rugs are produced from scratch by highly skilled women artisans...

In panel abrashed indigo with five darker stripes across one end colliding with a tall, etiolated double lozenge pattern. Unusual format. The abrash he...

A large, slender lattice is drawn on the light brownish field, with broad lateral full length reserves, but ending right at the top and bottom. Rough, dark brown selvage edges. Thin ...

80821 Modern Earth-Tone Moroccan Area Rug with Short Pile, 05'08 x 08'10. In the veiled realm of contemporary allure, behold the mystique embodied in this hand-knotted wool masterpie...

This weft patterned flatweave, pileless carpet shows a uniform, abrashed graphite lozenge lattice with equally uniform mid-grey lozenge fillers. Bitonal. The kilim in the flannel gre...

This pileless piece features a lattice of larger and smaller diamonds in light grey while the lattice is in pale grey. Or one could see it as columns of larger and smaller grey lozen...

The inebriatedly wandering lines form a truly meandering large lattice pattern of black against an ivory ground. The lines stop, start and dance with no apparent reasoning. They know...

Vibrating ecru lines in parallel convergence in the top half yield to an abrashed trapezoid below, all in strongly abrashed slate/graphite. In each abrash band there is plenty of moi...

Extremely elegant and OFprisingly functional, inside and out, with its clean feminine line and unique cylindrical shape with perfect balance, this column table plays with geometry th...

A new handmade Moroccan Beni Ourain Berber rug made of natural un-dyed sheep wool. The rug is available as seen or if requested, it can be custom produced in a different size, color...

Off white, natural high pile, but with certain of the lines broadly doubled. Still ecru natural wool ground without borders. Speckled endweaves and short tassels at one end. Measures...

This roomsize piece has an air of mystery, with an abrashed navy field hosting a sweeping, irregular large lozenge ecru lattice. Lozenge and X basic pattern layout. Tassels at one en...

This almost monochrome ecru ground piece actually hosts a very subtle large open lattice design with no side borders. A charcoal and ecru band at each end...

The natural ecru field shows a fifties-style pattern of elongated pinstriped motives set in an essentially longitudinal manner. The pinstriping is occasionally broken or incomplete. ...