19th Century Chippendale Style Gainsborough Armchair

A fine quality mid-19th century Chippendale style mahogany Gainsborough armchair, having serpentine back above acanthus leaf and blind fret carved set-back arms supported on fret car...

An imposing pair of 19th century Chippendale style mahogany armchairs having acanthus carved top rails above ribbon, tassel and acanthus splat with unusual bird carved arms fitted wi...

A pair of mid-18th century George III period mahogany Library Gainsborough armchairs, having serpentine top rails above set back arms, with serpentine seats, supported on chamfered l...

An important pair of mid-18th century Chippendale period mahogany Library Armchairs, having unusual carved and scrolled cartouche-shaped backs, with scroll moulded set-back arms. The Chairs having stuffover seats with gadrooned borders, supported on blind fret carved cabriole legs with scrolled toes. For similar examples see Chippendale's Director, 'French Chairs' Plate XXI Further information: Similar examples of our Library Armchairs can be found in the third edition of Thomas Chippendale book Gentleman and Cabinet Maker’s Director (1762). The pair resembles the right chair design in Plate XXI, catalogued by Chippendale as “French Chairs”. He described in his book that this model “may be executed to advantage, some of them are intended to be open below at the back: which makes them very light without having a bad effect.’ His design illustrates his familiarity with the fashionable French Rococo style represented by the curvilinear form of the chair and scrolled feet. The carved surface decoration on our Chairs is much less elaborate than that on the published design and is more reminiscent of the work of Robert Manwaring...

A matched pair of early 19th century Regency period mahogany armchairs, having paneled scroll over backs above leaf carved and lion's head crossrails. The armchairs having lion's paw...

A set of 6 19th Century Chippendale style mahogany dining chairs having acanthus carved top-rails above pierced scrolled splats with vase & gadrooned detail, supported on square tape...

Early 19th century Gainsborough mahogany armchair in the manner of Chippendale, upholstered in sage green silk damask in the traditional 19th century style with brass studding, the s...

A Fine 19th Century Chippendale Style Armchair This superb 19th-century example of a top-quality Chippendale open armchair is made from rich...

19th century Gainsborough armchair, The square padded back above straight padded arms with unusual incised downswept supports. All upholstered i...

Good 19th century Gainsborough armchair in mahogany with new crimson linnen upholstery. This type of chair was named after the famous painter Tho...

A very fine George III period Gainsborough armchair of superb quality and large scale, attributable to Wright and Elwick. English, circa 1760. Why we like it We love the imposing scale of this iconic design from the mid-18th century, superbly handcrafted and beautifully reupholstered in a luxurious Claremont silk damask. Provenance With a pre-1903 label underneath reading GEO TROLLOPE & SONS / BELGRAVE SQUARE, / LONDON, S.W.  Attribution This armchair relates to 'French Chair' designs in the George II picturesque manner illustrated in Thomas Chippendale's The Gentleman and Cabinet-Maker's Director, London, 1754. The pattern relates closely to a suite of five library armchairs from Swinton in Yorkshire and now attributed to the Yorkshire cabinet-makers, Wright and Elwick, who were known to have worked for William Danby at Swinton in around 1775, and who were both subscribers to the first edition of the Director. The suite was sold by the Earl of Swinton and the Hon. Nicholas Cunliffe-Lister, from Swinton House, Masham, Yorkshire, in Christie's house sale, 20-21 October 1975, lot 17.  Wright and Elwick Established in 1747 by Richard Wright and Edward Elwick, this prolific partnership '[had] the honour to serve most of the Nobility & Gentry in the West and North Rideing' (G. Beard and C. Gilbert, eds., Dictionary of English Furniture-Makers 1660-1840, Leeds, 1986, pp. 1006-1008). Certainly, records indicate that they received patronage from such distinguished clients as Sir Rowland Winn at Nostell Priory, the Duke of Norfolk at Worksop Manor, Viscount Irwin at Temple Newsam House, John Spencer at Cannon Hall and most notably, the Marquess of Rockingham at Wentworth Woodhouse.  A pair of virtually identical armchairs is in the collestion of the Museum of Fine Arts, Houston. An identical armchair was sold Christie's, London, Ronald Phillips Ltd - Making Room, 2 July 2014, Lot 69. The design also corresponds to a chair in the collection at Southill, Bedfordshire (P. Macquoid and R. Edwards, The Dictionary of English Furniture, London, rev. ed., 1954, vol. I, p. 277, fig. 160). A pair of armchairs of this form was sold Christie’s New York, 19 October 2000, lot 100 ($182,000); a single chair of virtually identical form was sold Christie's London, 15 April 1999, lot 65; a further related pair was sold Sotheby's London, 5 July 1997, lot 58. George Trollope & Sons - Retailers The  firm, established in 1820 as 'paper hangers...

The Chippendale Gainsborough armchair. This handsome carved mahogany library or “Gainsborough” armchair has a gently curving back and shaped a...