Vintage Spanish Arts And Crafts Design Carpet

:: Covered field in oversized vase outline scrolling vinery in scalloped contour reminiscent of Rococo stylization. Wrapped by a simplistic germinating plant design motif. Colors and...

:: Allover covered field in outwardly directed floral arabesques and cross-sections, wrapped by a scrolling vinery and vase main border, with abrashes across. Colors and shades inclu...

:: Roundel center medallion defined by densely ornamented scrolling vines atop a wide open field and corner spandrel overlays and main border reciprocating the design of the main med...

:: Scrolling serpent stylized floral tendrils covering the main field, wrapped by a dragon inspired main border. Colors and shades include: Ivory, saffron yellow, dusty gold, sky blu...

:: Allover repeating geometric guls in a classic Bokhara style "elephant footprint" wrapped by highly intricate multi-banded inner and outer borders, with the main border bearing int...

Triple column repeating oversized gul design motif, also known as the 'Elephant's Footprint'. Colors and shades include: Dusty brick red, dark dusty teal, jet black, charcoal, wine r...

Antique Donegal Carpets, woven in the town of Killybegs, County Donegal, from the 1890s onwards, represent some of the most unique and highly sought-after European weavings - originally, a Western interpretation of earlier Turkish Oushak carpets, incorporating a wide array of design elements borrowed from both the Arts and Crafts movement and traditional Celtic art. These pieces are also known for their remarkably high quality, thanks to the centuries-old tradition of wool-working belonging to the people of Donegal - early examples can be found in places as prestigious as Dublin Castle, the University of Notre Dame, and the US Whitehouse. This piece, dating to the early 20th Century, features a wonderfully fresh colour palette, and an elegant composition inspired by Arts and Crafts textiles...

A modern Spanish Cuenca room size carpet handmade during the 21st century in the style of the Arts & Crafts movement famous during the turn of the 20th century. Measures: 10' 0" x...

A contemporary interpretation of 19th century English Arts & Crafts carpets, particularly those of the renowned English textile designer, C.F. A. Voysey, whose works were largely ins...

The source of carpet comes from the book Arts & Crafts Carpets, by Malcolm Haslam, and David Black, in 1991. This carpet is interpreted by our designers with William Morris designs in the 1880s – in the United Kingdom. In 1887 English artist and bookbinder T.J. Cobden Sanderson, suggested that a new group be named the “Arts and Crafts Exhibition Society” As a result, he was the first to use the term “Art and Crafts” and also is credited with naming this new emerging movement. The Arts & Crafts movement was inspired by the degradation of product standards that resulted from the factory production age. The rise of machinery in manufacturing caused a noticeable decline in uniqueness and crafts. These anti-industrial reformers promoted economic advancement and social change. They wanted to eliminate poor quality and “artificial” items from 19th-century British society. They saw a plethora of uninteresting items on display at the Great Exhibition of 1851 and became inspired to launch a campaign for originality and uniqueness. William Morris was an English designer, as well as an uplifting social activist and writer. Morris is credited with sparking the rebirth of textile arts and traditional means of production. In 1861, Morris and a small group of designers opened an incredibly fashionable design company that grew to be largely successful. Morris left behind works in many different mediums such as textiles, books, furniture, stained glass, and area rugs. But in the end, he is most remembered for the magnificent wallpapers that he designed. He got much of his inspiration from the natural world. Through his interior decor pieces, Morris set out to convert rooms or spaces into meadows with beautiful trees meandering, vines, and plants. This concept of taking something industrial and man-made, and converting it into something natural is what William Morris meant when he once said: “-any decoration is futile… when it does not remind you of something beyond itself.” Morris was a huge commercial success and his works are some of the most sought-after pieces in the world of design and decor. He is also credited with almost single-handedly reviving the British textile arts as well as their methods of production. Morris was also severely critical of machine-made goods, exclaiming, “Today almost all wares that are made by civilized man are shabbily and pretentiously ugly.” Houses were filled “with tons and tons of unutterable rubbish,” which, he suggested, should be heaped onto a gigantic bonfire! “As a condition of life, production by machinery is altogether evil.” He masterminded one of the most well-known styles of Arts & Crafts, recognizable by its twisting and arching patterns and simple, elegant floral design prints. Although Morris believed that Persian carpets were the greatest ever made, he adopted the coarser Turkish (Ghiordes) knot for his hand-knotted carpet manufacture. They were woven at a thickness of 25 knots to the square inch at that time. Morris & Co.’s rugs are reminiscent of Persian garden design carpets in that they are smartly styled depictions of English gardens. Donegal also started producing highly desirable Irish rugs in the late 19th century. The Donegal rugs were predominantly created by English architects C.F.A. Voysey and Gavin Morton. The hand-crafted Voysey rugs are typically woven in England, Scotland, and Ireland. Voysey had a knack for using contrasting shapes to decorate flat monochromatic spaces. Dark outlines added a flair of drama to his signature pattern and Celtic rug...

Vintage Arts & Crafts runner circa 1910 France.

Early 20th Century Donegal Arts & Crafts Carpet Designed by Gavin Morton 10'4" x 11'6" - 315 x 350 cm