Rattan More Carpets

This fine wool mat is the perfect front or back door accessory. Woven by hand with fine wool and cotton that has been dyed with organic vegetable dyeing techniques. The design features a simple beige background with a modern square stripe design. Our mats are handmade, woven not printed & are finished with a non-slip backing that keeps them in place to perform better than any other entrance mat made today. Suitable for both classic and contemporary home interiors. Both the colour palette and design are sure to uplift any small space. Excellent condition, ready for use in any home or office environment. Our team source only the finest interior accessories, with years of experience, let our team help you find the perfect accent pieces for your home interior. Our inventory includes a range of modern rugs, vintage rugs and antique rugs. With a huge range of colours and sizes available now. Small area rug...

78436 Antique Chinese Art Deco Rug, 01.05 x 01.06. Emanating timeless beauty with incredible detail and texture, this hand knotted wool antique Chinese Art Deco rug is a captivating vision of woven beauty. The floral design and symbolic colorway woven into this piece work together creating a truly unique look. This small Chinese Art Deco rug...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century with a pictorial design of a dragon in black, blue, red, goldenrod, and light blue-grey over a cream-white borderless field. Measures: 1' 3" x 1' 6" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

78695 Vintage Beige Chinese Tabriz Rug, 02'02 x 03'03. Presenting a sublime testament to the artistry of a bygone era, behold this petite Chinese Tabriz rug, a paragon of Victorian e...

A vintage Tibetan throw rug handmade during the mid-20th century. Measures: 2' 1" x 5' 4".

76698, New Persian Style Rug with Traditional Kirman Design. This opulent hand-knotted wool Persian Kirman style rug features an intricate centre medallion with a stylized floral mot...

77426 antique Tibetan wool tea cozy with dragon design, late 19th century tea cosy. With its exotic dragon pictorial design and vibrant colors, this hand knotted wool antique Tibetan Tea...

76593, vintage brown Tibetan accent rug with Minimalist style. This hand knotted wool vintage brown Tibetan accent rug with Minimalist style features a lustrous, plush wool pile in v...

A vintage Indonesian Textile rug in runner format handmade during the mid-20th century. Measures: 2' 0" x 8' 9".

77267 Antique Chinese Peking Wedding Rug with Art Deco Chinoiserie Style. This hand knotted wool antique Chinese Peking rug features a rounded open center ...

This handmade carpet French-style handwoven rug makes a wonderful housewarming gift, wedding gift or Christmas gift. The Savonnerie rug is one of the most prestigious European knotted pile rugs constructed with wool and cotton. The originality of design dates back to the early 17th century. It is one of the most durable and decorative rugs and carpets. We think this hand-spun wool mat would look awesome in front of your front or back door! Our mats are handmade rugs, not printed & are finished with a non-slip backing that keeps them in place to perform better than any other entry mat made today. This wool rug is sure to suit both classic and contemporary spaces. Our team source only the finest interior accessories, with years of experience, let our team help you find the perfect accent pieces for your home interior. Our inventory includes a range of modern rugs, vintage rugs and antique rugs. With a huge range of colours and sizes available now. Handwoven rug small French style Savonnerie rug...

A vintage Tibetan throw rug handmade during the mid-20th century. Measures: 3' 1" x 5' 8" Chinese Rugs & Carpet: The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets...