Mongolian Furniture

Orange and blue make up the main colors of this fine handmade wool area rug, constructed in the 1950s. The central design features a rich orange...

An antique Mongolian room size carpet handmade during the early 20th century with a contemporary Art Deco style geometric pattern in neutral colors. Measures: 9' 2" x 11' 1" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs (sleeping rugs) with simple chessboard allovers. Only a few large antique Tibetan carpets...

Originating from China in the 1980s, this vintage transitional Tudor-design wool runner marries the iconic, distinct British symbolism of its kind with French neoclassical colorways of rich brown, pink, and green. While the center field design may feature asymmetric, highly stylized green sweeping garlands, the Tudor emblem is perfectly mirrored across the piece, adorned by soaring bird...

Originating from China, this hand knotted floral runner was inspired by antique and vintage Tudor floral designs, embracing a borderless, al...

Measures: 5' x 7'7. This enchanting east Chinese rug incorporates five symbols of longevity: the deer, the crane, a tree, rocks and water. Originally of Chinese origin, the symbols took on a secular presence within Tibetan art. The four corners contain objects that are artistic and scholarly in nature. The rug was probably intended to bring the owner the good fortune of a long life matched with great intelligence and artistic ability. Antique Chinese pictorial rug with deer...

This vintage Caucasian Kilim rug features a fantastic geometric design woven with a vibrant colour palette that includes rust orange, cream blue an...

This rug is woven in a special weaving project in a women's coop using special lost weaving techniques. We use secret knotting techniques to make special effects. The rug is woven in all natural botanical dyes and is extremely authentic. The tiger design is based on a reproduction of and authentic antique tiger rug...

Large pair of antique style bronze Thai kneeling and praying Buddhas. Intricate detail, gilt head piece. Probably mid 20th century.

A wonderful Japanese Buddhist portable traveling zushi shrine altar with Amida Buddha (Amitabha) concealed inside the folded wood doors. This work dat...

Vintage silver Hindu Ganesh collectible Hindu diety statue amulet India. Silver amulet in original green velvet box. Hindu gift their loved ones with this...

Vintage Naga Meditating Buddha Statue. In Buddhism and Hinduism, Naga is the Sanskrit word for a deity taking the form of a very large snake, specifically the king cobra with multiple heads. Vintage Mid century Hindu art of a peaceful Naga Meditating Buddha figurine...

This is a very old Japanese wooden Buddha. It is a wood carving from the Edo period (1700s-1800s). It appears to be carved out of cedar wood. It is indescribably beautiful with dust...