Antique Garebagh Caucasian Carpet

Nr. 787 - The Garebagh rug is for me one of the most beautiful carpets: its floral design is elegant and typical, different from any other one. I prefer always the ones without centr...

Classic stylized minute floral design - calm colors: pink, light blue, beige. In the corners: stulized peackocks, as a sign of luck.        

1259 - Elegant appearance and warm colors make this Garebagh carpet particularly pleasant. In this case the softy colored roses are scattered over a warm coral color: I love rhese r...

Large elegant carpet which was set at the top of the main carpet, to complete it: therefore important rug, even if very sober in design because it had to be accompanied to another ma...

Antique Garebagh (or Karebagh) carpet with elegant wide-ranging floral design, but more modern taste: without the usual central medallion and the cantonal corners. Perfect for a sitt...

Classic geometric pattern on a blue ground, but with an unusual internal frame in pastel tones: very nice. It's a very good carpet ! Optimum in entrance.

19th century carpet handwoven by the tribes of Caucasus. The featuring floral and geometric patterns with three hexagon within hexagon medallions. Stunning color and incredible detai...

Handwoven in the Caucas Mountains this lovely carpet features powerful graphics including good luck symbols. Nice coloration. See measurements below.

Derbend Rugs are products of a district including a large port city on the Caspian Sea of that name as well as smaller villages to the south and west in the northern Caucasus. The r...

Fantastic Antique Caucasian Sumak carpet or rug. An impressive antique flat-weave carpet or rug from the Caucasus, woven in the intricate "Sumak" brocading technique, with rich detai...

Caucasian kilim carpet in a geometric pattern in shades of rose, beige and brown. Dealer: S138XX

Rare Caucasian Rug Caucasus Rug Size: 176×224 cm This wonderful rug is a formerly unpublished addition to a small and rare group of blue-ground Caucasian rugs whose design is dominated by a prominent decahedral gabled ivory medallion. The overall pattern echoes that of a group of earlier 17th and 18th century north west Persian carpets, whose designs were based upon the Persian garden plan known as the “Four Gardens” or Chahar Bagh (M.S.Dimand & J. Mailey, Oriental Rugs in the Metropolitan Museum of Art, New York, 1973, p.84, fig.116). The smaller lozenges that extend above and below the central medallion on the present lot, are linked by a narrow vertical channel which represents the streams and ornamental pools that feed the flowering trees and shrubs on either side. The once eight-pointed medallion, that is an archaic form found in early Anatolian and Caucasian rugs, and which continues to be used throughout the nineteenth century in Fachralo rugs...