Pair of Gilbert Rohde for Herman Miller Moderne Nightstands

A pair of custom real vellum-covered bedside tables, each having two drawers and a lower shelf. (Matte finish). Made in USA. Faux vellum (Satin finish) is available for $18,000 List...

An elegant single nightstand in lacquered parchment finish and antiqued brass hardware. Made by Interlude; signed with metal plaque on inside drawer. Features a drawer and two lowe...

Beautiful and comfortable pair of firehouse or captains style Windsor chairs. Retains original iron braces, painted surface and rich warm patina of wear. New England, the chairs bu...

Pair of orange resin sconces with frosted glass globe shades. France, circa 1970. Each sconce uses one 40-watt max candelabra bulb and is ready for hardwire installation. Signed S...

Great clean lines and the perfect size for the hard to fit room. Very deep and very comfortable should one choose to take a nap. These are very structurally sound but they need to be...

Pair of Industrial table lamps by Fostoria, USA, circa 1940. Bold styling and fully adjustable. Fully restored and rewired. Features ...

Modern nightstand by Gilbert Rohde for Herman Miller circa 1930s. Featuring a recessed top, two shelves, and a black drawer. Fully ma...

Gilbert Rohde Cabinet from the Mahogany Series dating to the late 1930's. Refinished about 10 years ago in a Satin Black Finish. Still presents pretty well but not perfect. Retains O...

Gilbert Rohde for Herman Miller Open Display or Bookshelf. Newly refinished and ready to go! Perfect for your amazing collection! Pe...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

Beautifully refinished mahogany vanity/coiffeuse by Gilbert Rohde for Herman Miller with original off-white "leather cloth" (Fabrikoid) top and padded drawers. Kneehole: 26" high x 22" wide x 17.5" deep See our separate listings for other pieces from this same collection. See pages from original 1941 Herman Miller catalog.

A sculptural vanity by Gilbert Rohde for Herman Miller. Floating top with leatherette covered 'wings'. Angled base cabinets contain three drawers with original padded leatherette cov...